BlacKkKlansman (2018)
Ron Stallworth, an African-American police officer from Colorado, successfully managed to infiltrate the local Ku Klux Klan and became the head of the local chapter. (imdb)
Genres: Comedy, Drama, Crime, Biography
AKA: Black Klansman
Country: USA
Directed By: Spike Lee
Written By: Spike Lee, Kevin Willmott, David Rabinowitz, Charlie Wachtel
Starring: Alec Baldwin, Frederick Weller, Harry Belafonte, Robert John Burke, Topher Grace, Jasper Pääkkönen, Adam Driver, Ryan Eggold, Corey Hawkins, John David Washington, Laura Harrier, Paul Walter Hauser
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BlacKkKlansman belongs to 28 collections
1. Academy Award - Oscar - Best Picture and Nominees (public: moderated by smviper00 - 33 stars)
2. Academy Award - Oscar - ALL Best Picture, Directing, Acting & Screenplay Nominees (public - 18 stars)
3. Films available in HD (public: moderated by kubricksucks - 12 stars)
4. Oscar: Best Writing (adapted/original) (public: moderated by paulofilmo - 8 stars)
5. Cannes Film Festival's Grand Prix (public: moderated by hristos - 7 stars)
6. Race / Racism (public: moderated by Moribunny - 3 stars)
7. American racial politics (public: moderated by djross - 3 stars)
8. The Next Picture Show Podcast (public: moderated by trippingly - 2 stars)
9. Cannes 2018 Official Selection (public: moderated by jagarnyfiken - 1 star)
10. Cannes 2018 (public: moderated by Johnny Mo)
11. African-American protagonist (public: moderated by Moribunny)
12. 2019 Academy Awards- Nominated Feature Films (Non-Documentary) (public: moderated by joel-w-m)
13. 91st Academy Awards: Nominated (public: moderated by 5Z5qjRCfM2)
14. edkrak films to see (private: edkrak - 2 stars)
15. Oscar Nominations 2019 (private: Adds - 2 stars)
16. 2018: Complete Watchlist (private: SageSledge - 1 star)
17. Curzon Ripon (private: mandy)
18. 2)Watchlist (private: kissgyozi)
19. My (elhenzo) Movie Collection (private: elhenzo)
20. seen in 2018 (private: sproost)
21. Black Men Can't Jump in Hollywood Podcast (private: TychoCelchuu)
22. The Best of 2018 (private: SageSledge)
23. digital (private: ribcage)
24. Mel's To Watch (private: melevelyn)
25. Mini Reviews! (private: SageSledge)
26. toucé (private: rnest)
27. 2019: Complete Watchlist (private: SageSledge)
28. 2019 (private: cash)
Browse the full list of collections
| Date | User | Rating | |
| Apr 19 | jdnolla | 7 59% |
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| Apr 19 |  |
lumpnboy | 55 61% |
| Apr 18 | Arberwaticus | 89 50% |
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A good film that does feel like it loses its pacing but does pick up well every time. Spike Lee is not one for subtly sometimes.
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| Apr 17 |  |
emtilt | 71 69% |
| Apr 17 |  |
Lionel Hutz | 88 77% |
| Apr 17 | hfb351 | 30 % |
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| Apr 16 | jordanrosman | 75 % |
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| Apr 16 | n0teoY | 75 % |
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| Apr 16 |  |
lovleigh | 65 41% |
| Apr 16 | jesselc | 0 0% |
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Another safe, establishment propaganda piece made with the kind of dim-witted heavy-handedness that encapsulates all mainstream attempts to tackle racial politics in the current era. Spike Lee has never been noted for his subtlety, but tying this story to Charlottesville is bad even by his standards and gives away how out of touch he is. Spike and people who think like him are the KKK of our era, funded and legitimized by all corridors of power and turned against average peaceful white people.
