2046 (2004)
Picking up where "In the Mood for Love" left off, 2046 is a visually seductive reverie of memory and regret, refracted through a serial womanizer's experiences with six women. (Sony Pictures Classics)
Genres: Romance, Drama, Sci-fi
Franchise: In the Mood for Love
Country: China, France, Germany, Hong Kong
Directed By: Kar-Wai Wong
Written By: Kar-Wai Wong
Starring: Chen Chang, Maggie Cheung, Carina Lau, Li Gong, Tony Chiu-Wai Leung, Ziyi Zhang, Takuya Kimura, Faye Wong, Wang Sum, Jie Dong, Thongchai McIntyre
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2046 belongs to 68 collections
1. Favorite Film of Every Criticker Member (public: moderated by PeaceAnarchy - 73 stars)
2. 21st Century Top 250 (public: moderated by dardan - 41 stars)
3. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
4. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 16 stars)
5. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by dookobore - 16 stars)
6. Doubling The Canon (public - 13 stars)
7. FIPRESCI Prize (public: moderated by paulofilmo - 11 stars)
8. Christopher Doyle, Cinematographer (public: moderated by paulofilmo - 11 stars)
9. Intellectual Sci-Fi (public: moderated by BeeDub - 11 stars)
10. TimeOut's 1000 films to change your life (public: moderated by ppinocchio - 9 stars)
11. Purposefully Slow Films (public: moderated by rant1229 - 8 stars)
12. TSPDT 21st Century's Top 250 Most Acclaimed Films (2010) (public: moderated by PeaceAnarchy - 6 stars)
13. List: Taschen (public: moderated by KasperL - 6 stars)
14. Skandies (public: moderated by toro913 - 6 stars)
15. TSPDT 21st Century's Top 250 Most Acclaimed Films (2012) (public: moderated by PeaceAnarchy - 6 stars)
16. Sex (public: moderated by Dorkovsky - 5 stars)
17. Cinemag's 100 Greatest Movies of the '00s (public: moderated by hristos - 5 stars)
18. Doubling The Canon (2010 update) (public: moderated by MMAlpha - 5 stars)
19. They Shoot Pictures: Top 100 Films of the 21st Century (public: moderated by CCLZA - 4 stars)
20. Positive Psychology Films (public: moderated by FilmStar** - 4 stars)
21. Anamorphic Cinematography (public: moderated by Bojangles - 3 stars)
22. TSPDT 21st Century's Top 250 Most Acclaimed Films (2011) (public: moderated by PeaceAnarchy - 2 stars)
23. Cannes 2004 Official Selection (public: moderated by djross - 1 star)
24. Doubling the Canon (2011 update) (public: moderated by MMAlpha - 1 star)
25. They Shoot Pics (TSPDT) 2014 new additions (public: moderated by avgcrtckr - 1 star)
26. Top 100 movies according to Greek filmmakers (public: moderated by hristos)
27. Metacritic - Generally Favorable Reviews (public: moderated by sengir)
28. A2P CINEMA'S 100 FILMS OF THE AUGHTS (public: moderated by sonique)
29. Want to see (public: moderated by veeqdee)
30. Chinese Cinema (public: moderated by Svengali)
31. onderhond.com top 200 movies (public: moderated by Bullt)
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34. TSPDT 2017 new additions (public: moderated by avgcrtckr)
35. TSPDT Top 150 Most Acclaimed Films of the 21st Century (2017) (public: moderated by arrow-s)
36. Vaporwave aesthetics (public: moderated by Ghalea)
37. Aughties Films to See (private: theficionado - 2 stars)
38. LoveHKFilm: The Best 200 Hong Kong Films Ever (private: edkrak - 2 stars)
39. LesInrocks - 100 meilleurs films de la décennie (private: Thegoodboy - 1 star)
40. Foreign - Hong Kong (private: NhanLa - 1 star)
41. Asian Cinema Experience: Styles, Spaces, Theory (private: ComradeSolar - 1 star)
42. 100 Must-See Chinese-Language Films of the 21st Century (private: Nroo - 1 star)
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48. To Watch (private: normalchaos)
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Browse the full list of collections
| Date | User | Rating | |
| Jul 14 | thirdeye42 | 75 64% |
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| Jul 08 | Numogram | 81 82% |
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| Jul 08 | speedking | 88 93% |
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| Jul 05 | KreligerMan | 70 44% |
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| Jul 02 |  |
ulashancer | 86 94% |
| Jun 30 | corcodell | 100 90% |
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| Jun 26 |  |
zahraahooei | 68 40% |
| Jun 26 | kemalcann | 82 51% |
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| Jun 25 | Man1ak | 86 80% |
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| Jun 23 | xombiemonkey | 10 96% |
