2046 (2004)
Picking up where "In the Mood for Love" left off, 2046 is a visually seductive reverie of memory and regret, refracted through a serial womanizer's experiences with six women. (Sony Pictures Classics)
Genres: Romance, Drama, Sci-fi
Franchise: In the Mood for Love
Country: China, France, Germany, Hong Kong
Directed By: Kar-Wai Wong
Written By: Kar-Wai Wong
Starring: Chen Chang, Maggie Cheung, Carina Lau, Li Gong, Tony Chiu-Wai Leung, Ziyi Zhang, Takuya Kimura, Faye Wong, Wang Sum, Jie Dong, Thongchai McIntyre
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2046 belongs to 71 collections
1. Favorite Film of Every Criticker Member (public: moderated by PeaceAnarchy - 84 stars)
2. 21st Century Top 250 (public: moderated by dardan - 45 stars)
3. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
4. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by iconogassed - 20 stars)
5. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 18 stars)
6. Intellectual Sci-Fi (public: moderated by BeeDub - 14 stars)
7. Doubling The Canon (public - 13 stars)
8. FIPRESCI Prize (public: moderated by paulofilmo - 12 stars)
9. Christopher Doyle, Cinematographer (public: moderated by paulofilmo - 11 stars)
10. TimeOut's 1000 films to change your life (public: moderated by ppinocchio - 11 stars)
11. Purposefully Slow Films (public: moderated by rant1229 - 8 stars)
12. TSPDT 21st Century's Top 250 Most Acclaimed Films (2010) (public: moderated by PeaceAnarchy - 6 stars)
13. List: Taschen (public: moderated by KasperL - 6 stars)
14. Skandies (public: moderated by toro913 - 6 stars)
15. TSPDT 21st Century's Top 250 Most Acclaimed Films (2012) (public: moderated by PeaceAnarchy - 6 stars)
16. Sex (public: moderated by Dorkovsky - 5 stars)
17. They Shoot Pictures: Top 100 Films of the 21st Century (public: moderated by CCLZA - 5 stars)
18. Cinemag's 100 Greatest Movies of the '00s (public: moderated by hristos - 5 stars)
19. Doubling The Canon (2010 update) (public: moderated by MMAlpha - 5 stars)
20. Anamorphic Cinematography (public: moderated by Bojangles - 4 stars)
21. Positive Psychology Films (public: moderated by FilmStar** - 4 stars)
22. Cannes 2004 Official Selection (public: moderated by djross - 2 stars)
23. TSPDT 21st Century's Top 250 Most Acclaimed Films (2011) (public: moderated by PeaceAnarchy - 2 stars)
24. Top 100 movies according to Greek filmmakers (public: moderated by hristos - 1 star)
25. Doubling the Canon (2011 update) (public: moderated by MMAlpha - 1 star)
26. They Shoot Pics (TSPDT) 2014 new additions (public: moderated by avgcrtckr - 1 star)
27. Vaporwave aesthetics (public: moderated by Ghalea - 1 star)
28. Metacritic - Generally Favorable Reviews (public: moderated by sengir)
29. A2P CINEMA'S 100 FILMS OF THE AUGHTS (public: moderated by sonique)
30. Want to see (public: moderated by veeqdee)
31. Chinese Cinema (public: moderated by Svengali)
32. onderhond.com top 200 movies (public: moderated by Bullt)
33. watching 2015 (public: moderated by max805)
34. film puanlamalarım (public)
35. TSPDT 2017 new additions (public: moderated by avgcrtckr)
36. TSPDT Top 150 Most Acclaimed Films of the 21st Century (2017) (public: moderated by arrow-s)
37. They Shoot Pictures 1,000 Greatest Films (2020 revision) (private: djross - 7 stars)
38. Aughties Films to See (private: theficionado - 2 stars)
39. LoveHKFilm: The Best 200 Hong Kong Films Ever (private: edkrak - 2 stars)
40. LesInrocks - 100 meilleurs films de la décennie (private: Thegoodboy - 1 star)
41. Foreign - Hong Kong (private: NhanLa - 1 star)
42. Asian Cinema Experience: Styles, Spaces, Theory (private: ComradeSolar - 1 star)
43. 100 Must-See Chinese-Language Films of the 21st Century (private: Nroo - 1 star)
44. Foreign Films (private: JMStewy)
45. Movies to See (private: gsb)
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49. 2004: Year in Review (private: polanski28)
50. to watch [TG] (private: teckgecko)
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60. Films I watched in 2012 (private: jal90)
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Browse the full list of collections
| Date | User | Rating | |
| Jan 25 | Phalanx | 25 7% |
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| Jan 23 |  |
ÖzcanEfe | 70 54% |
| Jan 15 | chengming | 70 62% |
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It's pretty (of course!), but it didn't come together to a cohesive whole for me as In the Mood for Love or Fallen Angels. With the obvious parallels, it felt a bit as if another director had been tasked to "make something in the style of In the Mood for Love".
