Mini-Review: Part of Ryan Gosling's 2011 cinematic assault, the ides of March supplies an excellent plot, and a star cast. However, the film fails to fully deliver, with a long build-up to the crux, which promises so much when it arrives, but fails to deliver. There is the obligatory depiction of politics as a dirty, winner-takes-all environment, but the thriller-style plot creation is left without the coup de grace. The final scene, upon which so much of the film relies, ultimately fails to convince.
Mini-Review: A lovely dystopian movie, with good performances throughout. The Orwellian future depicted stays just on the right side of believable, and the reactions and consequences of a sudden lack of children are nicely displayed. Clive Owen is excellent as usual, with a strong supporting cast throughout. Happily lacking in a blunt moral message, the film guides you through the plot effortlessly, while providing plenty of space for your own thoughts
Mini-Review: An engaging, and well shot film, which manages to be quite despite the occasionally (unnecessarily) graphic violence. Ryan Gosling is excellent as the sullen loner, although it is not a part that demands a lot of him. A nice study of a man being teased out of his shell.
Mini-Review: Just let it die. If the third movie was making a bad turn, this film is accelerating directly into a wall. Atrocious plot, reasonable acting from the girl who plays Delia, but generally poor acting surrounding her. The 'twist' is at best confusing and pointless, and at worst witless blundering from half-drunk hacks.
Mini-Review: Oh dear. The Omen films take an ignoble turn in part 3. Even the sprightly presence of Sam Niel can't quite overcome the terrible plot, and the 'special' effects, don't impress either. With little of the creeping horror of the first two movies, clearly, watching Damien when he has full control of his faculties, is far less interesting than watching him learn about them.
Mini-Review: A very solid follow-up to the original Omen movie. This sees Damien as a young man in military academy, learning the full extent of his power and abilities. There are a variety of inventive and gory deaths, but the real joy is in seeing Damien from care-free young boy to satan.
Mini-Review: A really good film. Directed with a somehow 'neutral' perspective, you never feel that judgements are being made for you, and indeed, the judgements there to be made are a lot more complex than are typically portrayed. There is some excellent ensemble acting, along side excellent performances by Thomas Turgoose, Stephen Graham, and Joseph Gilgun. A touching, never patronising, and complex look at a period of history and lifestyle that receives precious little attention.
Mini-Review: Unfortunately no return to form for Lars, following the hugely disappointing Antichrist, Melancholia unfortunately fails to regain the highs of the 'golden heart trilogy'. Although excellently acted, in particular by Dunst, there is a permanent sense that there should be something 'more' in the film. Although at points startlingly lovely to look at, the transparency and lack of substance of the plot leave you yearning for better days, but not, I suspect, how Lars intended.
Mini-Review: At first annoyingly cliched, and not fantastically acted, this film rapidly moves into quality horror territory. Combining fewer 'jump' moments than you might expect, and a lot more tense build-up, the plot ratchets tighter and tighter around the main characters. The interactions from the first meeting of the 'goodies' and 'baddies' is all too believable, and represents familiar fears and situations to real life. Excellently directed, and beautifully uncompromising. An excellent horror offering.
Mini-Review: Funny and disturbing in fairly equal measure, although the comedy is certainly black. Excellent ensemble acting provides consistently high quality acting and believable characters. The movement between story lines is occasionally frustrating, but generally keeps the attention. A worthwhile watch, and an interesting take on love and life in general.