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| Jun 15 |  |
meoz | 91 70% |
| Jun 13 | BlackSnail | 50 31% |
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| Jun 12 |  |
Nangijala | 85 88% |
| Jun 08 |  |
Brewster | 60 62% |
| May 28 | Grandaddy | 75 77% |
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| May 24 |  |
mmonalan | 85 90% |
| May 12 |  |
Hadzibegovic | 80 75% |
| May 07 | Feuillade | 10 % |
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| May 05 |  |
Basp | 78 76% |
| Apr 29 |  |
cemsancak | 75 10% |
| Apr 26 | damhar | 82 96% |
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| Apr 22 | AHALE80 | 60 8% |
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| Apr 07 | simsorut | 21 7% |
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| Apr 07 | TheRuins | 70 88% |
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| Apr 05 | Yasin M. | 80 73% |
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| Mar 21 |  |
DarrenCB | 90 84% |
| Mar 17 |  |
lucius | 60 54% |
| Mar 05 | mate_cosido | 70 40% |
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| Mar 02 | whoobie77 | 90 74% |
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| Mar 02 | sourheart | 70 3% |
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This is too much Wong Kar Wai
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| Mar 01 |  |
solipsist | 70 51% |
| Feb 24 | rcjunk | 20 5% |
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Everything from the shot composition to the narrative structure to the character dialog and pacing is just dumb and indulgent. I dislike just about every aesthetic choice aside from the beautiful lighting and clearly mixed dialog.
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| Feb 22 | sandman248 | 80 58% |
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| Feb 09 |  |
gamzeknc | 87 94% |
| Feb 07 | exehbs | 78 40% |
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| Feb 05 |  |
finchereznor | 80 66% |
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punpun | 90 96% |
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sonya semyon | 88 74% |
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adrenaline | 70 68% |
| Jan 11 | ZgGost | 80 % |
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haljordan2 | 1 % |
| Jan 04 |  |
ElsaH | 86 68% |
| Jan 04 | mrmiffy | 70 % |
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| Jan 04 | prixcn | 70 41% |
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| Jan 04 | dsb_mac | 70 47% |
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| Jan 02 | allynalda | 95 95% |
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| Jan 01 | nedphlix | 90 46% |
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| Dec 31, 2018 | kurt19151 | 90 78% |
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| Dec 27, 2018 |  |
roozbeh_13 | 80 70% |
| Dec 24, 2018 | BVtfxt | 75 51% |
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| Dec 24, 2018 |  |
Hyperion+ | 3 40% |
| Dec 23, 2018 | steve111 | 100 98% |
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| Dec 23, 2018 | Huisas1337 | 61 31% |
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| Dec 22, 2018 | knives | 80 75% |
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| Dec 13, 2018 |  |
jal90 | 64 29% |
| Dec 13, 2018 | seymour123 | 80 68% |
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| Dec 06, 2018 |  |
peacemac | 49 22% |
| Dec 06, 2018 | aragami | 74 57% |
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| Dec 05, 2018 | mathiasa | 60 64% |
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| Dec 04, 2018 | Mister Woody | 82 74% |
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| Nov 30, 2018 |  |
vitruvian | 85 59% |
| Nov 28, 2018 | Buse Kurtar | 79 21% |
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| Nov 27, 2018 | GothamRich | 70 48% |
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| Nov 22, 2018 |  |
fra paolo | 91 95% |
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At first, I found the 'sci-fi' element detracted from the core story about Mr Chow's attempt to fill the gap in his life left by having been In the Mood for Love. However, on a second viewing I saw that the digression into the 'future' shed crucial light on the 1960s portions. The triptych together is possibly the greatest cinematic accomplishment of my adult life. It certainly speaks deeply to my own experience.