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| Jan 14 |  |
Jenny Snow | 70 35% |
| Jan 10 | WfAg9N | 66 5% |
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| Jan 09 | Durronfo | 69 39% |
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| Jan 03 | Cheezy Dub | 60 41% |
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| Jan 01 | btanrikulu | 60 47% |
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| Dec 31, 2020 | Amir abbas | 74 70% |
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| Dec 28, 2020 |  |
w1llhunt1ng | 95 52% |
| Dec 25, 2020 | loliponi | 87 40% |
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| Dec 03, 2020 |  |
Ceekay19 | 70 57% |
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Tak: "Do you know what people did in the old days when they had secrets they didn't want to share? They'd climb a moutain, find a tree, carve a hole in it, whisper the secret into the hole and cover it up with mud. That way, nobody else would ever learn the secret..."
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| Nov 29, 2020 | cococeva | 70 65% |
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| Nov 26, 2020 |  |
Iconoclast | 79 82% |
| Nov 21, 2020 | napouser | 10 3% |
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| Nov 06, 2020 |  |
madrigal | 60 43% |
| Nov 05, 2020 | gorkemturkay | 77 72% |
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| Oct 29, 2020 | toddsalter | 89 60% |
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I watched this first, not realizing it was a sequel. Am I the only person in the world that thinks this sequel was better than In The Mood For Love? Trying to rebound from the love of one's life seems far more emotional and devastating than a simple affair that doesn't happen. The sci-fi part was entertaining but seemed sort of random. Similar to In The Mood For Love, I just didn't get attached enough to the characters to rate this any higher. But still an improvement over the first movie.
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| Oct 29, 2020 | Bushwick | 96 97% |
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| Oct 25, 2020 | ik55 | 50 9% |
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| Oct 07, 2020 |  |
New Dreamer | 88 93% |
| Oct 03, 2020 | resiros | 95 82% |
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| Oct 02, 2020 | germanicus | 99 99% |
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| Oct 02, 2020 | poormitch | 90 90% |
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| Sep 30, 2020 | zenithtim | 86 85% |
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Opio | 52 46% |
| Sep 27, 2020 | tjacob95 | 71 25% |
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| Sep 19, 2020 | elhenzo | 85 78% |
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| Sep 13, 2020 | marigolem | 100 0% |
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| Sep 13, 2020 |  |
gizibe | 75 83% |
| Sep 04, 2020 |  |
jineps | 73 63% |
| Sep 01, 2020 |  |
eCitizen | 70 68% |
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What the lead has in charisma is wasted due to his arrogance, conceit, and stupidity. The principal themes are loss and regret. It is a good production with haunting music and beautiful female love interests. Faye Wong owned this movie and gave a memorable playful performance. Chow walking away from her was perplexing and his biggest regret. The editing was choppy at times and the story jumps around. Poor English subtitles. Some good atmosphere. Overall, it was engaging and worthwhile.
