Mini-Review: There's something very educational about how bad this movie is. That is to say, if you do everything the exact opposite, you'll end up with a masterpiece. The acting and writing is absolutely horrendous, it's unreal how awful it is. Then the film is littered with stupidly random "scares" that are completely pointless and disconnected from any story or theme the film is trying to develop. That's the worst thing about Boo, the statement that horror movies are just incoherent crap with no meaning.
Mini-Review: This is a movie about the internet. The real disaster of this disaster movie is the explosion of personal drama into the public space, triggered by the inability of Rob to keep his argument with Beth contained. The constant broadcasting of inner life (via social networking) is the psychological trauma realized in the Cloverfield Monster. Notice everyone taking pictures of the head of the statue of liberty with their phones = web 2.0 will destroy privacy rights.
Mini-Review: Just foreign enough to be relevant, but not actually authentic, this film exists as a piece of poverty tourism. It's really hard not to like however and the disjointed narrative actually turns out to make some great transitions.
Mini-Review: The baby boomers are dying soon so I guess we need a bunch of movies about death and how you too can lead a fulfilling life, having watched the 1001 completely unremarkable films with great actors but bad screenwriting you absolutely must see before you die.
Mini-Review: The definitive movie about watching movies. Stewart's wheelchair bound voyeur is more interested in the stories happening on the "screen" than in his awesome girlfriend. One thing you could learn from this is that sometimes what you observe reflects back on your own nature. Also the set looks pretty great.
Mini-Review: A legacy of a culture is condensed so tightly and so intelligently that it transcends its pop origins. Funny throughout, played absolutely straight and without explanations. This film is a masterwork of cultural appropriation, authenticity and relentless humour.
Mini-Review: A film that is as overwhelming and intellectually serious as you might expect from a black and white French ghetto tragedy. Recurring themes (such as out-group vs. in-group and the breakdown of social structures: family, police, transport) are effortlessly weaved into the narrative, making it fun to analyze.
Mini-Review: For a classic it is lumbering in the first act and full of camera angles and music that lean more towards questionable than innovative. Nevertheless, Heston's powerful performance and a solid treatment of issues such as animal rights, origin myths and dehumanization, earn this film its status.
Mini-Review: A technical achievement and the most calculated money-maker in history, this movie is a landmark and a trendsetter. However, the intentional lack of thought that went into this is very depressing. The damn thing is named "avatar" and not for a second does the question of identity vs. appearance come into play. Inhabiting another body is treated like putting on a fake nose. That's an intentional choice. Also worrying is the subtly imperialist/western domination of the na'vi by our hero.
Mini-Review: This film was inevitably going to be a let down. It revisits some of the main themes of 28 Days, but with a much narrower focus on the fascism/surveillance aspect and without any compelling characters. At some points it references the previous movie very explicitly, like when zombie-dad thumbs mom's eyes. But repeating that makes absolutely no thematic sense in this movie because it stood for something very specific in the first and lacks any context here.