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| Apr 15 | thatgreatwar | 53 31% |
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| Apr 15 | danialinho | 65 32% |
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| Apr 14 | Ethereal | 70 77% |
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| Apr 14 | wueDOl | 70 % |
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| Apr 13 |  |
exolstice | 92 97% |
| Apr 13 | Letterdief | 80 65% |
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| Apr 12 | devinw10 | 89 74% |
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| Apr 11 | Delek | 94 68% |
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| Apr 10 |  |
AAAutin | 49 48% |
| Apr 10 | haraksha | 100 98% |
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| Apr 09 | evilfreaker | 90 52% |
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| Apr 08 | mgoodwin | 80 74% |
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| Apr 07 | saskolozz | 69 29% |
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| Apr 07 | kurzavas | 70 % |
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| Apr 07 |  |
Roedhakk | 4 84% |
| Apr 06 | simsorut | 44 21% |
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| Apr 02 | boysanilar | 77 47% |
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| Apr 02 |  |
peterhall | 68 49% |
| Apr 02 | dsturek | 80 73% |
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| Apr 01 | jarno | 30 67% |
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| Apr 01 | dmeband | 80 67% |
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| Mar 31 | StaticSnow | 80 57% |
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| Mar 31 | nickj1680 | 98 72% |
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| Mar 31 | Jundurian | 85 67% |
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| Mar 31 | kevlarkoala | 94 57% |
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| Mar 30 | skb2933 | 90 84% |
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| Mar 28 | Emcee44 | 87 79% |
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| Mar 27 |  |
Nathan S | 4 76% |
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Is it possible to separate one's identity from an oppressive status quo, and furthermore to institute reform from within the regime? Perhaps the good cop narrative is a naive misfire for dramatic effect, but in any case this film stokes the flame. It is agitating and invigorating, timely and topical in the year of its release, and likely for many more to come. Set in the 1970s and as relevant now as it would have been then, its final note laments that the struggle continues.
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| Mar 25 | mo·ksha | 82 54% |
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| Mar 25 | mesela | 80 64% |
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| Mar 25 | sebQbe | 20 3% |
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| Mar 25 |  |
MJVmovieMan | 70 46% |
| Mar 25 |  |
uluocakkerem | 62 16% |
| Mar 25 | rdonoso | 94 75% |
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| Mar 24 | nedphlix | 97 81% |
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| Mar 24 |  |
Frank XVI | 60 27% |
| Mar 23 |  |
Calabria | 80 53% |
| Mar 23 | lillakniven | 60 51% |
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| Mar 22 |  |
flowing | 68 77% |
| Mar 22 | zurrenarh | 70 63% |
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| Mar 21 |  |
DarrenCB | 80 62% |
| Mar 21 |  |
xybydy | 81 69% |
| Mar 21 | Sts95 | 70 % |
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| Mar 20 | LightningBob | 70 81% |
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| Mar 20 |  |
Cryptecks | 95 90% |
| Mar 20 |  |
lunarstyle | 77 29% |
| Mar 19 |  |
igac.bl | 4 14% |
| Mar 19 | jwortel | 78 73% |
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| Mar 18 | donalucia | 100 79% |
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| Mar 18 | hobbithead | 89 40% |
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| Mar 18 | naoisem | 70 51% |
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| Mar 17 |  |
altug | 62 32% |
| Mar 17 | darius | 91 49% |
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| Mar 16 | cash | 80 56% |
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| Mar 16 | savagebren | 70 47% |
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| Mar 16 | u7SQb1 | 70 % |
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| Mar 16 |  |
Cipher067 | 70 60% |
| Mar 15 |  |
!Marx | 65 35% |
| Mar 15 |  |
quartier | 6 46% |
| Mar 15 | tommy_leazaq | 65 79% |
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| Mar 15 | soderberg | 40 9% |
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| Mar 14 |  |
zoku | 85 31% |
| Mar 13 | future42 | 4 70% |
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| Mar 13 | jimmyp | 90 96% |
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| Mar 13 |  |
Jen | 75 68% |
| Mar 12 | HarryDunn | 75 72% |
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| Mar 12 |  |
methad1 | 67 46% |
| Mar 11 | Tazurel | 85 71% |
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| Mar 11 |  |
TAYLOR-MANIA | 80 51% |
| Mar 10 | arashy | 75 45% |
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| Mar 10 | sblobas | 73 45% |
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| Mar 10 |  |
DrGoatman | 85 89% |
| Mar 09 |  |
filmaholic | 80 87% |
| Mar 09 |  |
hellboy76 | 69 74% |
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It's not 100 percent accurate, but since when has that ever stopped Hollywood? It's engaging and entertaining thanks to Washington and Driver. Some of the abrupt transitions into near surrealism seem out of place but still don't drag it down too much.