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| Aug 30, 2020 | jpotII | 90 92% |
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| Aug 29, 2020 |  |
lineuphere | 85 83% |
| Aug 25, 2020 | KasperPTP | 8 70% |
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| Aug 20, 2020 | Mavoy | 87 82% |
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| Aug 11, 2020 | noteventime | 65 36% |
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aliguuzel | 80 71% |
| Aug 10, 2020 | belfastboy | 70 65% |
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| Aug 08, 2020 | snx | 90 70% |
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| Aug 08, 2020 | pyoupyou | 45 13% |
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| Aug 06, 2020 | Yondu4 | 90 60% |
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| Aug 03, 2020 |  |
PLYGNfiction | 75 75% |
| Aug 02, 2020 | fanfic | 70 53% |
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| Jul 31, 2020 | placestogo | 65 71% |
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65.3.
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| Jul 15, 2020 |  |
pileofzack | 74 39% |
| Jul 05, 2020 | CesarCastag (CinePlayers.com) | 70 50% |
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| Jun 23, 2020 |  |
cngrms | 80 45% |
| Jun 21, 2020 | sspiegel | 79 81% |
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| Jun 20, 2020 | SEE-MIDD | 67 40% |
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| Jun 18, 2020 | drrockso | 95 66% |
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| Jun 18, 2020 |  |
sofielykke | 84 71% |
| Jun 18, 2020 | julizivy | 91 83% |
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| Jun 15, 2020 |  |
tolgaterzi7 | 80 41% |
| Jun 13, 2020 | D Lightman | 84 97% |
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| Jun 12, 2020 | JZ17 | 85 73% |
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| Jun 10, 2020 |  |
IMDb_rating | 74 59% |
| Jun 09, 2020 | Shiro | 90 91% |
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| Jun 04, 2020 | cansus | 68 38% |
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| May 26, 2020 | gunduzfeneri | 75 57% |
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| May 22, 2020 | Helensun | 79 90% |
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| May 21, 2020 | ExcessStarch | 80 95% |
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| May 20, 2020 |  |
Omid Ranjbar | 55 58% |
| May 19, 2020 | palfi | 70 52% |
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| May 03, 2020 |  |
merveoztkn | 93 70% |
| May 03, 2020 |  |
Aras | 80 72% |
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HamedDwD | 92 61% |
| Apr 29, 2020 |  |
TheShiznit | 63 84% |
| Apr 26, 2020 | explorer95 | 36 30% |
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| Apr 25, 2020 | richard_1979 | 80 32% |
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| Apr 23, 2020 |  |
umutheatre | 75 53% |
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jal90 | 60 29% |
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Dalek Thay | 80 60% |
| Apr 10, 2020 | dzfsdfs | 1 0% |
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| Apr 10, 2020 |  |
borabaskan | 89 73% |
| Apr 05, 2020 |  |
cankutozturk | 78 82% |
| Apr 03, 2020 | GavanRex | 99 95% |
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| Apr 01, 2020 | spearmint | 14 13% |
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| Mar 30, 2020 |  |
Amita | 78 75% |
| Mar 26, 2020 | account2 | 62 69% |
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| Mar 21, 2020 | beybi | 90 60% |
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| Mar 11, 2020 |  |
istavritos | 87 93% |
| Mar 03, 2020 | zupertramp | 50 24% |
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| Mar 03, 2020 | LazarBloom | 60 44% |
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| Mar 03, 2020 |  |
Hyperion+ | 2 21% |
| Feb 26, 2020 | KarminaErida | 82 58% |
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| Feb 24, 2020 |  |
biftek | 80 76% |
| Feb 23, 2020 | Enid | 20 6% |
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| Feb 18, 2020 | Nightday000 | 90 27% |
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| Feb 16, 2020 |  |
SidabrineOda | 90 86% |
| Feb 02, 2020 | tammineni () | 60 17% |
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| Jan 24, 2020 | thyy | 91 67% |
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| Jan 22, 2020 |  |
kNwsVXgzm | 8 85% |
| Jan 18, 2020 | CineLounge | 74 81% |
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| Jan 16, 2020 |  |
sazsuite | 80 57% |
| Jan 08, 2020 |  |
Alex Watkins | 6 98% |
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Wong pushes the emotional geography of his films (in which longing is expressed in the character of physical space) to its limit, creating a non-space that's strictly symbolic and completely out of time, as our protagonist journeys through his memories of lost loves (real and imagined). It's as much a journey through Wong's own films as well, with characters and visual allusions from previous work scattered throughout. For the uninitiated, it might be incoherent; as an acolyte, I adored it.
