A Thousand Cuts

Somewhat resembles last year’s NAVALNY honing in on one of the last bulwarks against encroaching authoritarianism – an enjoyable, methodical and comprehensive journey following Ressa chipping away at power structures, and while director Diaz is careful to make this specific to the Philippines’ social-political environment, she can’t resist an attempt at warning the U.S. Well crafted and consistently engaging, especially the moments that reflect on the insidious nature of “fake news”.