Mini-Review: Either this is a brilliant prank that should go on the annals of trolling, or an amazingly ham-fisted tragedy. Lars von Trier keeps the pretence of spontaneous, honest cinema even as he uses over 100 hand-held cameras to shoot elaborate dance sequences, Björk plays the part of Björk, and the film tries as hard as it possibly can to draw tears. At best, this is a curious tragedy and a hefty tear-jerker; at worse, it's contrived, manipulative, and a two-hour insult to one's intelligence.