Aerograd
Thematically, Aleksandr Dovzhenko's stunning Aerograd (Frontier) is a sequel to his staggering Earth (1930). The connection is this: both films assault kulaks, "Old Believers"--Christians--whose selfish desire to maintain private ownership of land contests the Soviet people's right, by virtue of the Bolshevik Revolution, to claim this land as theirs. (grunes.wordpress.com)
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