Bicycle Thieves
1948
Drama, Crime
1h 29m
A man and his son search for a stolen bicycle vital for his job (imdb)
Directed by:
Your probable score
?
Bicycle Thieves
1948
Drama, Crime
1h 29m
Your probable score
Avg Percentile 77.03% from 4604 total ratings
Ratings & Reviews
(4604)
Compact view
Compact view
Show
Sort
Rated 06 Feb 2008
10
98th
I wish all films were this great. The story is so simple yet so pure, so easy to relate to. It's one of the saddest things you will ever see (stick around for the ending to get punched in the gut). I love Cary Grant but I love how De Sica turned down a million bucks to not use him and keep his art pure and use a no name actor in the role instead. It just wouldn't have worked as well with Grant. A must see.
Rated 06 Feb 2008
Rated 22 Aug 2008
5
91st
One of the most gripping and emotionally wrenching stories of any film I've ever seen. The Bicycle Thief reflects Orson Welles' statement that: "What De Sica can do, that I can't do...the camera disappeared, the screen disappeared, it was simply life."
Rated 22 Aug 2008
Rated 17 Dec 2006
70
39th
I know I'm in the minority here, but this movie didn't do much for me. The end is most definitely one of the greatest ever and it's not that the movie doesn't have things going for it, it's just that I found a large part of the searching-for-the-bike section (which makes up a significant portion of the movie) tedious and uninteresting. Oh well, no one can be in love with every single "greatest movie ever" candidate.
Rated 17 Dec 2006
Rated 20 Feb 2007
95
98th
Amazing on every level. The ending scene makes you feel things you've never felt while watching a film.
Rated 20 Feb 2007
Rated 14 Aug 2007
93
96th
Heart breaking, touching, cinematic masterpiece. It's a tragedy about a simple man in a desperate situation and it's so genuine you can't not be moved. The feeling you get when the movie finishes is indescribable after you've seen what the father and son have gone through.
Rated 14 Aug 2007
Rated 27 Apr 2008
96
98th
The most affecting film I've ever seen. The honesty and truth captured by De Sica with these amateur actors is stunning. The ending - heart surgery without anaesthetic.
Rated 27 Apr 2008
Rated 09 Oct 2008
25
17th
I honestly couldn't buy the end. How does it make sense that when something bad happens to Antonio there's noone in to help, but when the same thing happens to someone else EVERYONE WITHIN 500 METERS rushes to his aid? That and more just.. Didn't make sense to me. I realize that they wanted to display Antonios misfortune, but I expected more plot-realism for a neo-realistic film. It's as if Antonio is the only person whom bad things happen to. I didn't buy it completely, although it is good.
Rated 09 Oct 2008
Rated 26 Oct 2019
80
83rd
In second grade somebody stole my bike, so like...I think I can kinda relate to this story just a tad bit. Except I got lucky, and the older kids in the neighborhood heard about it, and tracked my bike down for me. While my 7-year-old self may have been lucky enough to avoid any real emotional turmoil after a nice happy ending, this simple Italian neorealist drama led nearly-30-year-old me to shed a few tears over somebody else's fictional stolen bike. I guess, the power of cinema and all that.
Rated 26 Oct 2019
Rated 14 Jun 2007
100
98th
Simple, heartbreaking, shot with non-actors and in public spaces, it defines cinema verite.
Rated 14 Jun 2007
Rated 22 May 2008
96
97th
A very straightforward, but genuinely touching story.
Rated 22 May 2008
Rated 19 Nov 2008
94
98th
Touching, crushing, depressing. The simplicity and slow pacing begets the same feelings the characters are going through, and it really hits you hard.
Rated 19 Nov 2008
Rated 24 Jul 2009
100
99th
A beautiful and touching film that squeezes the heart of the viewer until the last scene and you can't help but get choked up. I'm not the person to say that all old movies are better than new ones, and that the classics are the only thing worth watching; but this could quite possibly be the best made film of all time. If you are looking for a movie to start your experience with classic foreign cinema this is what I would recommend.
Rated 24 Jul 2009
Rated 15 Mar 2016
41
37th
I figure I needed to bone up on my Italian Neo-Realism at least a little bit if i'm ever going to be able to call myself an adequate cinephile, but honestly i found this altogether pretty dull and unspectacular. Not bad by any means, just ordinary. Of course i guess it's unadorned cinematography is an aspect of it's "realism", but it just feels devoid of any particular style or directorial voice whatsoever. I guess i'm supposed to won over by it's compassionate humanism, but mostly i was bored.
