Mini-Review: Satisfying as a lover of psychology but a bit disappointing as a Cronenberg fan. I loved watching two great actors portraying two fascinating historical figures, and hearing them discuss topics near and dear to me. But this just wasn't a Cronenberg movie to me. Not that it needed more body horror, but that it lacked a deeper psychological subtext. The movie is ABOUT psychology but not particularly psychological.
Mini-Review: Listening to despicable people drunkenly bicker for 2 hours is the only fair way to describe this movie. I recognize the quality in Taylor's performance, but that didn't make her annoying character any easier to tolerate (in fact it probably made it harder). This movie has a unique style and is well shot, but it's utterly obnoxious and relentlessly unpleasant.
Mini-Review: McQueen's direction and script are full of naturalistic detail. If there's no need for a shot to cut away, it doesn't. And characters talk like real people actually do. Fassbender is a powerhouse. Brandon's not a bad person, per se, he just has an emotional disconnection with everything around him, and Fassbender infuses the unfortunate character with authenticity. It's a brave performance if there ever was one. This is an exquisite character study from some great talent.
Mini-Review: Michael Shannon is simply one of the best actors working today. That he wasn't nominated for an Oscar for this role is, as the trite expression goes, absolutely criminal. The film maintains a well-balanced, well-paced sense of increasing tension for its entire running time. Some of his visions were quite frightening. And boy, that ending. I'll just say this: the more I think about the ending, the less certain I am that I "got" everything about this movie. Deceptively complex. Great stuff.
Mini-Review: Jeremy Irons plays the character with just the right amount of sleaze while remaining relatively empathetic. And Swain is perfectly cast as Lolita. But I, as most people probably were, was constantly comparing this to the Kubrick version. And when you do that, this one is always going to lose. While this may be more true to the spirit of the book, I miss the sardonic tone of the original - it just worked so well. The straight faced approach just isn't as entertaining.
Mini-Review: I'm not sure if it's the subtle dark humor, the mild irreverence, the impeccably witty script, or the sight of Alec Guinness in drag, but this movie had me grinning the entire time. Guinness is delightful in his multi-role performance and Price is a marvel. The story is compelling from start to finish, with the final fifteen minutes completely living up to the promising setup. A fabulous movie.
Mini-Review: Maybe I'm being unfair; maybe I should give credit to Affleck for making a competent, passable movie. But all I could think about through this was: Ben Affleck watched Heat, loved it and wanted to make a movie just like it. And he did. Only his movie is missing the great characters, the perfect writing, the intensity, the inspired action sequences and the brilliant performances. All that's left is a pale imitation.
Mini-Review: Cronenberg puts a sexual twist on the zombie genre and pulls it off like only he could. When most other zombie films of this period focused mainly on the gore, Shivers takes it many steps further and uses the zombie as a metaphor for our baser sexual desires. The zombie has never felt more close to home, which is what makes this movie so effective. Its production values leave something to be desired, but this is a refreshingly unique creation by a talented, deep-thinking filmmaker.
Mini-Review: Such a dark, creepy movie. In fact this is surely one of the creepiest movies I've seen from the 50s. I couldn't imagine anyone better than Mitchum, with his menacingly peculiar looks, playing this unsettling role. The first half of the film is definitely stronger than the second, as much of the growing tension seems extinguished once the kids arrive at the woman's house. But the whole thing is created with a great off-kilter, dreamlike quality. It's a shame Laughton didn't make more films.
Mini-Review: Often times I'm turned off by convoluted plots, but here I felt half the fun of the movie was the challenge of keeping up with the story through the quick-churning dialog. And what fantastic dialog it is. I know nobody actually talks this way in real life, but damned if it isn't incredibly fun. Bogart was born to deliver lines like this and here he does it as well as ever. His is not an especially complex character, but he fits the noir style of this film to a T.