Mini-Review: I finally got around to seeing this first Bond movie, and was pleasantly surprised at how well it holds up...
Mini-Review: Mixing the right amounts of humour, pathos and spy-related high-jinx in a fast paced, engaging popcorn-movie with some of the more ingenious set-pieces in recent history.
Mini-Review: The premise and the cast is good, but the final product is underdeveloped and bland.
Mini-Review: As American teen comedies go, this is definitely in the top tier, with Stone and Tucci as the main attractions.
Mini-Review: What it lacks in accessibility it makes up for in craftsmanship and performances.
Mini-Review: Soulless and grotesquely inept storytelling destroys what could have been a decent enough kid's movie. A kid's movie filled with hard violence, break dancing robots, skanky women and the biggest douche-bag father figure protagonist since Schwarzenegger in Jingle All The Way.
Mini-Review: Starting out in the social realism end of the spectrum, and relying on some great performances, this wonderful and nasty little gem moves seamlessly through different genres, detaching itself more and more from the real before climaxing in a beautifully absurd final act. The abrupt ending is pretty annoying, but all in all Kill List doesn't disappoint.
Mini-Review: Great cast and brilliant set-up gets pulled down by a somewhat sloppy execution, but not so much that the silliness isn't enjoyable. "The last time that I trusted a dame was in Paris in 1940. She said she was going out to get a bottle of wine. Two hours later, the Germans marched into France."
Mini-Review: Not as offensively bad as the predecessor, but still nowhere near as funny as it ought to be. One decent 300 gag had me smiling a bit, but other than that... meh...
Mini-Review: Beginning with a wet-dream "Bond-intro meets Nine Inch Nail video" title-sequence, the rest of the film is surprisingly restrained. It follows both the Swedish version's style and the book's unnessesarily eclectic structure closer than one could have hoped for from Fincher. Rapace is obviously a hard act to follow, but Mara manages to create an interesting character in her own right. Summed up: A decent dark thriller, a worthy remake (for once) but less than you could have hoped for from Fincher