Mini-Review: Hardly awesome, but entertaining nonetheless. This Alice left me wanting a bit but it's not horrible. The worst part is that, with the big bad Disney label, the film is terribly safe when it should border on absolute madness and danger. Oh well, guess Burton seemingly dropped the ball again acting as a studio director without caring much for the project or any kind of vision. This pat adaptation hardly soars, it's just a product, but it's watchable and Mia Wasikowska makes for a charming Alice.
Mini-Review: This could have been oh so much more, but isn't actually so terrible. Universal's reboot of The Wolfman at least looks ravishing and Emily Blunt is charming, but is it scary? Not a chance. There's gore to spare (which is admittedly cool) but it's a remote film. For being Benicio Del Toro's longtime pet project, he seems to be sleepwalking throughout the picture and Hopkins just looks bored to be there. Just another proof that studio tinkering can ruin the best of intentions.
Mini-Review: Perhaps not as cool as it was 50 years ago, this holds up amazingly well. Having never seen the film before (I know) and refusing to know much about its twisting plot, North by Northwest kept me guessing and surprising me constantly. A rocking Herrmann score just adds to the overall greatness and Hitchock works wonders with his sharp framing and odd camera angles. It all climaxes rather beautifully atop Mt. Rushmore, too bad James Mason suddenly vanishes from the picture.
Mini-Review: The little tykes are out to get ya!!! It's once more unto the breach for the kiddie gone wrong genre but at least it's more inventive and well-handled in this little seen low-budget British thriller. The acting goes from OK to downright terrible, but the murderous tots are quite good. This just doesn't pretend to be much more than it is, but the sight of little ones (4-5 year olds) killing off their dumb moms & dads has some fucked-up intensity not seen often. Well worth visiting at least once.
Mini-Review: More like a case of a brilliant filmmaker going through the motions, 'The Lovely Bones' is not a bad film at all, it's just cruelly disappointing. In more cases than one can count, it feelks like Jackson is scared shitless of the "thorny" material, so it's all very pleasing and well, nice. The glorious CGI vistas are beautiful, but distracting; however, there ARE great moments here and there, all looming in a film in desperate need of finding the right tone. This one deserved a hard R rating.
Mini-Review: Yeah, this one doesn't really work at all. Perhaps it was ambitious to try and make an epic out of little Damien, but here he has to be played by a spoiled freckled brat with no sense of acting at all. Add to that William Holden at his most stiff, Lee Grant's hysterics, Leo McKern's mumblings and a terribly incoherent, rushed mess of an ending and you get a boring snore fest. Not even the killings can add some excitement to it.
Mini-Review: Predictable notwithstanding, Cameron's expansive (and expensive) sci-fi opus is just a visual marvel. Its more memorable moments are filled with that long-missed sense of true awe & wonder. In order for you to love it you must accept its almost new-agey sensibilities but beyond that, it just a kick-ass film from a great filmmaker. The motion-capture technique has taken a new level of detail and fluidity you have never seen before. Groundbreaking and even moving, this is a true beauty to behold.
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2012 - Nov 30, 2009 |
Mini-Review: It all looks rather expensive and some sequences are downright apocalyptic, but 2012 fails miserably at portraying anything resembling true human emotion. Emmerich is a grand technician but a terrible director; any moment that is supposed to be big and horrifying ends up being absolutely laughable. It's a whole big bag of neat visual effects and nothing else. Roland, you need to understand that huge disaster flicks need true drama in order to work, not crack abysmal jokes every 5 minutes. Next!