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Breaking the Waves

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Breaking the Waves

1996

Drama

2h 39m

Set in a religious community in the north of Scotland, where a seemingly naive young woman named Bess McNeil (Emily Watson) meets and falls in love with Danish oil-rig worker Jan (Stellan Skarsgaard). Bess and Jan are deeply in love, but Bess finds it difficult to cope when her husband is away on the rig.

Directed by:

Lars von Trier

Written by:

Lars von Trier Peter Asmussen

+1 more

Starring:

Adrian Rawlins Sandra Voe Mikkel Gaup Roef Ragas Jonathan Hackett Phil McCall Robert Robertson

Genre:

Drama

Countries:

Denmark, France, Iceland, Netherlands, Norway, Sweden

Language:

English

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Breaking the Waves

1996

Drama

2h 39m

Your probable score

Ratings & Reviews Cast Collections Similar Stats Trailer

Avg Percentile 69.16% from 2620 total ratings

Ratings & Reviews Cast Collections Similar Stats Trailer

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djross

Rated 14 Aug 2007

On fidelity. It is in my opinion, and in a very strange way, an updating of Wagner's TANNHÄUSER. The protagonist is no longer Tannhäuser but Elisabeth, and von Trier asks what her fate would be in a contemporary world which has largely abandoned the problem of fidelity in favour of a calculating rationality blind to the necessity of incalculability. Von Trier's intensely calculated plot is in fact dedicated (to the very threshold of irony) to incalculable love. A singular achievement.

Rated 14 Aug 2007

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Suture Self

Rated 27 Feb 2013

As if from Mars, Bess has opened the hatch doors of her spaceship and landed on planet Earth, giving a kind man the gift of unconditional love. Unfortunately here on planet Earth, unconditional love does not work all that well for her, and the entire movie chronicles the clash between Bess' alien disposition and planet Earth's reality. The dramatic irony of it all might irk those looking for something less theatrical and more "subtle", but I feel that would defeat the purpose of the story.

Rated 27 Feb 2013

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Bitch Alert

Rated 19 Sep 2008

A haunting yet surprisingly hopeful - at least if you look at the final scene - film by the 'sceptic atheist' that is Lars von Trier. Emily Watson delivers the performance of the decade.

Rated 19 Sep 2008

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3Names

Rated 14 Aug 2007

Here it is! The movie I've been dying to rate for Criticker. The single movie that has ever left me the most ennervated, and hating of a film director! This is the most masturbatory and narcissistic film of all times! I've come to really adore Emily Watson's work, (see her in "Punch Drunk Love"), but between her love affair with the camera, and Von Triers arbitrary sense of editting and pace, I found this movie to be torturous. TORTUROUS! I'll probably never vote lower for anything, ever.

Rated 14 Aug 2007

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Tweedale

Rated 07 Mar 2010

An emotionally draining masterpiece, right up till the corny last shot of the church bells in heaven. Up until that moment I was completely captivated, and then in 5 silly seconds I stopped believing in the film. Up till that moment this film was a 10 all the way, with absolutely marvelous performances and dialogue. Even the use of 70s pop music doesn't seem too forced, even if it was a little Wes Anderson-ish.

Rated 07 Mar 2010

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Ytadel

Rated 14 Aug 2007

Dogme 95 is to quality filmmaking as refusing to read music is to musicianship. Sorry film buffs.

Rated 14 Aug 2007

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Puya

Rated 07 Dec 2009

started good,got worst and worst and what was that ending,I can usually take a little supernatural bullshit but that wasn't even appealing

Rated 07 Dec 2009

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Nouilles

Rated 15 Jan 2008

Bloated, hammy and quite craptastic version of Justine. Emily deserves all the praise though.

Rated 15 Jan 2008

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P u l p

Rated 23 Aug 2014

Emily Watson is... just amazing. Respect.

Rated 23 Aug 2014

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TheDenizen

Rated 19 Apr 2015

After being paralyzed, an oil rig worker in Northern Scotland decides to approximate a sex life by sending his semi-retarded wife out to fuck strangers and having her describe the experience to him. There's a message about the power of sacrifice, but it's a ponderously stupid premise, only given any sort of credence by Emily Watson's wonderfully assured performance as the simple minded wife. The ending implies the actual existence of God, which makes him an evil fucker indeed.