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| Jan 04, 2020 | colmener | 90 94% |
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| Jan 04, 2020 |  |
SushiBrother | 70 68% |
| Dec 29, 2019 | Bolido | 82 79% |
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| Dec 18, 2019 | c.gkhn.ol | 85 35% |
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| Dec 13, 2019 | anthropoloks | 60 14% |
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| Dec 11, 2019 | jtora | 40 13% |
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| Dec 08, 2019 |  |
kcar181 | 60 12% |
| Dec 07, 2019 |  |
monclivie | 82 78% |
| Dec 04, 2019 |  |
bahman | 87 97% |
| Nov 19, 2019 | georgew | 80 58% |
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| Nov 18, 2019 | trentbrooks | 80 57% |
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| Nov 04, 2019 | flipperrbm | 5 60% |
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| Oct 28, 2019 |  |
homeros | 78 37% |
| Oct 26, 2019 |  |
kritikos | 7 46% |
| Oct 24, 2019 |  |
Dionysoss | 90 94% |
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Sayyadî | 77 67% |
| Oct 14, 2019 | thakatk0425 | 97 92% |
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| Oct 13, 2019 |  |
glumpy_99 | 27 2% |
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Woefully indulgent, irritatingly obtuse drama (with awkward sci-fi elements) is perhaps better left to the Kar-Wai faithful: mix of obscure, convoluted relationship dramas with a monotonous overly explanatory voice-over makes for a singularly deadening experience. Leung's laborious performance, contrasting with the shrill performances from all the women in his life, point to the problem with Kar-Wai's style - there is constantly either too much or too little of everything.
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| Oct 06, 2019 | lofayokos | 80 94% |
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| Oct 05, 2019 |  |
coolcoolcool | 82 68% |
| Oct 04, 2019 |  |
Florin92 | 60 41% |
| Oct 03, 2019 | pjotor | 60 69% |
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| Sep 30, 2019 | opensecret | 90 97% |
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| Sep 25, 2019 | Talohrel | 78 47% |
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| Sep 20, 2019 | Keekdahl | 82 81% |
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| Sep 14, 2019 |  |
arashnia | 84 68% |
| Sep 11, 2019 | crowisback | 55 29% |
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| Sep 01, 2019 | daniel1980 | 40 14% |
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| Aug 22, 2019 |  |
le mami | 80 81% |
| Aug 22, 2019 | gurkov | 70 66% |
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| Aug 18, 2019 | Contreras | 3 39% |
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| Aug 17, 2019 |  |
brkgnydn () | 85 84% |
| Aug 15, 2019 |  |
Gabenhurst | 70 40% |
| Aug 14, 2019 |  |
laluna | 88 70% |
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çok güçlü bi sinematografik anlatım. unutmayacağım bir klasik. küçük bir otele sığınıp hüzünlü hikayeler yazan bir yazar. baya Ömer Kavur sinemasına benzettik.