Rated 15 Mar 2016
Rated 22 Aug 2019
98
95th
Low-key, simple masterpiece of direct emotional storytelling captures the fear and desperation of the poverty line (and its inhabitants) with unadorned and gracious insight. Maggiorani's hero is a good man, but no saint; it's painful and harrowing to see the effect his station eventually has on his character - his climactic infraction and its immediate aftermath is a wrenching heartbreaker. Unaffected performance by Staiola also helps this object lesson in being able to get a lot with a little.
Rated 22 Aug 2019
Rated 03 May 2020
80
69th
Super effective ending (spoilers ahead?) that betrays the realism (which I'm not against), it's just more of a bad dream. Guy pedals like he's stuck in jello and everyone else turns into Robocop to tackle him. I might actually have nightmares about this film. Recommended double-feature with Pee-Wee's Big Adventure to complete the cycle of catharsis.
Rated 03 May 2020
Rated 19 Mar 2007
97
97th
The Bicycle Thief is a great post-war drama about a man who is tough on his luck and gets his only mode of transportation from work to home stolen, his bike. The story follows his son and him searching all day for the thief who took the bike, and through their adventure you are faced with a very touching and emotional ride. Excellent film.
Rated 19 Mar 2007
Rated 11 Apr 2007
97
98th
The Bicycle Thief has such an extremely linear story. The story is simple, man needs bike for work, man loses bike, him and son go try and find said bike. But De Sica's direction is absolutely incredible, he keeps you captivated, and cheering for the father and son who are looking for hours on end for the bike. The characters are some of the most deeply texturized characters I've ever seen, and the ending is so heartbreaking. It actually makes you think for days and weeks on end. Incredible!
Rated 11 Apr 2007
Rated 02 Jul 2009
92
97th
Misfortune, sorrow and suffering in a quite touching but realistic movie.
Rated 02 Jul 2009
Rated 09 Sep 2009
90
99th
Unbeliavable. A crash course on neo-realism and such a heartbreaking story.. The last 10 minutes are simply soul crushing.. Bruno is superb! Loved him.. Everything was perfect in this movie.
Rated 09 Sep 2009
Rated 04 Dec 2009
90
97th
Has a simple structure, but a ton of emotional depth. Rarely have I felt such sympathy and sadness for a character at the end of a movie. I'm getting misty-eyed just thinking of it.
Rated 04 Dec 2009
Rated 05 May 2010
10
97th
Absolutely incredible picture. Simplistic in story nonetheless wonderful in every way. Must be noted that this may be as heart wrenching as a film can get. Watch "Bicycle Thieves" and you will know what it feels like to be stabbed in the face.
Rated 05 May 2010
Rated 21 Oct 2012
90
91st
man the blueprint for Peewee's Big Adventure hurts a lot
Rated 21 Oct 2012
Rated 21 Dec 2014
85
94th
Remember: this film, and neo-realism, start from a marxist point-of-view, opposed to the unrealistic fascist propaganda-movie where Italy laid for 20 years. Antonio is a proletarian, with even a sympathy for communism. So, all that journey throughout Rome is not useless, is a "society picture" of a post-war Italy. The end, is the cry of pain of the people. The guilty is the social injustice. I think that in the mind of De Sica, all this came first, above the eternal story of a father and a son.
Rated 21 Dec 2014
Rated 14 Aug 2007
89
91st
Haunting and beautiful. The tragedy is keenly felt as the father realizes that he can't get his bicycle back. A very touching movie.
Rated 14 Aug 2007
Rated 17 Jan 2008
95
99th
It may sound somewhat dry, even potentially snooze-inducing, but no. It's enrapturing, moving, the golden standard for art-house realism and a perfect film in every respect.
Rated 17 Jan 2008
Rated 25 Jun 2008
80
95th
Great film.
Rated 25 Jun 2008
Rated 15 Jun 2009
90
94th
A film very simple but extremely catchy, with very striking and memorable scenes. No doubt, a great classic.
Rated 15 Jun 2009
Rated 28 Jan 2010
100
99th
A naturalistic masterpiece that--perhaps more than any other fiction film --artfully creates the illusion that it is reality.
Rated 28 Jan 2010
Rated 24 Oct 2010
88
91st
A simple, heartbreaking tale about the desperation brought on by poverty. It's also incredibly effective in its use of non-actors. This seems like a movie that people will be able to relate to for a very long time.
