Mini-Review: Self-conscious attempt to remake a Jean-Paul Belmondo gangster film without Jean-Paul Belmondo. Although packed with style, through an inexplicable 80s filter, and featuring some tension-filled scenes, I found it overall to be hollow and exploitive. I hope that someday, as a culture, we can all look back on cheap, bloody, amoral storytelling like this and be embarrassed. Surely, Perlman and Brooks already are.
Mini-Review: Far and away the best film nominated for an Oscar in 2011. Despite the fact that it's relegated to the Best Documentary category, it's more beautifully and masterfully shot and edited than any of the 10 movies nominated for Best (Fiction) Picture. It's also principled, disciplined, timely, affecting, dramatic, eye-opening, illuminating, etc. Watch this once and see if you still think Hurt Locker is a serious movie about American empire, er, war.
Mini-Review: Even more lush and mysterious than Tropical Malady and a lot more coherent than Blissfully Yours -- large swaths of which I found unwatchable -- Uncle Boonmee displays a confident young director approaching mastery. Every shot is so carefully composed and matched to the next that watching the film is like turning the pages of a handmade, artist's picture-book. Sure, some of the pages are missing and it's in a barely familiar (visual) language, but all that just deepens the engagement.
Mini-Review: Ambitious, weird, melodramatic and provocatively shot faux documentary is anything but "mock." Instead it's a serious deconstruction of the concept of self, exploring the muddy boundaries between sexuality, identification, performance and empathy. It also happens to be one of the best concert films I've seen in awhile, with Clive Langer's songs given all the sweat, violence and brawling pretension they deserve.
Mini-Review: Left me shaking after seeing it. This film is a shattering and physical rapprochement between the desire for vengeance and the need to forgive. That's probably why most American critics didn't understand it. A profoundly moral film, not least because it depicts morality as a constant struggle.