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| Nov 19, 2018 |  |
sally_storm | 69 38% |
| Nov 06, 2018 | suarezd82 | 70 56% |
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| Oct 31, 2018 | mcgreig | 80 58% |
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| Oct 27, 2018 | NoMansGhost | 95 83% |
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| Oct 11, 2018 |  |
rezas | 80 57% |
| Sep 29, 2018 | TheBreather | 90 88% |
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| Sep 27, 2018 |  |
benguca | 85 54% |
| Sep 26, 2018 |  |
shai.fisher | 40 2% |
| Sep 21, 2018 | 655321 | 85 64% |
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| Sep 20, 2018 | ce8 | 92 98% |
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| Sep 17, 2018 |  |
spazzPP2 | 2 45% |
| Sep 10, 2018 | ginyuforce | 80 75% |
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| Sep 06, 2018 |  |
MaartenVC | 40 % |
| Aug 17, 2018 | TheMarkle | 60 38% |
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| Aug 17, 2018 |  |
Nathan S | 5 93% |
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The who, where, when, and why barely matter in any literal sense. The important thing is the perception that these images and encounters are relative to a shared universe established in Wong's previous films. The future is past, and memories are indistinguishable from fiction. This is his most abstract and impressionist work, so the primitive CGI - used sparingly anyway - actually seems somehow appropriate.
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| Aug 14, 2018 |  |
voneverec | 55 16% |
| Aug 11, 2018 | ceyhun_mr | 63 28% |
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| Aug 10, 2018 |  |
kritikos | 7 40% |
| Aug 09, 2018 |  |
Fritz Fass | 70 37% |
| Aug 04, 2018 |  |
fluland | 88 83% |
| Aug 01, 2018 | rjeli | 95 73% |
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| Jul 22, 2018 | bounasim | 75 75% |
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jemenfous | 96 95% |
| Jul 03, 2018 | Yleidus | 90 90% |
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| Jun 28, 2018 | dA7isA | 0 34% |
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FreddieQuell | 73 61% |
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Ariaz | 90 94% |
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XacK | 60 51% |
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coutinho | 70 44% |
| Jun 13, 2018 | golduser 13 | 75 58% |
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| Jun 08, 2018 | a.mousavi | 100 91% |
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navid.g | 87 86% |
| Jun 05, 2018 | andrew7693 | 80 91% |
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| May 29, 2018 | f3nris | 94 88% |
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| May 20, 2018 | tomty | 85 71% |
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| May 15, 2018 |  |
Paxton | 81 86% |
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Me: That was so beautiful and touching. Wife: What was it about? Me: Yes.
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| May 11, 2018 |  |
themoviepl | 89 38% |
| May 08, 2018 |  |
AFK (afksinemada.com) | 4 17% |
| May 07, 2018 | Siegel Hans | 70 58% |
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| May 06, 2018 | Rearwindow | 75 14% |
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| May 04, 2018 | horselover | 90 85% |
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| May 04, 2018 |  |
jeanhuxley | 80 69% |
| May 03, 2018 |  |
gunay | 95 62% |
| May 03, 2018 |  |
arash.fo | 72 40% |
| May 03, 2018 | madsie | 70 62% |
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| Apr 29, 2018 | Jet- | 86 89% |
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| Apr 28, 2018 | egjeg | 70 37% |
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| Apr 27, 2018 |  |
fidelio2046 | 100 56% |
| Apr 26, 2018 |  |
karan04 | 70 65% |
| Apr 21, 2018 | samruben | 84 77% |
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| Apr 18, 2018 | fictionfitz | 79 77% |
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| Apr 15, 2018 |  |
seha | 70 69% |
| Apr 13, 2018 |  |
dourface | 70 67% |
| Apr 11, 2018 |  |
Winternight | 25 14% |
| Apr 11, 2018 |  |
wetwillies | 85 55% |
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Viewed April 10, 2018.
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| Apr 06, 2018 |  |
RuruSmasher | 65 10% |
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My probable score for this was '90', but it probably didn't take into account how I would feel about the movie treating women. Androids? Clingy? Crazy? Newp. newp. newp. This was a very self-congratulating 'man is a genius and the women around him are props. Woe to him'. Other than that, yeah, it was well made but had nothing of the subtlety and longing of 'In the Mood for Love'. Oh, and that damned voice-over. I roll my eyes.
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| Apr 05, 2018 | jlewis | 82 48% |
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Yeah, no. In The Mood For Love was beautifully subtle and sewed plot threads and characters together beautifully while having consistent beautiful visual style and great performances. 2046 in comparison is a disaster - the main character is unrelatable, the relationships are dull, the futuristic storyline clashes in style and meaning, and there's no plot to carry you through, the visual style is a poor copy of ITMFL, and performances are dull.