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| Mar 09 | Grandaddy | 50 10% |
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| Mar 09 |  |
rfdutra | 5 42% |
| Mar 09 |  |
oguzhanyagiz | 73 13% |
| Mar 09 |  |
Spekho | 70 12% |
| Mar 09 |  |
AsiaEagles | 73 25% |
| Mar 09 | napolenbrady | 83 18% |
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83.00
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| Mar 09 | Billy Rubin | 45 43% |
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| Mar 08 | inzzzomnia | 2 15% |
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| Mar 07 | henrybr | 77 63% |
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| Mar 07 | srfrancisco | 90 75% |
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| Mar 07 |  |
ozdemibr | 30 6% |
| Mar 06 |  |
sakaerka | 83 57% |
| Mar 06 |  |
filmdoc | 78 65% |
| Mar 06 |  |
KenMeisters | 80 86% |
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A story too absurd to be true yet still completely authentic. The movie still feels relevant today for obvious reasons. Perfectly executed with great performances.
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| Mar 05 | abathingnate | 88 66% |
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| Mar 05 | tadej | 80 62% |
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| Mar 05 | raggle | 98 90% |
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| Mar 05 | PartaJake | 63 39% |
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| Mar 04 |  |
Okkervil | 68 62% |
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It’s interesting, necessary and relevant as well as being really well performed. Ultimately however despite admiring BlacKkKkansman in a variety of ways, Lee’s directorial style just doesn’t connect with me.
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| Mar 04 | ahmetemre | 74 55% |
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| Mar 03 |  |
Dark | 75 87% |
| Mar 03 | daxxdog | 85 77% |
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| Mar 03 |  |
el-ahrairah | 35 7% |
| Mar 03 | seymour123 | 78 61% |
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| Mar 03 | elimpe | 72 52% |
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| Mar 03 |  |
Anja | 40 10% |
| Mar 03 |  |
cendos | 70 66% |
| Mar 03 |  |
porzano | 54 48% |
| Mar 03 |  |
Bojangles | 50 39% |
| Mar 02 | behicekup | 30 2% |
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| Mar 02 |  |
denizgultekn | 82 43% |
| Mar 02 |  |
1903 | 65 47% |
| Mar 02 | amir.ka | 70 42% |
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| Mar 01 | lili ferr | 70 65% |
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| Mar 01 |  |
vanillabear | 55 32% |
| Mar 01 |  |
Typhoon72 | 77 52% |
| Mar 01 |  |
Ozcan | 68 8% |
| Mar 01 |  |
Challe_P | 80 % |
| Mar 01 |  |
peyrin | 70 53% |
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Like most filmmakers trying to adapt to this era of Trumpian politics, Spike loses a lot of the political nuance that defines his best films. Especially disappointing that it takes such a "safe" movie to finally net him an Oscar. The not all cops angle is lame but with a story like this I suppose there's not much else you can do.
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| Feb 28 | CMWL | 1 % |
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| Feb 28 |  |
Jasongirl67 | 75 70% |
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Good movie But honestly I felt like it was overhyped
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| Feb 28 | shulien | 74 0% |
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| Feb 27 |  |
matimend | 7 49% |
| Feb 27 |  |
Trash Puppet | 7 49% |
| Feb 26 | spidex | 72 37% |
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| Feb 26 |  |
terrymac | 75 71% |
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Lots to like here, even if tonally it felt a wee bit uneven for me. Will definitely want to revisit this one. And there still remains quite a few Lee films I need to see. Definitely worth a look.
