23rd Psalm Branch: Part I

23rd Psalm Branch: Part I

1967
Short Film
33m
In this haunting but lyrical meditation on war, Brakhage intercuts 8-mm footage of Colorado with imagery from WWII newsreels. He responds to the violence and nightmare of war by painting directly on the filmstrip. (art.meetup.com)
Your probable score
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23rd Psalm Branch: Part I

1967
Short Film
33m
Your probable score
Avg Percentile 51% from 39 total ratings

Ratings & Reviews

(39)
Compact view
Compact view
Rated 20 Sep 2023
53
46th
Rated 17 Jun 2023
8
94th
Rated 27 Jul 2021
92
90th
Rated 14 Jun 2021
67
63rd
Rated 08 Feb 2021
55
5th
Rated 06 Aug 2020
44
11th
Rated 02 Aug 2020
82
77th
Rated 07 Jun 2020
49
55th
Rated 15 Oct 2019
92
62nd
Rated 14 Aug 2019
53
45th
Rated 09 Aug 2019
50
22nd
Rated 21 Feb 2019
70
73rd
Rated 20 Jan 2019
80
77th
Rated 05 Dec 2018
40
23rd
Rated 17 Jun 2018
55
33rd
Rated 24 Jan 2017
69
65th
Rated 23 Nov 2016
85
75th
Rated 20 Nov 2016
25
1st
Rated 15 Nov 2016
12
0th
Rated 02 Jan 2016
50
28th
Rated 22 Dec 2015
98
97th
Rated 15 Dec 2015
72
19th
Rated 11 Oct 2015
30
5th
Anti-war anguish of this type has been eloquently expressed in literature, fine art, the occasional narrative film, even comic books. But from what I've seen the medium of found-footage collage has given us nothing but dross on the subject and this is no exception.
Rated 26 Aug 2015
90
84th
Rated 18 Jun 2015
100
93rd
Rated 29 May 2015
7
61st
Rated 09 May 2014
75
69th
Rated 01 Feb 2014
40
15th
Rated 30 Jan 2014
5
56th
Rated 30 Jan 2014
10
96th
Rated 01 Dec 2013
70
68th
Rated 18 Mar 2013
30
16th
Rated 02 Mar 2013
85
87th
Rated 25 Mar 2012
40
38th
Rated 18 Mar 2012
53
43rd
Rated 13 Feb 2012
60
12th
There are some interesting images with stories to tell, but I'd rather see films about those images than this frantic collage. The editing is just too rapid fire for me to take in even the base repulsion and despair that I imagine Brakhage was going for.
Rated 31 Dec 2011
80
61st
Rated 03 Aug 2009
70
70th
Rated 12 Jul 2008
70
35th
A violent (but meticulously timed) collision of war footage, death, hand-painted sections, flashing lights, and other odds n' ends. It's a dizzying and often fascinating sight, but the problem is there's too damn much of it. With this kind of visual overload, eventually the brain starts to treat it as background noise. The second part is the weaker of the two; it's got a lot of stuff in it that doesn't seem to fit. I'm sure Brakhage had his reasons for this, the first part feels more focused.

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