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| Apr 05, 2018 | Afterlife | 70 84% |
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| Apr 02, 2018 |  |
umurtas | 50 39% |
| Mar 23, 2018 | freyr_rabbit | 100 89% |
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| Mar 20, 2018 | apsays | 86 91% |
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| Mar 18, 2018 |  |
akintunc | 60 24% |
| Mar 12, 2018 |  |
RavynLoony | 71 83% |
| Mar 09, 2018 |  |
scott.mcc | 70 63% |
| Mar 05, 2018 | iraklius | 81 75% |
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| Mar 03, 2018 |  |
zimbabweli | 90 85% |
| Mar 03, 2018 |  |
kuzronk | 60 43% |
| Mar 02, 2018 |  |
kylefilms | 100 98% |
| Feb 17, 2018 | marla-singer | 95 47% |
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| Feb 17, 2018 | coldesser | 80 73% |
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| Feb 15, 2018 | meymet | 70 57% |
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| Feb 10, 2018 | davidjn | 50 30% |
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| Feb 09, 2018 |  |
Joe Deering | 75 67% |
| Feb 06, 2018 | pp01 | 2 18% |
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| Feb 03, 2018 | probslak | 75 11% |
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| Jan 30, 2018 | tamino | 80 35% |
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| Jan 29, 2018 |  |
Yiannos | 78 86% |
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2046 proves undoubtedly that Wong Kar Wai is a fancy director of melodrama. It's arguably his most beautiful film--the color balancing is extraordinary and the cinematography surely ranks among the best of the 00's--and the complicated, time shifting narrative adds much needed depth to WKW's sensualist style which can be overly simplistic. It's also his finest work, a ravishing melancholy meditation on the relationship between time, love and memory that is rich in texture and mood.
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| Jan 27, 2018 | allneonslike | 90 98% |
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| Jan 26, 2018 | mattmoyer33 | 95 97% |
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| Jan 20, 2018 | Jonas_W | 95 99% |
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| Jan 09, 2018 | cengaveri | 78 88% |
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| Jan 08, 2018 | SyphilisDad | 74 88% |
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| Jan 07, 2018 | M-B-M | 7 87% |
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| Jan 04, 2018 |  |
RomanKubrick | 95 94% |
| Jan 03, 2018 |  |
palace | 70 40% |
| Jan 02, 2018 | zumplo | 80 38% |
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| Jan 01, 2018 | sarrasin | 8 9% |
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| Dec 31, 2017 | zand | 8 87% |
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| Dec 31, 2017 |  |
Kayyum | 75 77% |
| Dec 30, 2017 | sergerde | 93 99% |
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| Dec 30, 2017 |  |
cetincelik | 80 74% |
| Dec 28, 2017 | Ian Soz | 80 4% |
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| Dec 22, 2017 | huzham | 75 14% |
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| Dec 20, 2017 | Systematicer | 60 45% |
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| Dec 03, 2017 |  |
FancyMike | 5 89% |
| Nov 26, 2017 |  |
ott | 70 55% |
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I changed my mind: It is from the funny end of WKW but I hate this asshole-sympathetic protagonist
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| Nov 26, 2017 |  |
careunicorn | 88 57% |
| Nov 22, 2017 | njm1211 | 97 84% |
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| Nov 21, 2017 |  |
tipar | 70 89% |
| Nov 20, 2017 | imaginaryoct | 46 18% |
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| Nov 20, 2017 |  |
Josh Forrest | 60 62% |
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teaty666 | 70 88% |
| Nov 14, 2017 | Maeldun | 80 79% |
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| Nov 08, 2017 | Leis.L.Ho | 88 70% |
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| Nov 06, 2017 | Malcym | 7 74% |
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| Oct 29, 2017 | SukruSogut | 94 53% |
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| Oct 25, 2017 | SamLoveitt | 80 48% |
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| Oct 25, 2017 | tmilkander | 99 67% |
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| Oct 24, 2017 | Nick123 | 55 26% |
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| Oct 19, 2017 | rakke | 70 47% |
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| Oct 18, 2017 |  |
Taher Zeus | 83 92% |
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starman9339 | 70 34% |
| Oct 13, 2017 | sosadetz | 65 47% |
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| Oct 11, 2017 | JohnPaul821 | 70 38% |
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| Oct 10, 2017 | Halfdwarf | 82 55% |
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| Oct 01, 2017 | Vehk | 70 39% |
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| Oct 01, 2017 | sandrikoti | 100 83% |
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| Sep 15, 2017 |  |
meliorism | 70 51% |
| Sep 07, 2017 | turand | 78 14% |
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| Sep 05, 2017 | mbccl | 10 72% |
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| Aug 30, 2017 | izwt936g | 78 72% |
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| Aug 25, 2017 |  |
Curb | 99 99% |
| Aug 10, 2017 |  |
bhalac | 85 85% |
| Aug 08, 2017 |  |
Syntheseizur | 86 86% |
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The link between Wong's early career of slice-of-life romances and his more ambitious latter days. He traps many ideas about the romantic knots of nostalgia and creativity in the dense net of narrative ambiguities, but its cerebral tilt doesn't betray the emotive essence that drives the movie, even as it batters Wong's legacy. It may be one of the most complex romances of all time, pairing the abstract emotionality of The Double Life of Veronique with the volatile passions of Godard's Contempt.