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| Feb 25 | suleymnpeter | 80 71% |
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| Feb 25 |  |
rihrey | 77 65% |
| Feb 25 | CineCorner | 74 56% |
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| Feb 25 |  |
psych0naut (The Socialist Standard) | 60 27% |
| Feb 25 |  |
Dzadzikius | 75 28% |
| Feb 25 | t-h-o-r | 45 31% |
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| Feb 25 | RodopLu | 67 56% |
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| Feb 25 |  |
Temptershell | 85 87% |
| Feb 24 |  |
awaep | 68 80% |
| Feb 24 | jjrocketman | 40 70% |
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| Feb 24 |  |
Hofschneider | 72 39% |
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It's very hard to make a movie about racism that isn't either immoral or banal. I think this is the later. I'm all for African-American's claiming (back) their culture but, man, Lee literally throws album covers at his audience. What I can say for sure: I don't like that cops get a weird pass here, that irony had to be a storytelling device and that felt as cheap as throwing Trump in at the end. But then again, Charlottesville actually happened! Maybe banal is what we deserve/need.
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| Feb 24 |  |
suurjuust | 55 38% |
| Feb 24 |  |
Yasbane | 77 56% |
| Feb 24 | Nouilles | 91 88% |
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| Feb 24 | julesfmb | 65 55% |
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| Feb 24 | ozgurhancer | 72 6% |
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| Feb 23 | Roman_Herbom | 77 62% |
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| Feb 23 | DannyPizdetz | 80 49% |
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| Feb 23 |  |
fzycow | 89 74% |
| Feb 23 |  |
Mohammed | 70 43% |
| Feb 23 |  |
Frank | 60 66% |
| Feb 23 |  |
gunay | 90 37% |
| Feb 23 |  |
Roshambo | 60 48% |
| Feb 23 | mcakmak | 79 48% |
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| Feb 23 |  |
shalev | 75 27% |
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This movie is not funny on one hand, but also doesn't make any sense on the other hand.
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| Feb 23 |  |
daffodil907 | 75 76% |
| Feb 22 |  |
scugnizzi | 70 37% |
| Feb 22 |  |
SeanBerndorff | 75 64% |
| Feb 22 |  |
NeseOzcan | 61 28% |
| Feb 22 | sandman248 | 80 58% |
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| Feb 22 |  |
M_Edelman | 90 78% |
| Feb 22 |  |
Ametrine | 4 66% |
| Feb 21 | filmfan | 72 41% |
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| Feb 21 | bior | 80 66% |
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| Feb 21 | Richlynn | 75 72% |
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| Feb 21 | skotti85 | 72 39% |
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| Feb 21 | mkdaun | 85 88% |
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| Feb 20 | caffe | 78 65% |
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| Feb 20 |  |
ludymylla | 73 55% |
| Feb 20 | vesuvius | 52 33% |
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| Feb 20 |  |
Sesilya | 72 43% |
| Feb 20 | MattMcLellan | 9 74% |
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| Feb 20 |  |
erkayama | 45 15% |
| Feb 20 |  |
nothing | 65 36% |
| Feb 20 |  |
m_fkocaaslan | 71 34% |
| Feb 19 |  |
alinag | 73 54% |
| Feb 19 |  |
umutiryakii | 61 24% |
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BlacKkKlansman, çok büyük sıkıntıları olan ve bu sıkıntıları içinden atmakta büyük zorlanan bir film. Seyirciyi kapıdan içeri sokmakta direniyor, odak sorunları yaşatıyor ve bunları yapmaya çalışırken oyuncularından ve yönetmeninden hiçbir şekilde güç alamıyor.
