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All These Women

All These Women

1964
Comedy
1h 20m
The pretentious critic Cornelius is writing a biography on a famous cellist and to do some research he goes to stay in his house for a few days... (imdb)
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All These Women

1964
Comedy
1h 20m
Your probable score
Avg Percentile 29.7% from 135 total ratings

Ratings & Reviews

(135)
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Rated 02 Jul 2019
41
16th
At best, an amusing Fellini-esque sendup of every trope in Bergman's oeuvre. At worst, a sub-par Benny Hill episode. Seriously, Ingmar, read your critics or don't, but don't make entire movies about how little you care about them.
Rated 23 Jul 2020
80
88th
This is ridiculous - Cornelius is a combination of Mr Hulot, Jacques Clouseau and Benny Hill - but somehow Bergman makes it work. Not only that, it works really well. Hilarious and an interesting exploration of the precious artist and the critic who seeks to destroy the myth to raise themselves up. The fireworks sequence is brilliantly bonkers. Bergman's theatre experience is on full show here.
Rated 08 Dec 2006
33
3rd
In between between the bleak, inpenetrable dramas The Silence and Persona is... a wacky comedy. Knowing looks at the camera, jokey title cards, sped up action, zany ragtime music. Part sex slapstick, part vicious satire of critics, and part comment on Bergman's own attitudes towards women and his art. Occasionally amusing, nice photography (Bergman's first color film) and has some interesting experimental touches, but mostly it's horribly awkward, broad and sometimes even obnoxious.
Rated 22 Jun 2007
10
1st
For a great director, Bergman sure has made many bad films, and this travesty is his nadir.
Rated 14 Aug 2007
76
87th
Funny and underrated.
Rated 26 Apr 2008
50
24th
A hysterical play with the medium. Bergman seem jaunty in this one, placing a talky Monsieur Hulot-esque character in the centre of the (partly tiresome, partly humorous) chaos. Fascinating at times, but quite uninteresting and relatively pale as a whole - despite the glorious, colourful cinematography.
Rated 02 Oct 2013
50
10th
50.000
Rated 06 Mar 2019
3
45th
Well, this is quite unexpected. Bergman himself dismissed The Virgin Spring as Kurosawa imitation, and now here is a trifle attempted in the mold of Fellini: theater of the absurd, a cavalcade of grotesque caricature and low comedy. It is sometimes laugh out loud funny, but just as often it takes a few steps too many toward obnoxious and tiresome antics. I don't think it's outright bad, but its staying power is not much to speak of.
Rated 26 Apr 2020
50
9th
Sorry Ingmar but making a comedy out of hatred rarely works. Interesting fact: this was Bergman first movie in color. But he was so unsatisfied with the results, he became even more reluctant to move to color.

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