Mini-Review: It's smart, funny and catchy, but most importantly it helps to get the message out there without seeming particularly preachy -- and with a short as politically motivated as this, what more can you really ask for?
Mini-Review: It's an interesting (not entirely successful, but certainly interesting) animated style, but what really lets Wild Life down is the stagnant story: with nothing much happening, there's a creeping sense of ennui that never tries to become much else. The result is a short that feels as though it's constantly putting style over substance, with little to show for it.
Mini-Review: Much better than the original, Henderson's voicework provides a certain sweet innocence to the young Gruffalo that makes the whole thing an enjoyable short with impressive visuals.
Mini-Review: An unimaginative, paint-by-number Hugh Grant vehicle, there's not a lot here to like. When it tries to be deep and philosophical it comes across as schmaltzy and preachy, and when it actively tries to go after laughs the whole thing feels almost painfully forced.
Mini-Review: It's a good idea -- a very good idea, all told -- and the CGI is impressive, but it's far too short to allow for much in the way of story: it feels like a preview prologue to a bigger piece rather than a self-contained unit in its own right. Joy gives a good performance that only occasionally nudges the 'pantomime villain' archetype, but Newlands feels forced and stilted. Still, there's definitely a lot of potential for expansion here.
Mini-Review: It's not terrible, and the action sequences are impressive in their CGI charm, but it's let down by a weak script and poor pacing. Reynolds does his best with what he has, but scenes constantly follow on from each other with no linking whatsoever, and the resulting collection of setpieces begins to lose its sheen after a while.
Mini-Review: As a thriller, it's surprisingly effective, but it makes no effort at characterisation whatsoever, and so it comes across feeling relatively stale and lifeless -- a fact not helped by the (thankfully limited) dialogue, which makes the whole thing feel a lot more like a PSA against homophobia than an interesting narrative.
Mini-Review: Griffin's comedy isn't funny enough to justify the runtime, and what starts off relatively strong soon devolves into hackneyed stereotypes, lazy race-humour and a case study in short man syndrome, all before -- inexplicably -- becoming a cross between a PSA in favour of reading and a rant about how 'The Man' is keeping us all down. Not worth the effort.
Mini-Review: It's not without its failings -- notably several members of the cast who aren't given enough to do -- but it's well-rounded, relatable and extreme in equal measure, and (most importantly) absolutely hilarious. McCarthy gives a great supporting performance, but ultimately the success of the film comes down to just how likable Wiig and O'Dowd can be.
Mini-Review: It's a very enjoyable, easy-to-watch sports film with admirable performances all round, but it doesn't have quite the same kick as, say, The Social Network when it comes to modern behind-the-scenes storytelling. That said, Pitt and Hill make for impressive leads, and it's certainly an entertaining two hours even if it never quite manages to knock it out of the park.