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| Aug 09, 2019 |  |
bal3x | 60 43% |
| Aug 04, 2019 |  |
goookce | 85 83% |
| Aug 03, 2019 |  |
Calexico | 70 37% |
| Jul 28, 2019 | Deoradh | 88 69% |
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| Jul 25, 2019 | rszriz | 85 87% |
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| Jul 15, 2019 | thirdeye42 | 75 65% |
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| Jul 08, 2019 | Numogram | 81 82% |
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| Jul 08, 2019 | speedking | 90 96% |
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| Jul 05, 2019 | KreligerMan | 70 44% |
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ulashancer | 86 95% |
| Jun 30, 2019 | corcodell | 100 90% |
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| Jun 26, 2019 | kemalcann | 82 51% |
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| Jun 26, 2019 | Man1ak | 86 80% |
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| Jun 23, 2019 | xombiemonkey | 9 91% |
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| Jun 15, 2019 |  |
meoz | 91 73% |
| Jun 13, 2019 | BlackSnail | 50 31% |
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| Jun 12, 2019 |  |
Nangijala | 85 89% |
| Jun 08, 2019 |  |
Brewster | 60 63% |
| May 28, 2019 | Grandaddy | 75 79% |
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Hadzibegovic | 80 76% |
| May 07, 2019 | Feuillade | 10 0% |
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Basp | 80 80% |
| Apr 29, 2019 |  |
cemsancak | 75 10% |
| Apr 26, 2019 | damhar | 82 96% |
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| Apr 23, 2019 | AHALE80 | 60 9% |
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| Apr 07, 2019 | simsorut | 21 8% |
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| Apr 07, 2019 | TheRuins | 70 88% |
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| Apr 05, 2019 | Yasin M. | 80 74% |
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| Mar 21, 2019 |  |
DarrenCB | 90 85% |
| Mar 17, 2019 |  |
lucius | 60 54% |
| Mar 05, 2019 | mate_cosido | 70 40% |
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| Mar 02, 2019 | sourheart | 70 5% |
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This is too much Wong Kar Wai
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| Mar 01, 2019 |  |
solipsist | 70 52% |
| Feb 25, 2019 | rcjunk | 20 5% |
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Everything from the shot composition to the narrative structure to the character dialog and pacing is just dumb and indulgent. I dislike just about every aesthetic choice aside from the beautiful lighting and clearly mixed dialog.
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| Feb 22, 2019 | sandman248 | 80 63% |
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| Feb 09, 2019 |  |
gamzeknc | 87 94% |
| Feb 07, 2019 | exehbs | 78 37% |
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finchereznor | 80 65% |
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tsumanne | 90 97% |
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sonya semyon | 88 73% |
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jokevv | 80 96% |
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adrenaline | 70 69% |
| Jan 11, 2019 | ZgGost | 80 88% |
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| Jan 10, 2019 | Teerak | 50 18% |
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haljordan2 | 1 0% |
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ElsaH | 86 70% |
| Jan 04, 2019 | mrmiffy | 70 66% |
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| Jan 04, 2019 | prixcn | 70 40% |
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| Jan 04, 2019 | dsb_mac | 70 47% |
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| Jan 02, 2019 | allynalda | 95 95% |
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| Jan 01, 2019 | nedphlix | 85 33% |
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| Dec 31, 2018 | kurt19151 | 90 74% |
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| Dec 28, 2018 |  |
roozbeh_13 | 80 69% |
| Dec 23, 2018 | steve111 | 100 98% |
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| Dec 23, 2018 | CiEmPank | 61 27% |
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| Dec 23, 2018 | knives | 80 76% |
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| Dec 13, 2018 | seymour123 | 80 67% |
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peacemac | 49 29% |
| Dec 06, 2018 | aragami | 74 57% |
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| Dec 05, 2018 | mathiasa | 60 60% |
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| Dec 04, 2018 | Mister Woody | 82 80% |
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| Nov 28, 2018 | Buse Kurtar | 79 21% |
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| Nov 27, 2018 | GothamRich | 70 48% |
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| Nov 22, 2018 |  |
fra paolo | 92 95% |
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At first, I found the 'sci-fi' element detracted from the core story about Mr Chow's attempt to fill the gap in his life left by having been In the Mood for Love. However, on a second viewing I saw that the digression into the 'future' shed crucial light on the 1960s portions. The triptych together is possibly the greatest cinematic accomplishment of my adult life. It certainly speaks deeply to my own experience.
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| Nov 19, 2018 |  |
sally_storm | 69 38% |
| Nov 06, 2018 | suarezd82 | 70 56% |
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| Oct 31, 2018 | mcgreig | 80 58% |
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| Oct 27, 2018 | NoMansGhost | 95 83% |
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| Sep 30, 2018 | TheBreather | 90 88% |
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| Sep 26, 2018 |  |
shai.fisher | 40 2% |
| Sep 21, 2018 | 655321 | 85 64% |
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| Sep 20, 2018 | ce8 | 92 98% |
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| Sep 17, 2018 |  |
spazzPP2 | 2 45% |
| Sep 10, 2018 | ginyuforce | 80 75% |
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| Sep 06, 2018 |  |
MaartenVC | 40 21% |
| Aug 17, 2018 | TheMarkle | 60 38% |
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| Aug 17, 2018 |  |
Nathan S | 5 93% |
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The who, where, when, and why barely matter in any literal sense. The important thing is the perception that these images and encounters are relative to a shared universe established in Wong's previous films. The future is past, and memories are indistinguishable from fiction. This is his most abstract and impressionist work, so the primitive CGI - used sparingly anyway - actually seems somehow appropriate.