Rated 19 Apr 2015

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overrated

Rated 16 Aug 2013

Fantastic central performance obviously, but I just don't like von Trier in general.

Rated 16 Aug 2013

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Neonman

Rated 19 Oct 2010

I consider myself a masochistic film-watcher, but I found even this one to be tough. Mainly in the second half is just filled with this adorable and vulenrable lady being punished again and again for tenuous reasons. This may be von Trier's most emotional movie.

Rated 19 Oct 2010

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Nepeta

Rated 17 Jan 2013

Led by an extraordinary performance by Emily Watson and searing in its emotional intensity. A condemnation of misogyny and society's continued enforcing of the madonna-whore complex, mixed in with a telling of the passion play. To quote Chantal Akerman; "[von Trier] gives the woman a space that I don't know any filmmaker does. Because in Breaking The Waves, Emily Watson is the Christ. Which man is doing that? I don't know any man giving that space to a woman. No one."

Rated 17 Jan 2013

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Bown

Rated 11 Aug 2009

It hurts so bad. Watson's naivety and innocence is so, so painful. von Trier's condemnation of religion and musings on God and such are all great too but really it's all about Watson. It's just gut-wrenching.

Rated 11 Aug 2009

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3dRevelation

Rated 04 Jul 2013

I have to applaud von Trier for making a film like this, but that doesn't mean I love it. Watson and Skarsgard are good, but Watson's character is a bit absurd. The chapter interludes with the music were a nice touch. The shaky cam was a bit annoying at the beginning.

Rated 04 Jul 2013

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lisa-

Rated 11 Dec 2013

an unabashedly manipulative film that pushes harder and harder and harder to an absolute breaking point of tragedy, all purposefully orchestrated as a celebration of love. the golden heart trilogy, which can be seen as three films about different modes and expressions of happiness, is one of cinema's greatest achievements, containing some of the most beautiful moments of pure, unadulterated emotion that art can offer. lars von trier is the director of externalising the internal heart.

Rated 11 Dec 2013

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Pickpocket

Rated 26 Oct 2011

How can a movie be so utterly, beyond stupid in one moment and brilliant in the next? The entire premise is pretty laughable and would never happen but it starts out so promising and then just ends up utter crap, not unlike another Von Trier movie, Dancer in the Dark. Watson is good, but her character is so unbelievable and unlikable that it's hard to care. Trier's inability to end his films reminds me of the 2011 Houston Texans, good for 3 quarters and then coming up short when it matters.

Rated 26 Oct 2011

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deaddilly

Rated 09 Jun 2020

A harrowing meditation on the transcendence of individual faith and goodness in the face of a dominating ideology. Special in its ability to make the viewer question the very nature of goodness by observing the force of goodness against social constructs of law and religion. Emily Watson is a force of nature here.

Rated 09 Jun 2020

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TheDiceman

Rated 10 Mar 2010

Excellent.

Rated 10 Mar 2010

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mandy

Rated 04 Sep 2020

A more palatable Lars Von Trier because of Emily Watson's beguiling performance.

Rated 04 Sep 2020

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doyler29

Rated 08 Jan 2019

This film is ... fierce, melodramatic and uncompromising in its ambition. It's shot in a ragged, handheld style, but has beautiful static chapter headings accompanied by rock music from the 1970's (when the film is set). This is Watson's film debut, and it's a powerful performance. She's asked to portray some extreme emotions ... and to carry on conversations with God like a small child would. She, like the film itself, risks looking foolish, but is ultimately profound and devastating.

Rated 08 Jan 2019

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Moribunny

Rated 20 Oct 2009

Intriguing at first, but very soon one gets the message and for the rest of the 2:30 hours all that is left for Trier is to flog his sacrificial lamb with ever increasing fervor, to predictably, almost ritualistically martyrize Bess by escalating her "sacrifices". Breaking the Waves is a familiar Christian sermon praising deaf and blind devotion as a virtue. Bess' self-destruction, meant to appease an unworthy spouse, is unrewarded in her life but gets her sainted by the camera.

Rated 20 Oct 2009

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k177105

Rated 15 Dec 2019

A perfectly structured ode to unreserved desire, that which solely brings bells to church and vision to love, and which makes marriage a cult of two with all its carnal and earthly extraordinariness, despite such desire’s long being a social and religious outcast and an unrecognised sacrifice in which are founded both the heaven and the earth. (Review written after rewatching at a cinema on 7 August, 2023.)

