Mini-Review: Despite the indie-flick trappings, they are overpowered by how the film deconstructs the complexities of love, life, and commitment with a light-hearted, ingenuous flair.
Mini-Review: Well, he's still really good at wartime action scenes.
Mini-Review: A documentary like Inside Job does a much better job at (1) educating you about the causes of the 2008 financial collapse, and (2) keeping you emotionally invested in the story. This dramatization fails at both of these points by only focusing on the major players of a single financial firm, whom are all reprehensible because their decisions in the film are all driven by money. The film is dangerous because by not providing the full context, some will think Irons' character is an ideal CEO.
Mini-Review: Although Bird proves he can pull off action sequences live as great as he does in animated features, it doesn't save the film from it's far-fetched script which serves only to set-up these sequences, characters be damned! The film squeaks in a line about how America views all potential terrorists as terrorists, but it otherwise doesn't have much to say at all. I appreciated Renner questioning Cruise's seemingly infallible methods, and would have preferred more of this self-aware dialogue.
Mini-Review: A philosophical time travel movie that teaches something about searching for happiness, and breaking free from today's culture-obsessed society without yearning to live in the past. The time travel is effortlessly surreal (although not Dali-surreal), allowing otherwise unbelievable characters to fit into the light, captivating atmosphere of the film. Also, Wilson is a perfect fit for the Woody Allen humor.
Mini-Review: Everything the critics of this film think is gold is shit. The problem here is that we are given 4 possible suspects for who is the mole, and yet the film decides that it is unimportant to distinguish them apart from each other in any way. A fake suspense is built over someone the audience knows nearly nothing about. It seems like this story is not meant for a 2-hour movie production, as the film spends all of its limited time being clever with plot points instead of fleshing out key characters.
Mini-Review: Having watched the film and not read the book, I now imagine the book to be a self-help diatribe on How Unorthodox Management Techniques Can Propel Your Business Forward! The script pokes fun at the fact at how baseball often gets romanticized, but I honestly think it could have been a stronger and more emotional film if it had embraced the romance... just a tad more. It is certainly a compelling story on its own, and Pitt manages to bring vibrancy to an otherwise unexceptional role.
Mini-Review: The film tries to portray messages about the importance of film preservation, the search for purpose in life, and the transformative power of a child's innate curiosity. The pacing ends up seeming very sporadic in order to reconcile these disparate themes, with some awfully convenient plot devices connecting the pieces. The atmosphere was great, but the plot's inconsistency failed to keep me engrossed. Fuck 3D, which continues to be purely a Hollywood gimmick to drain audiences' wallets.
Mini-Review: I imagine that the entire cast of high school characters are so old because they've been left behind years for obsessing about cars, women, and being cool. Teaches horrible values for kids, especially how you can have unprotected sex and not have any consequences! And although the songs and dance moves will remain classic, the corniness really dates it.
Mini-Review: You'll certainly be engrossed, but mostly because of Mara's performance and the hauntingly suspenseful score. Fincher seems forced to give us a lightning-fast-edit version of a popular mystery novel, making sure to not miss any detail in order to appease the fans and the producers; for those viewers who did not read the book, certain subplots are completely arbitrary. It ends up lacking thematic focus, which Fincher proved so well at with Zodiac and Social Network.