Mini-Review: (2nd viewing) 3 women on the brink of despair, too bad Stephen Daldry bored me to sleep with his misguided direction. Performances aside, there's nothing to recommend. A missed opportunity.
Mini-Review: (2nd viewing) Bogged down by its alternating current of powerful and tedious moments, you can see they tried to fill the story with needless segments though I love the state of mind I find myself in when watching it and Cage is sensational, an oscar well deserved.
Mini-Review: (2nd viewing...reluctantly) Misandristic, cartoonish trash
that takes itself way too seriously. The songs are utterly awful and uninsprired to the point of inducing a headache. Without a doubt the worst Best Picture winner I've seen. Rob Marshall gets away with murder, only in America...
Mini-Review: I adored Stephen Fry as the Cheshire Cat: the smooth animation and silky voice over, the film's redeeming quality IMO. Every other department failed to capture the spirit of the classic animated film (still my favorite Disney feauture with Dumbo). There was a scene near the end where I wanted to grab my things and leave, one that pandered to the lowest common denominator (well, it's a PG rated Burton film). I just couldn't believe he'd sink that low, but hey, "even Jerry Lewis gets pussy so..."
Mini-Review: Technically, there's nothing wrong with the film: well crafted and filled with beautiful, and at times ingenious, shots. The story is moderately engaging (though not as moving as "Le Plaisir"), yet the juxtaposed symbolism serves as the film's driving force. Love is misleading, artificial, contrived and Ophüls makes an admirable statement on how easily it can be broken. A worthy classic, and a definite must see.
Mini-Review: That picture is worth a thousand words. I loved to outguess every scary moment the film had to offer, seconds before it happened. P.S. rodent WIN
Mini-Review: Stunning, a film I came to love and appreciate as it progressed and one that in many ways, feels like the culmination of Kurasawa's grandiose career, combining the refined and humane elements of his more restrained pictures together with the engaging characters of his samurai epics. We enter a desolate and obscure territory and walk away, just like our main character, a wiser person. Sincere and profound, a remarkable achievement.
Mini-Review: Even though "Paris, je t'aime" consisted of individual stories, it ended up feeling like a classy, accomplished piece of work, a feeling which "New York, I Love You" failed to evoke. They could've at least shed a light on the city's famous sights, why do these stories take place in cabs, bars, restaurants, appartments, hotel rooms,... Save for Ethan Hawke's/Maggie Q's part, this is a total disappointment.
Mini-Review: A negligible twist (which you should see coming a mile away, assuming you have a functioning brain) followed by a retarted, undeserved ending. Is this a uninspired character study or a poorly conceived Hollywood thriller ? A bit of both if you ask me. A waste of time, talent and money...
Mini-Review: My first Howard Hawks and quite a surprise, though not in a good way. I longed for something more; It struck me as aesthetically cold and surprisingly tedious but that's usually the case with play adaptations (==> "A Streetcar Named Desire"). It's well acted but those people wouldn't shut up for a single second (watch now: http://www.youtube.com/watch?v=PAMfCG6nn1w). I'll see it again one day, though this time I'll be prepared.