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mwgerb
Film Freak - 931 Films Ranked
Member Since: Sep 1, 2009
Location: Akron, OH, USA
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Bio: Fledgling movie buff. I'd like to believe I evaluate all movies objectively, but I have a fairly massive bias towards sci-fi, along with adventure movies and sentimental stuff like Capra and Spielberg. I also tend to give low rankings to films that disappoint me, or that are overly surreal.
Featured Reviews
95 Unforgiven (1992) - Feb 07, 2010
Mini-Review: Perhaps no man other than Eastwood could make Unforgiven, which is a love letter to the Western as much as it is a deconstruction. It features conflicts as tense and scenery as beautiful as any other in the genre, but doesn't simplify its characters or romanticize their murders. This refusal to overlook these flaws, in his character or his genre, allows Eastwood to create something intensely beautiful and powerful.
2 The Star Wars Holiday Special (1978) - Dec 19, 2009
Mini-Review: Like any great sci-fi, this film asks the audience questions. Unfortunately in this case, they're questions like: What did I just watch? Why does Chewbacca's family have so much random technology? Why are they named Itchy and Lumpy? Why are there rock bands in the Star Wars universe? Can acting be more half-assed? Why does Chewbacca's dad have an orange singing girl fetish? Who do I blame for this crime against humanity?
42 Harry Potter and the Sorcerer's Stone (2001) - Jul 09, 2011
Mini-Review: ---Inner critic review--- Although the child actors annoy me constantly, and the childish plot annoys me occasionally, at least Rickman, Coltrane, and John Williams can shine through. ---Inner child review--- The special effects were awesome, especially the Quidditch game! But I can't believe how many great parts of the book they left out! What about Peeves???
74 Shutter Island (2010) - Feb 28, 2010
Mini-Review: This film has a few flaws: a few elements are overdone, the reveal/flashback wasn't handled perfectly, and some of the events are harder to understand in retrospect. Still, the suspense is intense, it's brilliant insight into a character, the cinematography mirrors the line between reality and insanity, the ending is fantastic, and it has all the positive hallmarks of a Scorsese film.
95 2001: A Space Odyssey (1968) - Sep 04, 2009
Mini-Review: The most visually sublime film I've ever watched. Not only did it revolutionize sci-fi films when it came out, but it provides a story with one of the most epic scopes ever, about the past, present, and future of the human race. Its plodding pace is a part of the craftmanship, as this film succeeds through an overarching beauty rather than constantly entertaining the viewer. I can't tell you exactly what it means, but I can tell you it is one of my favorite cinematic experiences of all time.
36 The Birth of a Nation (1915) - Jan 18, 2012
Mini-Review: I try not to rate a movie based on its ideology, or based on its historical significance. This sorely tempts me to break both guidelines. Although absolutely groundbreaking, and virtually unequaled as a record of its era, the revisionism and racism is exasperating, not to mention offensive. But even disregarding those, in the end, it simply fails to be nearly as engaging in the present day. Although innovative at the time, Griffith's film really has no value left except as a historic relic.
68 Harry Potter and the Deathly Hallows: Part 2 (2011) - Jul 15, 2011
Mini-Review: Snape's flashback scenes may be the crowning achievement of the decade-spanning series, and this film is certainly the best of the eight. While still not perfect, it is the most exciting, the most emotionally engaging, and the most conclusive. The actors have all come into their own, the themes have managed to get progressively more mature, and Yates' dark cinematography and visual spectacle proved to be the perfect fit for these movies.
64 Super 8 (2011) - Jul 02, 2011
Mini-Review: ET. The Iron Giant. Close Encounters. Star Trek. Stand By Me. Cloverfield. Super 8 lies somewhere in the middle of those, both in terms of plot, and the sense of thrill, innocence, and wonder it tries to capture. Although it's not always successful, and can't measure up to some of its influences, enough scenes do connect to put it a few steps ahead of the average summer blockbuster. PS: I know you directed this, J.J.; you can stop putting lens flares over all of your shots.
 
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