Rated 24 Oct 2010
Rated 10 Dec 2010
90
93rd
*Possible spoilers* If you look at the criticker-summary for this film and consider how sufficiently it covers the plot, I think it safe to, from an academic standpoint, bury the 'high concept' theory once and for all. With the framework of a simple chase movie De Sica offers an insight into a poor and broken post-war Italy, and the brilliant ouroboros-like structure elevates one man's search to a tale of how desperation makes crime spread like a disease.
Rated 10 Dec 2010
Rated 27 Apr 2011
100
99th
The final character corruption felt so justified; yet so heart-wrenchingly disappointing. Exactly as it should have been.
Rated 27 Apr 2011
Rated 24 Jul 2011
45
33rd
Honestly, I didn't enjoy it a whole lot and found it quite uninteresting. Just because bad things happen to a character doesn't make it that emotionally engaging. There was nothing to really make me root for Antonio, and to me he just seemed like a passively unlikeable character. And having nothing but amateur actors doesn't make a film incredible because of its realistic simplicity, not too mention its totally unrealistic plot... I get why people like it, but it just isn't for me.
Rated 24 Jul 2011
Rated 21 Dec 2011
79
77th
This is a good movie that takes a simple idea (a stolen bicycle) and really runs with it. The performances are great and you really feel for the characters.
Rated 21 Dec 2011
Rated 21 Apr 2012
90
97th
Storytelling 101. It's a stripped down story of the utmost simplicity. You can't help but empathize deeply with the father and son. Absolute masterpiece.
Rated 21 Apr 2012
Rated 07 Feb 2013
90
80th
A towering pinnacle of neorealist storytelling.
Rated 07 Feb 2013
Rated 20 Mar 2015
53
30th
DId he really think that he could go home and then go back into Rome the next day and just stumble across his bike? I mean, I see it's significance in film history, but lets be honest, is this really one of the best films you've ever seen? It takes 25 minutes to get to the inciting incident because we get to watch them dicker over the price of sheets. I did think Maggiorani and Staiola were both good, but I didn't really give a shit about the characters.
Rated 20 Mar 2015
Rated 18 Jul 2019
10
99th
90 minutes of heartbreak. 93 if you've already watched, because just hearing the theme over the credits will get you. My God what a beast. Here lies some sort of pinnacle for simplicity.
Rated 18 Jul 2019
Rated 19 Aug 2023
99
99th
Actually the masterpiece that I was led to believe it is. Emotional storytelling maybe at its finest in terms of simple plots that are extremely effective. Was not at all expecting it to be so sad either. The ending legitimately had me reflecting on my own life in silence for a little while. A landmark in cinema through amateur actors (all of whom were phenomenal), tight pacing and directing, and a beautiful, harrowing story. A really well-made movie, but also one of the best I’ve ever seen.
Rated 19 Aug 2023
Rated 09 Jan 2007
85
69th
Classic and touching. Great ending.
Rated 09 Jan 2007
Rated 24 Feb 2007
95
97th
It is almost unanimously considered the best of neorealism for very good reasons. What is more sacred than the trust between a father and son?
Rated 24 Feb 2007
Rated 09 Apr 2008
97
96th
Tragic throughout, one of the best endings in the history of cinema
Rated 09 Apr 2008
Rated 27 Apr 2008
95
99th
An astounding piece on the desparation of poverty and life in the city. neo-realism at its best.
Rated 27 Apr 2008
Rated 27 Dec 2008
95
95th
27 Aralik 08, yonetmenin izledigim ilk filmi & bir basyapittir ve her zaman da oyle kalacaktir. cunku donemi ve sartlarini, basit bir hikaye uzerinden cok iyi anlatmayi basarmis. bunun yaninda oyunculuklari ve yonetmenligi ile de basarili bir cizgi yakalayabilmis bir yapim. bir baslangic: sinemada yeni bir akimin ilk orneklerinden. gercekciligin acimasizligi ile yurek burkan, bir ilk neo-realism ornegi. final sahnesi bogazimda dugum yaratti.
Rated 27 Dec 2008
Rated 30 Dec 2008
91
93rd
Although short in length, it is grand in scale and emotion. The young boy is excellent and the down on his luck father that just can't catch a break really catches a place in your heart.
Rated 30 Dec 2008
Rated 16 Feb 2009
88
83rd
Everything is simply good until the final 10 minutes. Then, one of the best scenes in movie history happens and ties every theme together and really blew me away.
