Mini-Review: un film tres drôle, avec un tempo infatigable. le film est elevé a un niveau plus haut que des autres comedies français generiques, par l'effort superbe de Jacques Villeret. Ce n'est definitivement pas un classique, cependant c'est une grande reuissite pour une adaptation de theatre. Fortement recommendé à tout les francophones.
Mini-Review: with its postcard locations, unrealistically dreamy characters and exotics, the movie starts off with a plastic feeling, like it is engineered for the middleclass working women in the us. fortunately it develops into an intriguing and daring story about relationships, all thanks to the inclusion of Cruz, who is absolutely enchanting through and through. Allen kinda pisses me off (being the loser/solid fiance type that i am), but you gotta hand it to the man about bringing out the best in actors.
Mini-Review: cinema-wise it's better than the original, better editing and directing, but still goofy and over the top. there's some pretty bad acting involved too.
Mini-Review: Hitchcock achieves a landmark, moving the art of cinema into the contemporary world that we know now. After watching countless psycho inspired movies, the plot may appear as predictible to the blasé crowd, but at a time when movies were pretty much real world cartoons, this was groundbreaking and extremely daring. Perkins' impeccable acting lifts the movie into a classic status.
Mini-Review: the only redeeming quality of this movie is that it shows a sincere portrait of what John Rambo was, a broken down psychopath. The character as it seems was based on "the survivor" archetype (and not the destroyer as in follow up movies), which could be taken as a metaphor for post-war vets' condition in civilian world. Too bad it turned into an exploitation franchise. Tier up a notch for creating an iconic movie character.
Mini-Review: a light hearted comedy where Lemmon shines and Monroe glows. Wilder has set the pace and the tone of the movie perfectly, yet the ending seems a bit forced. It's also a fine example which shows sex can be utilized subtly and tastefully. Monroe is brimming with sensuality, and keeping up with the transgender theme, if I were a girl, I'd probably go gay for Marilyn.
Mini-Review: Fire and a miss from the exceptional director Ridley Scott. DiCaprio , being white and pasty as a birthday cake, can't quite sell it when it comes to tough guy parts, and Crowe is exceedingly annoying as the mastermind jerk, a feat in which he has outdone himself. the screenplay leaves a lot to be desired (usa vsterrorists, really?) and only saving grace comes from Mark Strong but then again, it's not enough to overlook the weak story and the romatic subplot that goes nowhere.
Mini-Review: Groundhog Day comes from an era where Hollywood could still produce heartwarming family-friendly comedies with actually smart scripts and good acting. Murray is fascinating as usual (although he seems to have no chemistry with MacDowell whatsoever) and smart "what if" scenarios keep the movie interesting till the end. recommended to "back to the future" fans.
Mini-Review: exceptional art direction, amazing cast and a masterfully crafted script mould this film into a classic. Crowe is explosive and poignant, which fits his role perfectly, Spacey is top notch as always, and veteran actor Cromwell is the hidden star who steals the show. The pacing is right on, with the story unfolding gradually, hooking the audience in, with some nice bursts of fury from Crowe to keep everybody on edge. The smooth soundtrack from the 50s is the cream on top. All around solid movie.