Mini-Review: There's genius use of tension and claustrophobia despite the comfortable staid middle class American life with wide open plains that it portrays. This contrast highlights the enclosed impenetrable mental state of a madman amongst a society that values openness and close relations as a community. It's difficult to interpret the somewhat ambiguous ending but I prefer a more mundane explanation of coming to terms that fits in with the character and his past as we see it.
Mini-Review: It's definitely not as bad as people say it is. It features good actors in Hopkins, Del Toro, and Weaving in an interesting setting. There are some decent action scenes, most notably the wolf transformation and violence that actually looks terrifying. The problem is that the various scenes seem to set a disjointed pace for the film instead of providing an interesting plot backdrop first. The story fails primarily because it's one dimensional with an utterly preposterous father/son story.
Mini-Review: It seems to struggle with its own cynical grasp of reality along with a juvenile conceptualization of spirituality as envisioned by Noe. The need for the characters to provide constant exposition in the form of banal unrealistic dialog is one of its most glaring problems aside from the mediocre acting. Despite the flaws it still has some of the most haunting visuals and soundtracks i've seen on film. This is a bold and memorable piece of work.
Mini-Review: How can you dislike a film where Nicolas Cage plays a white trash escapee from hell on a rampage fighting a satan worshipping elvis lookalike, cultists, a demonic bounty hunter, and the action is so over the top it's gut splittingly hilarious throughout. This is how you do schlock. It's unapologetic, brutal, and just plain great. The action is so absurd in its pandering to the 3d gimmick but yet glorious at the same time. Have a few beers first though.
Mini-Review: This hearkens back to classic 90's B-movie direct to video action films with B-movie stars like Dolph Lundgren. Unfortunately, this film doesn't really straddle that ironic line between reality and fantasy like those films. Instead it goes full bore most of the time intending to be taken seriously. Ben Foster and Jason Stratham are both entertaining to watch which may be its saving grace. There are still too many moments and scenes that are cookie cutter out of this tired genre.
Mini-Review: What this lacks is the creative social commentary of the first but double downed on the stoner/sex jokes. At some point this genre of film always seems like it's trying way too hard but the characters are still appealing. It's not like they have to try for the demographic they're going for and we're easily transported into their wacky universe where anything goes. Any film that breaks the 4th wall as frequently as this film does, contains liberal use of claymation, and has NPH can't be bad.
Mini-Review: It's got quirky characters, scenery, and wit but the problem is it's just not that interesting. It's more of a look into the life and head of H.S. Thompson and his writing than any of the characters but even then it's barely a glimpse as to what he was about. This is a faint prototype of HST's best work that has no real end, it's just a plodding film trying to find its voice which incidentally is what the character Kemp (Depp) as a writer is trying to do throughout the film.
Mini-Review: Tom Naughton's narration sounds like one of those talking dictionaries. He also has the charisma of a boiled ham. On a purely functional level this is alright and it's very informative. Film wise it's amateur level work but for a documentary done with minimal crew and budget it's what you would expect. It probably would have been a wiser decision to get someone more experienced in film to direct a project like this. Despite its flaws I am compelled to rate this highly on its factual merit.
Mini-Review: From the teasers you would have thought the central focus would have been the robots with Hugh Jackman. This is in fact a children's film which features a rather annoying little white kid doing hip hop dance routines with his robot friend for horribly long stretches of its running time. If this wasn't quite annoying enough the whole story is like any other feel good father/son and sports movie cliche rolled into one. The robots look pretty campy but at least it fits in with the lame story.
Mini-Review: How bad could a film be if it features a 9 year old female child doing parkour stunts within the first 15 minutes of the film? Well.. this is one of those movies which features bumbling alphabet agencies, stiff mouthed cartel men riding cool motorbikes, and female assassins in tight bodysuits. There's some genuinely beautiful technical cinematography here. Plot wise it's 20 below room level temperature retardation. However, that's to be expected these days. It's amusing enough.