Rated 16 Feb 2009
Rated 04 Mar 2009
60
85th
De Sica's heart-wrenching and arm-twisting argument on behalf of the Little Man. The people's faces and the slum locales look coldly authentic and untampered-with. But the woeful plotline -- a menial laborer's frantic search for his stolen bicycle -- dumps truckloads of irony and pathos all along the way.
Rated 04 Mar 2009
Rated 10 Jul 2009
6
56th
Unbelievable... Ok, this movie has its place in history of cinema, no question about it. But... dear highly influential, neorealistic, genious and brutally emotional in your simplicity movie, please, stay there. I refuse to accept this as something more than badly acted documentary about post-WWII Italy.
Rated 10 Jul 2009
Rated 11 Aug 2009
85
76th
I think this is sort of a cinematic litmus test, or perhaps just a realism litmus test. If you're bored, you're doing it wrong.
Rated 11 Aug 2009
Rated 03 Feb 2010
100
99th
So plain, so simple, so innocent and yet devastating since very rarely emotions have been conveyed that convincing with so few words. Lamberto Maggiorani is nothing but awesome combining the powers of silent film and talkies. An amazing piece of italian neorealism. Rome and its citizens appear so vivid, so vibrant. Simply stunning. 03/02/2010
Rated 03 Feb 2010
Rated 04 Mar 2010
75
79th
i'm not particularly fond of this film. there's just something about it that feels disingenuous
Rated 04 Mar 2010
Rated 14 Sep 2010
90
88th
Bicycle Thieves is up there as one of the most touching I've ever seen, yet also incredibly crushing. Very real and human. The ending feels like getting stabbed in the face with a butter knife, translated into upstanding cinema form!
Rated 14 Sep 2010
Rated 16 Feb 2011
47
22nd
One of the most underwhelming "classics" I've ever seen. The amateur actors do a good job, though.
Rated 16 Feb 2011
Rated 27 Mar 2011
75
52nd
i don't get it, people raving about how awesome this movie is, it's not bad. the thing is that it isn't really that good either. it's a movie i can sit though, but simply not good enough to be anything better than a one time watch.
Rated 27 Mar 2011
Rated 28 Aug 2011
94
94th
Oh man, what a beautiful movie and what a heartbreaking ending.
Rated 28 Aug 2011
Rated 17 Feb 2012
10
93rd
It is beyond me how something this perfectly crafted can feel humble and submissive. A work of cinematic magic.
Rated 17 Feb 2012
Rated 03 Sep 2012
90
98th
Good god, if this doesn't genuinely pull those heart strings of yours, then you have been turned into a cyborg sir or Ma'am.
Rated 03 Sep 2012
Rated 14 Nov 2013
62
24th
Mostly engaging, but disappointed at the ending; I've welled up at many a movie-ending, but when the boy misses the trolley it's easy to imagine what'll happen next & I felt none of the devastation that others have mentioned, it simply fell flat. Also, there were a few scenes that seemed forced & unrealistic, not only the ending (contrast the situation w/ what happens when Antonio's bike is stolen) but the oddly happy dining scene & the suddenly extra-annoyed father mistreating his son as well.
Rated 14 Nov 2013
Rated 23 Apr 2014
85
91st
Probably the best Italian neorealist adaptation of "dude, where's my car?" there is
Rated 23 Apr 2014
Rated 04 Nov 2016
88
99th
Bicycle Thieves is arguably De Sica's best film and the greatest masterpiece of Italian Neo-Realism. Its power lies in its profound simplicity: a man and his son must retrieve their stolen bike because it's the only thing standing between them and abject poverty. But the emphasis on quotidian realism is no Marxist screed; it is a compassionate and deeply moving tale of hardship resulting from immense social failure, and it remains a towering unforgettable work of humanist cinema.
Rated 04 Nov 2016
Rated 21 Dec 2016
5
93rd
Its essential simplicity belies an emotional cascade - unforeseen until the viewer is crushed beneath it - of compassion and empathy for which the film is justly hailed. Its social consciousness and human insights are demonstrated with such clear purity that it doesn't feel like an aesthetic demonstration at all. It is among the most successful implementations of neo-realist philosophy. The ending is absolutely devastating.
Rated 21 Dec 2016
Rated 14 Jan 2018
20
12th
...or he could have just gotten a loan?
Rated 14 Jan 2018
Rated 06 Nov 2018
80
81st
Beneath the neorealist working-class depiction, there's an beautiful underlying theme of isolation in the big city depicted with the constant use of crowd shots and the story of the needle-in-the-haystack search.