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| Feb 19 |  |
Afinso | 60 18% |
| Feb 19 |  |
lemonglow | 59 48% |
| Feb 18 |  |
Cebion | 75 46% |
| Feb 18 |  |
FranchWhooki | 73 47% |
| Feb 17 | Zangin | 73 71% |
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| Feb 17 |  |
vwgregov | 60 26% |
| Feb 17 | jpglikwebber | 79 63% |
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| Feb 17 |  |
el Cinefilo | 35 51% |
| Feb 17 | paulalouisem | 88 61% |
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| Feb 17 | rwhirata | 71 79% |
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| Feb 16 | idoshapira | 71 42% |
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| Feb 16 | Plaza | 8 81% |
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| Feb 15 | JoeMcFarlane | 85 54% |
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| Feb 15 |  |
REDO1 | 70 31% |
| Feb 15 |  |
Stera | 61 85% |
| Feb 15 | adeleuzian | 70 57% |
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| Feb 14 |  |
Shadrik | 70 52% |
| Feb 14 | Teacher | 63 47% |
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| Feb 14 |  |
HobbesZ | 87 83% |
| Feb 14 |  |
hemesdtnt | 87 63% |
| Feb 13 |  |
cambel | 64 40% |
| Feb 13 | doucanoz | 64 23% |
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| Feb 13 | dgeiser13 | 1 % |
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| Feb 12 | Uhzmcg | 90 68% |
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| Feb 12 | illeagle | 80 74% |
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| Feb 12 | stevonnie | 85 56% |
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| Feb 11 | mammadcarlos | 75 61% |
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| Feb 11 |  |
Zepfanman | 95 89% |
| Feb 11 |  |
Sweet Leaf | 62 26% |
| Feb 11 |  |
PepeCamello | 60 51% |
| Feb 10 | kandinya | 60 40% |
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| Feb 10 | draser | 84 27% |
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| Feb 10 | pchendrix | 80 71% |
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| Feb 10 |  |
ergunbaydi | 93 74% |
| Feb 10 | Saliqo | 90 % |
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| Feb 10 | seenitall | 70 92% |
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| Feb 10 |  |
kangadoodoo | 70 77% |
| Feb 10 | samsasam | 75 15% |
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| Feb 09 | rootbeercirc | 85 81% |
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| Feb 09 |  |
Piconomicon | 75 38% |
| Feb 09 | punk_dfc | 76 86% |
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| Feb 09 | n2t | 70 44% |
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| Feb 09 |  |
Jopa22 | 90 63% |
| Feb 09 | jborregana | 76 48% |
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| Feb 09 | igel | 82 61% |
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| Feb 09 | kode | 54 10% |
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| Feb 08 |  |
wayofthegun | 90 89% |
| Feb 08 | blacksqd | 80 73% |
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| Feb 08 | jmendez | 75 23% |
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| Feb 08 |  |
Iulius E. S. | 80 68% |
| Feb 08 | umutsen | 70 22% |
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| Feb 08 |  |
MadMan | 100 96% |
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Fuck the KKK, David Duke and Trump.
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| Feb 07 | mamaska | 70 40% |
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| Feb 07 | AGMelv | 75 43% |
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| Feb 07 |  |
HartPURO | 73 41% |
| Feb 07 |  |
BurakOzturk | 80 56% |
| Feb 06 |  |
Facastro | 40 19% |
| Feb 06 | levadia | 90 39% |
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| Feb 06 |  |
jeanhuxley | 78 59% |
| Feb 06 |  |
turgay | 70 37% |
| Feb 05 |  |
finchereznor | 70 31% |
| Feb 05 |  |
obtiosov | 66 33% |
| Feb 05 |  |
darkrider95 | 61 29% |
| Feb 05 |  |
Elisheva | 84 68% |
| Feb 05 | Sense1ess | 59 42% |
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| Feb 04 |  |
mertb | 85 77% |
| Feb 03 |  |
syklat | 83 84% |
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Amerikanın ırkçılık gibi belki de en çirkin yüzünü bize eğlenceli bir şekilde aktaran filmde bir zenci polisin Ku Klux Klana sızmasını izliyoruz. Yaşadığım bölgeden ötürü zenci kelimesini kullanmaktan hiç bir çekince duymuyorum çünkü zenci dediğimde bana hiç bir kötü çağrışımı olmuyor. Benim aksime Lee'nin zaman zaman iki tarafı da eleştirmesinden biraz da olsa çekincesi olduğunu görüyoruz. Lee bazı sahnelerde görsellerle bizi rahatsız ederek anlat
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| Feb 03 |  |
Jaifman | 88 83% |
| Feb 03 | rldeph | 76 77% |
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| Feb 03 | zotqab | 76 % |
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| Feb 03 |  |
KasperL | 50 31% |
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Weak and unlikeable.
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| Feb 03 | jschoreels | 86 82% |
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Displaying 1 to 250 of 1219 total ratings: Prev | Next
| Average Percentile 58.39% from 1219 Ratings |  |
