Mini-Review: Ranks with Harakiri as the best film from Japan. Whereas Kobayashi restricted his tragedy to a single family, Kurosawa provides no such barrier to the tide of misfortune and despair at the center of Ran. I don't think I've seen another film quite as nihilistic. In contrast to its ugly core is some truly stunning color photography. The castle battle is at once horrifying and breathtaking. It really does play like a "daytime nightmare". A powerful film with one of the greatest final shots ever.
Mini-Review: I barely made it through to the end, and then when I did, I wish I hadn't bothered. I'll admit I'm a moody prick who's incapable of enjoying light and optimistic movies, but this is such fucking overkill that they might as well have replaced Amelie with a talking golden retriever wearing a colorful party hat and given it a party whistle for it to blow each time it did something WHIMSICAL.
Mini-Review: Speaking as someone who has spent the past eight months reading lengthy case law on corporate liability and incomprehensible legislation dealing with the subdivision of real property, I can safely say that this film is fucking boring.
Mini-Review: A deeply unsettling film that's unflinching in its honest depiction of budding sexuality. Breillat presents painful and cynical truths about how the need to be wanted, to be selected can distance us from a place of security and affection while simultaneously drawing us into a predatory world of exploitation and terror. It's a terrible world where love is synonymous with rape and rejection is a death sentence.