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| Aug 14, 2018 |  |
voneverec | 55 18% |
| Aug 12, 2018 | ceyhun_mr | 63 27% |
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| Aug 09, 2018 |  |
Fritz Fass | 70 37% |
| Aug 04, 2018 |  |
fluland | 88 85% |
| Aug 02, 2018 | rjeli | 95 73% |
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| Jul 22, 2018 | bounasim | 75 76% |
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| Jul 12, 2018 |  |
jemenfous | 96 96% |
| Jul 03, 2018 | Yleidus | 90 90% |
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| Jun 25, 2018 |  |
FreddieQuell | 73 61% |
| Jun 24, 2018 |  |
Ariaz | 90 94% |
| Jun 22, 2018 |  |
XacK | 60 51% |
| Jun 14, 2018 |  |
coutinho | 70 44% |
| Jun 13, 2018 | golduser 13 | 75 57% |
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| Jun 08, 2018 |  |
navid.g | 87 87% |
| May 29, 2018 | f3nris | 94 88% |
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| May 20, 2018 | tomty | 85 71% |
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| May 15, 2018 |  |
Paxton | 81 88% |
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Me: That was so beautiful and touching. Wife: What was it about? Me: Yes.
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| May 11, 2018 |  |
themoviepl | 89 51% |
| May 07, 2018 | Siegel Hans | 70 57% |
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| May 06, 2018 | Rearwindow | 75 14% |
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| May 05, 2018 | horselover | 90 85% |
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| May 04, 2018 |  |
jeanhuxley | 80 69% |
| May 03, 2018 |  |
gunay | 95 69% |
| May 03, 2018 |  |
arash.fo | 72 45% |
| Apr 29, 2018 | Jet- | 86 93% |
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| Apr 28, 2018 | egjeg | 70 37% |
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| Apr 27, 2018 |  |
fidelio2046 | 100 56% |
| Apr 26, 2018 |  |
karan04 | 60 50% |
| Apr 22, 2018 | samruben | 84 77% |
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| Apr 19, 2018 | fictionfitz | 79 77% |
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| Apr 15, 2018 |  |
seha | 70 70% |
| Apr 13, 2018 |  |
dourface | 70 67% |
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Winternight | 25 14% |
| Apr 11, 2018 |  |
wetwillies | 85 57% |
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Viewed April 10, 2018.
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| Apr 06, 2018 |  |
RuruSmasher | 65 10% |
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My probable score for this was '90', but it probably didn't take into account how I would feel about the movie treating women. Androids? Clingy? Crazy? Newp. newp. newp. This was a very self-congratulating 'man is a genius and the women around him are props. Woe to him'. Other than that, yeah, it was well made but had nothing of the subtlety and longing of 'In the Mood for Love'. Oh, and that damned voice-over. I roll my eyes.
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| Apr 05, 2018 | jlewis | 82 47% |
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Yeah, no. In The Mood For Love was beautifully subtle and sewed plot threads and characters together beautifully while having consistent beautiful visual style and great performances. 2046 in comparison is a disaster - the main character is unrelatable, the relationships are dull, the futuristic storyline clashes in style and meaning, and there's no plot to carry you through, the visual style is a poor copy of ITMFL, and performances are dull.
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| Apr 05, 2018 | Afterlife | 70 84% |
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| Mar 23, 2018 | freyr_rabbit | 100 89% |
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| Mar 21, 2018 |  |
apsays | 86 92% |
| Mar 18, 2018 |  |
akintunc | 60 26% |
| Mar 12, 2018 |  |
RavynLoony | 71 84% |
| Mar 09, 2018 |  |
scott.mcc | 70 63% |
Displaying 1 to 250 of 2352 total ratings: Prev | Next
| Average Percentile 63.03% from 2352 Ratings |  |