Rated 15 Dec 2019

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feublo

Rated 15 Jun 2020

In defining moments that contrast faith and rationale, "sacrifice" questions it's own ideological boundaries on whether one will remain true to themselves and the love they desire, or face the insufferable for a higher cost. It's chapters parallel life's unifying qualities of love and grief that embark on this same wave crashing as it reaches shore.

Rated 15 Jun 2020

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SheWas

Rated 03 Jan 2012

One of the biggest disappointments I've ever had.

Rated 03 Jan 2012

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???

Rated 26 Dec 2011

You can sense the glass ceiling of shallowness through it all. It's just kind of enjoyable on some Very guilty-pleasure level.

Rated 26 Dec 2011

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sproost

Rated 31 Mar 2024

Absurdly hard to sit through, i felt like the paralyzed character at times, but at the end Von Trier pulls one of his rabbits out of the hat making me appreciate it more in hindsight. Unfitting, really, and almost distastefully kitsch but with awareness of it. A Riget-move kind of. It’s not one of my favorites by him but it’s the type of bleak art house film critics loved and will love, no doubt

Rated 31 Mar 2024

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Ruslandgaga

Rated 10 Sep 2009

Emily Watson delivers a knock out performance.

Rated 10 Sep 2009

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peyrin

Rated 20 Mar 2020

Most films should not be 160 minutes, but a sparse Dogme film especially shouldn't be 160 minutes. I dunno maybe some of the *religious allegory* is lost on me but it doesn't feel substantive enough for how long this is.

Rated 20 Mar 2020

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Rufam

Rated 22 Oct 2011

"Breaking the Waves" doesn't come together as effortlessly as "Dancer in the Dark" or "Dogville" that would follow, put it's still a powerful, hard-hitting, well-shot and superbly acted von Trier melodrama. Although the plot contrivances and emotional manipulation are not as masterfully concealed here, the final impact is still wrenching, mostly due to Watson's powerhouse performance.

Rated 22 Oct 2011

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JooJoo

Rated 17 Aug 2009

Lars von Trier - master manipulator. The performance of Emily Watson must be seen to be believed.

Rated 17 Aug 2009

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mahtanianand

Rated 06 Aug 2008

good

Rated 06 Aug 2008

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rushshirt

Rated 24 Feb 2023

Were it not for the stellar performances and masterful filmmaking, this apparent fall-from-grace would have come off as excessive and exploitative. Thankfully, von Trier guides his characters through a difficult journey, and the payoff is rewarding.

Rated 24 Feb 2023

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eyemo

Rated 11 May 2009

Nice.

Rated 11 May 2009

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wetwillies

Rated 26 May 2014

A raw and uncompromising movie that, thanks to von Trier's unsettling use of a handheld camera and Emily Watson's painfully realistic performance, leaves the viewer emotionally devastated. It's manipulative, but the best von Trier movies usually are. I adore the chapter interludes.

Rated 26 May 2014

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theyshoot07

Rated 01 Mar 2008

# 335

Rated 01 Mar 2008

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Stewball

Rated 22 Jul 2015

Huh?

Rated 22 Jul 2015

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Rocape

Rated 16 Dec 2012

Bem, outro exemplo de como se filmar cenas. O jeito do Lars filmar as coisas é muito real, dá a impressão de que a cena está acontecendo em tempo real; ele com certeza decide o que filmar na hora da gravação, isso é muito legal. O enredo do filme n é dos mais interessantes, e ainda assim ele conseguiu me emocionar novamente, é um filme bastante triste e bonito, com certeza vale a pena ser assistido.

Rated 16 Dec 2012

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stillfuchsia

Rated 04 Dec 2006

I now love Emily Watson.

Rated 04 Dec 2006

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leshii

Rated 14 Aug 2007

I wanted to love it but I can only enjoy depression, misery, and a slow, steady, downward spiral so much before I wonder if my Saturday night was really so bad before I decided to watch this movie and kill it. I respect the hell out of it but it's too long and could use a bit of editing. The cinematography and filming were beautiful.