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| Aug 03, 2017 |  |
hanife | 93 76% |
| Aug 02, 2017 | dantoyang | 78 69% |
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| Aug 02, 2017 | whataboutit | 80 41% |
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| Jul 25, 2017 | taka61 | 80 76% |
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jacqueskit | 60 47% |
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mannaz230 | 75 72% |
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Magmadiver | 66 25% |
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cerenrien | 93 78% |
| Jul 06, 2017 |  |
lan | 70 28% |
| Jul 01, 2017 | negoey | 95 79% |
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| Jun 22, 2017 | insider4 | 81 38% |
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| Jun 17, 2017 |  |
Arlowe_ | 69 61% |
| Jun 17, 2017 | pumpkeen | 96 74% |
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| Jun 16, 2017 | Gifts | 89 94% |
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| Jun 14, 2017 | electric | 88 90% |
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| Jun 13, 2017 | FVC | 54 43% |
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| Jun 12, 2017 |  |
xmoffx | 3 42% |
| Jun 06, 2017 |  |
emrekayhan | 99 88% |
| Jun 02, 2017 |  |
egebasaran | 68 45% |
| May 31, 2017 | kombelpeter | 60 14% |
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| May 29, 2017 | jamiro | 85 43% |
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| May 22, 2017 | Philosofem | 74 60% |
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| May 20, 2017 | ieee | 75 84% |
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| May 19, 2017 | albajos | 60 54% |
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| May 11, 2017 | ashfieldmall | 70 70% |
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| Apr 27, 2017 | rframe2 | 80 29% |
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| Apr 23, 2017 | Pix54 | 34 4% |
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| Apr 23, 2017 |  |
Nargesi | 86 49% |
| Apr 22, 2017 |  |
muzaffer | 70 39% |
| Apr 21, 2017 | CharlieSmith | 78 77% |
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| Apr 11, 2017 |  |
deanjames | 90 93% |
| Apr 09, 2017 |  |
Blowtorch | 60 15% |
| Apr 09, 2017 | ICMforum | 90 62% |
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| Apr 08, 2017 | hosein.rsl | 95 87% |
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| Apr 07, 2017 | Nacho353 | 60 76% |
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| Apr 07, 2017 | kupfertj | 77 67% |
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| Apr 02, 2017 | Aventinus | 63 52% |
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| Apr 02, 2017 | vahidtamimi | 83 58% |
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| Apr 01, 2017 | saleh_372 | 90 71% |
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| Mar 29, 2017 |  |
maptendoytes | 90 33% |
| Mar 29, 2017 | takatuka | 87 81% |
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| Mar 28, 2017 |  |
bridggedale | 81 75% |
| Mar 27, 2017 |  |
kliun | 78 85% |
| Mar 24, 2017 | calliewanton | 8 79% |
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| Mar 20, 2017 | jacy | 66 18% |
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| Mar 16, 2017 | Candiru | 85 90% |
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| Mar 09, 2017 | den_fonk | 60 54% |
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| Mar 08, 2017 | mkrusell | 58 23% |
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| Mar 06, 2017 | cet1412 | 80 84% |
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| Mar 04, 2017 | STC00000 | 95 87% |
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| Feb 28, 2017 |  |
RYM-byrates | 71 82% |
| Feb 21, 2017 | kode | 64 21% |
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| Feb 15, 2017 |  |
thumhowitz | 100 98% |
| Feb 12, 2017 | darius | 86 39% |
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| Feb 09, 2017 | spencercampo | 87 28% |
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| Feb 05, 2017 | mubo | 95 87% |
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| Feb 05, 2017 |  |
Roedhakk | 5 98% |
| Feb 01, 2017 | mericsenyuz | 80 74% |
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| Feb 01, 2017 | beardedtcosy | 80 78% |
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Displaying 1 to 250 of 2249 total ratings: Prev | Next
| Average Percentile 60.93% from 2249 Ratings |  |
