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alecec24
Cinema Addict - 1206 Films Ranked
Member Since: Jul 31, 2010
Location: Oly, Washington, USA
Gender: Female
Bio: Aspiring photographer whose recent obsession includes young Jean-Paul Belmondo. I also long to be in a Wes Anderson film.
Featured Reviews
100 Reservoir Dogs (1992) - Aug 01, 2010
Mini-Review: My favorite heist movie. So brutal and fierce in dialogue, grade-A-acting, and direction, it revs the viewer up just to cut away at the climax. Tarantino's instinctual camera perspective and writing makes for this to be one of his most creative and energized films yet. WHAT A KNOCKOUT DEBUT!
95 Pierrot le fou (1965) - Aug 03, 2010
Mini-Review: "My name is Ferdinand!" I appreciate this film a billion times more since my first viewing at 16. Could be easily ridden off as pretentious postmodernism, but one cannot go into a Godard like a conventional movie; it is a deconstructed joy ride. Aesthetically, Pierrot is charming and stylistic - the rich color pallet and fresh perspective in each shot sings like visual French poetry. It's obvious how absolutely mesmerized Godard was by Anna Karina, showing her off in the loveliest way.
95 The Life Aquatic with Steve Zissou (2004) - Aug 01, 2010
Mini-Review: This weird, magical little film manages to please the senses in all the best ways while grasping at our fear of fleeting mortality that many of us keep low. The thing I love about Anderson is that he masterfully blends the lighter and darker themes of life through wonderful writing, direction and visual/psychological cues; he nails it in this one. This is my favorite of his collection, to many's dismay, and that fact alone goes to show that he is a celebrated director for all the wrong reasons.
100 Persona (1966) - Sep 08, 2010
Mini-Review: Bergman understands the language of cinema, that's for sure. Despite its short duration, Persona holds so much substance and breadth of vision it nearly beckons subsequent views. The cinematography is to die for. Bibi Andersson's delivery hit me right upside the head. Persona is a compendium of the purging soul. Ingmar Bergman is a god.
100 (1963) - Aug 01, 2010
Mini-Review: I've nothing but wonderful things to say about the monster experience that is 8 1/2! Fellini's ambitions tackle a film within a film, explores memories-within-dreams which intercept reality, and masterfully exposes the strong communication of images. As Guido desperately seeks his escapism it's easy to lose grasp of his reality, but consider welcoming it. Also - the opening and final scenes could stand alone as exceptional masterpieces. Just, all around freakin' awesome.
100 Taxi Driver (1976) - Jul 31, 2010
Mini-Review: A film so brilliant in evoking the dark and ugly factions of the soul could never be faked or replicated. With Scorsese's directing and DeNiro's solid acting, this film shows how lonely one can become battling the neuroses that develop after witnessing the travesties of urban life day in and day out. The underbelly of New York shown through Scorese's cinematic reverie, lingers days after viewing. A layered film; a must see for any one serious about movies.
 
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