Rated 06 Nov 2018
Rated 17 May 2019
85
86th
Whereas Rossellini's neo-realism was far more polemic & explicit in it's political stance, De Sica's is more documentarian in nature, offering perhaps one of the greatest snap-shots of a specific time & place ever captured on film. The Rome in this film feels real and deep, capturing not just its culture, energy and idiosyncracies, but also articulating the deepest struggles, hopes and fears of its various residents. As a character study of the city, it's absolutely fascinating.
Rated 17 May 2019
Rated 29 Mar 2020
85
74th
Thoughtful and no surprise why it's a classic. I love it's capability of making the audience invest and not realize how much of life's full circle it covers.
Rated 29 Mar 2020
Rated 17 Aug 2021
90
99th
Yeah, it's a good film. No, great film. Vittorio De Sica captures something special with Ladri di Biciclette [Bicycle Thieves] (1948). The conclusion feels a little inconclusive, but also with a sign of relief after a increasingly desperate search for a stolen bike reached boiling-point. It's mainly the kids angle that makes the chemistry so enduing. Always with affection, but complicated at the same time as they roam the streets of Rome. A true classic!
Rated 17 Aug 2021
Rated 29 Apr 2023
7
57th
(2nd viewing) Didn't age as well as one would think, a film as equally engaging as it is contrived that amounts to little more than "unlucky man searching for his stolen bicycle". It also offers little variation on its premise over the course of its modest running time, with Antonio's fate having been sealed in rather manipulative fashion from the outset. More of an exercise in pity rather than a story rooted in empathy.
Rated 29 Apr 2023
Rated 13 Nov 2023
66
88th
An undeniable classic and staple for cinema as a whole, but it didn't resonate with me as I expected it to. Still, it's a great film.
Rated 13 Nov 2023
Rated 30 Mar 2007
80
68th
One of the best of the Italian neorealist films. Thoroughly worth watching
Rated 30 Mar 2007
Rated 17 Apr 2007
99
98th
# 17
Rated 17 Apr 2007
Rated 14 Aug 2007
94
99th
Justly considered one of the great masterpieces. In my view, De Sica's UMBERTO D. is even greater.
Rated 14 Aug 2007
Rated 18 Aug 2007
85
77th
It's a classic, so everyone should see it. A tale of morality that will have you questioning your ethical choices of the past. The Bicycle Thief is a classic because it is applicable to society today.
Rated 18 Aug 2007
Rated 18 Aug 2007
85
72nd
Such a sweet, sad, and touching film.
Rated 18 Aug 2007
Rated 28 Sep 2007
60
21st
A disappointment. It just seemed basically pretty flat and pedestrian (oops--pun) to me.
Rated 28 Sep 2007
Rated 23 Oct 2007
91
91st
High tragedy. De Sica does a marvelous job creating empathy for the main character in a minimum of scenes--the way he has to be called to get his job slip, the way the wife wordlessly makes a sacrifice, and capping it with the reveal of the son. The final scene is also a wonderful bit of pure tension. The film sags a bit in the middle, but its invitation to empathize with the struggle of another human being helps it stand out as a masterful work of the cinema.
Rated 23 Oct 2007
Rated 01 Mar 2008
99
98th
#15
Rated 01 Mar 2008
Rated 13 Mar 2008
96
99th
A simple but poignant movie. De Sica portrays the desperation and decrepitude of post-WWII Italy with such detail that one can't help but feel the utmost sympathy for these characters, which makes the climax so profoundly heartbreaking. The final few minutes have stayed in my mind for years after first seeing it. It's a rare type of movie that makes me look at myself and truly question if I'm as strong in my moral convictions as I think I am. Every single person needs to see this movie.
Rated 13 Mar 2008
Rated 27 Apr 2008
80
76th
De Sica treats his subject penetratingly, making the film gripping and honest in its depiction of the seemingly helpless fate of two poor souls in the streets of Rome. An amazing slice of neorealism.
Rated 27 Apr 2008
Rated 06 Jul 2008
85
75th
Very touching and sad. Neo-realism at its finest.
Rated 06 Jul 2008
Rated 13 Jul 2008
62
56th
There's no doubt that "The Bicycle Thief" is a classic movie. But, just because a movie is a classic doesn't mean that it is a "Tier 10" movie. Good Grief, People! LOL Yes, Bicycle Thief is watchable and it will keep your attention, but if you're looking to spend your money to rent a Tier 10 quality type of movie on dvd, at least rent a REAL Tier 10 movie! Watch this one on Youtube (yes you can find it there).