Rated 14 Aug 2007

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CCLZA

Rated 08 Jun 2009

The brilliant acting stays with you long after finished the movie, which is a true victory for Lars von Trier, in spite of the sometimes forced screenplay.

Rated 08 Jun 2009

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korin05

Rated 06 Sep 2008

sad...i couldnt stop crying

Rated 06 Sep 2008

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bookhouseboy

Rated 15 Aug 2010

#90s#, reviews

Rated 15 Aug 2010

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Ocelot

Rated 22 Oct 2010

I didn't expect it to be good, but it was! The music seemed a tad out of place sometimes but it was awesome so I don't mind. The ending was also a tad over the top, but hey, it worked. Great performance by Emily Watson, too.

Rated 22 Oct 2010

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billkerwin

Rated 28 Jan 2010

Stark, depressing. Very powerful acting by Emily Watson.

Rated 28 Jan 2010

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hanabizhani

Rated 13 Nov 2014

How beautiful it shows that the priests close their eyes to the innocence and decide instead of god, Deciding who goes to hell and heaven, They don't even need bells (God) for the church and that's the cause of Jan's happiness at the final sequence where the bells started to ring (The existence of God).

Rated 13 Nov 2014

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jdelbalzo99

Rated 08 Feb 2010

There was nothing enjoyable about this movie.

Rated 08 Feb 2010

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Noam Raz

Rated 25 Dec 2011

People around me were crying, the woman next to me was weeping, but I, son to the human Male-Race, could not spare even one tear.

Rated 25 Dec 2011

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gokcanz

Rated 25 Oct 2012

* Casting, Acting : 9 * Script : 7 * Directing, Aura : 9 * Ease of Viewing : 5 * Naked Eye : 8

Rated 25 Oct 2012

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theyshoot08

Rated 19 Dec 2008

383

Rated 19 Dec 2008

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heath_cliff

Rated 12 Dec 2013

What a script...

Rated 12 Dec 2013

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OrionZulu

Rated 29 Nov 2008

I detest Lars von Trier passionately. Seriously I hate his guts. Hate the guy, hate his films - all of 'em - someone ought to chop his head off and feed it to the boars. Or something.

Rated 29 Nov 2008

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hsncrspywl

Rated 08 Dec 2014

Emily Watson runs the whole movie by herself, with her incredible, multi-facted performance, which allows us to break through the somewhat taboo subject matter, and lets us feel *her* emotions throughout. The slight breaks from rural realism in the chapter markers give the film a great, near fable-like quality too. It's a shame that the film's themes are somewhat one-dimensional when it approaches the treatment of women. Additionally, the last shot of this film belabours the point far too much.

Rated 08 Dec 2014

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simsorut

Rated 22 Apr 2020

büyük bir tutkuyla 0'ı bastım

Rated 22 Apr 2020

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greygwardar

Rated 18 Apr 2024

dunbar

Rated 07 Sep 2010

Emily Watson's tour de force performance helps this movie become more than what the script/storyline would suggest.

Rated 07 Sep 2010

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adilekin

Rated 14 Dec 2019

what a performance of emily watson!

Rated 14 Dec 2019

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Lonewolf2003

Rated 03 Dec 2014

Navvab

Rated 12 Nov 2013

این ناقوسِ عزای کیست که به صدا درمی‌آید؟! نفس‌گیر, مهیب, سرشار از اندوهی آشکار و عُریا

Rated 12 Nov 2013

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tpbradbury

Rated 07 Nov 2021

Still powerful on a rewatch. Massively bleak for most of it

Rated 07 Nov 2021

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glm01

Rated 02 Oct 2013

84.000

Rated 02 Oct 2013

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Evolution

Rated 04 Apr 2011

Emily Watson was amazing. Von Trier brilliantly depicts the ambiguities associated with religious beliefs and never actually takes sides.

Rated 04 Apr 2011

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SpikyCactus

Rated 27 Aug 2013

Top badass moment? At Bess's wedding reception, Terry crushes a beer can. Not to be undone, her grandfather squeezes and breaks a glass in his hand. Considering this is a deeply religious guy who appeared to live in the last century, not have a sense of humour and was lukewarm at best with respect to the wedding, this did seem rather bizarre thing to do. I've no idea if it was a joke, a threat, or what? However, confounding people's expectations is badass. No cats, chainsaws or decapitations.