Rated 13 Jul 2008
Rated 19 Dec 2008
99
98th
14
Rated 19 Dec 2008
Rated 12 Jan 2009
70
40th
I don't regard this one with as much reverence as many seem to, but it is a well-crafted film with some great and memorable shots and an interesting premise.
Rated 12 Jan 2009
Rated 21 Jan 2009
95
97th
Neorealism doesn't get any better than this!
Rated 21 Jan 2009
Rated 23 Jan 2009
93
94th
Fantastic film visually, but probably more for real cinephiles because it isn't as fast paced as current film. It's great to watch it though and realize how much later cinema borrowed from these early films.
Rated 23 Jan 2009
Rated 29 Jan 2009
86
81st
A very affecting film, the only problem is the whole movie just seems like a buildup to the ending. But overall very well done, well acted, etc.
Rated 29 Jan 2009
Rated 19 Mar 2009
89
97th
The ending is so sad, it really affects you. So does the rest of the movie.
Rated 19 Mar 2009
Rated 20 Mar 2009
86
42nd
I appreciate this movie. The kid was great and I didn't find the searching-for-bicycle too boring. When it did get a little bit tedious, I would admire the black and white cinematography. The ending was well done.
Rated 20 Mar 2009
Rated 23 Apr 2009
9
97th
Flawless, without a doubt, with very rich characterization and beautiful photography, but still I can't get myself to love this movie.
Rated 23 Apr 2009
Rated 17 Jul 2009
85
79th
A bit too slow at times, but the end was totally worth it.
Rated 17 Jul 2009
Rated 20 Jul 2009
95
94th
Simple yet powerful storytelling. Rewatchable many times, amazing ending, and my only complaint is that some of the scenes don't add much to the plot, although they are still entertaining.
Rated 20 Jul 2009
Rated 08 Aug 2009
91
97th
Simple yet great story. Authentic characters, the son was absolutely stunning.
Rated 08 Aug 2009
Rated 18 Aug 2009
50
12th
I had to watch this movie for film class in college, and all I remember is just hating this movie through and through. It was shown to us as an example of exemplary filmmaking, and I'm sure that if I watch it again, being older and wiser, it just may hold up as such.....but, man, all I remember of the film now is how much I detested this film when I last saw it. It may have been the little boy who was just a complete creep......
Rated 18 Aug 2009
Rated 21 Sep 2009
87
78th
A not-so-complicated movie that has to do with poverty with an ending that just hits you. I should explore more from this Vittorio De Sica guy.
Rated 21 Sep 2009
Rated 23 Sep 2009
85
52nd
Touching film, one of the few I really like from neo-realism genre. It's a story of a poor family and it's father trying to locate his stolen bicycle which is the only way to keep his job.
Rated 23 Sep 2009
Rated 23 Oct 2009
97
95th
In real life, small conflicts can be invested with grandiose drama. This is the rare film that mirrors that reality.
Rated 23 Oct 2009
Cast & Info
Directed by:
Collections
(182)
Compact view
Show
Sort
Moderated by caffe
Last updated on with The Girl Can't Help It
Moderated by ppinocchio
Last updated on with Dune
Moderated by PeaceAnarchy
Last updated on with The Great Escape
Moderated by PeaceAnarchy
Last updated on with Narayama bushiko
Moderated by PeaceAnarchy
Last updated on with Improvisation
Moderated by PeaceAnarchy
Last updated on with Drive My Car
Moderated by Scottathon
Last updated on with Henry V
Moderated by theficionado
Last updated on with What's Up, Doc?
Moderated by PeaceAnarchy
Last updated on with Zulu
Moderated by MMAlpha
Last updated on with Fires on the Plain
Moderated by avgcrtckr
Last updated on with The Great White Silence
Moderated by KasperL
Last updated on with The Iron Claw
Moderated by Jehan
Last updated on with Citizen Kane
Moderated by PeaceAnarchy
Last updated on with Toni
Last updated on with Women Talking
Moderated by Jorg
Last updated on with Bohemian Rhapsody
Moderated by iconogassed
Last updated on with Citizen Kane
Moderated by Cinephile
Last updated on with The Dance of Life
Moderated by avgcrtckr
Last updated on with Quo vadis, Aida?
Showing 1 - 24 of 182 results
Similar Titles
Loading ...
Statistics
Loading ...
PSI
?