Rated 27 Aug 2013

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TidusFFX

Rated 31 Dec 2007

Turn it off 1 minute before the end and it's perfect.

Rated 31 Dec 2007

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NathanBates

Rated 02 Jan 2021

An amazing performance by Watson (and Cartlidge too) in a ... rather odd story. The odd cinematographic choices and some staccato editing made me start to lose focus. Emotionally draining, but something about it felt forced (especially the very last scene).

Rated 02 Jan 2021

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RuruSmasher

Rated 17 Apr 2020

The concept and some of the execution are great, but I could not connect with the main character at all, and it's not Emily Watson's fault. She is amazing with what she was given. I don't understand (or don't want to) what 'good' means to von Trier in this. I feel like even JC had a pretty healthy sense of self and boundaries, both of which Bess lacks completely. And if it's meant to be a condemnation of how women are socialised to be self-sacrificing, it fails to get that across clearly.

Rated 17 Apr 2020

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Okkervil

Rated 01 Aug 2009

Yes the script is good. Yes the directing is excellent and yes the support cast are superb. But all of this pales into insignifcance when Emily Watson's performance is taken into account. Without doubt Watson puts in one of the finest lead performances of the 1990's, if not ever! Epic.

Rated 01 Aug 2009

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saving

Rated 13 Feb 2011

a tad too long

Rated 13 Feb 2011

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driscarpin

Rated 06 Jul 2021

Ondas do Destino estreava há 25 anos na Dinamarca. "I was determined to write a story that was so far-fetched and so full of clichés that no one could take it seriously, but of course the audience liked it. All you have to do is come up with something really stupid, and it will become a great success." Lars Von Trier, 2005. Rá! DVD Versátil.

Rated 06 Jul 2021

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Morrisseyfan

Rated 01 Feb 2012

In spite of the films mainstream success for Lars von Trier this may be the film out of his majors work to most lack his fantastic voice as a writer. While the performances and directing are quite nice it all seems a bit too Academy for this fan of the provocateur. A film in the vein of Ordet without the spark and characterization to make it quite work.

Rated 01 Feb 2012

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ralyto

Rated 18 Jul 2016

Von Trier movie about a very religious wife whose husband had an accident at sea that left him paralyzed. He wants her to have sex with other people (he's not quite sane after the accident and wants the best for her), which is unthinkable in a such a small god fearing town (and she doesn't really want it either). It was believable but somehow did not move me as other Von Trier movies have.

Rated 18 Jul 2016

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Magb

Rated 17 Dec 2006

The story is original and emotional, but it also feels horribly contrived. It feels like Trier at every point has his characters act in exactly the way they have to in order to drive the story in the direction he wants it to move, even when the characters' behavior just doesn't feel natural. Various little things like that go a long way in decreasing my appreciation of Breaking the Waves. If it weren't for all those little things I think it could've been a favorite of mine.

Rated 17 Dec 2006

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Rexperado

Rated 03 Sep 2019

(This is going to sound lame) This film will make you believe in true love. Another masterpiece by the maestro Lars.

Rated 03 Sep 2019

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ktappe

Rated 08 Feb 2010

I feel as though I should have loved this, but I didn't. In fact, i found it mildly annoying as I sat through it. Emily Watson gives a great performance as Bess, but the character was too hard to tolerate. Skarsgaard appears in yet another depressing film/role, as is his forte. This is a bleak, twisted film that should only be viewed by those upbeat enough to be immune to it dragging their spirits down into its morass.

Rated 08 Feb 2010

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oskarhu

Rated 19 Mar 2018

Quite powerful in some moments, but inconsistent at times. Watson's performance is really good and the camerawork intensifies the story.

Rated 19 Mar 2018

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caiman

Rated 11 Aug 2014

Von Trier loves putting his leads, and his audience, through the emotional ringer. Bess' plight becomes so soul-crushingly sad that it's almost difficult to watch. But that's not all Trier's doing; Watson's performance is stunning - one of the most heartbreaking I've ever seen - and is a large factor in what makes this film so devastating. As for the ending, I liked it... up until the very last shot which I feel was one step too far over the top. But then again, that's kinda von Trier's thing.

Rated 11 Aug 2014

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eCitizen

Rated 13 Nov 2012

A haunting story about a simple minded woman trying to follow what she had been taught by her deeply religious community. When her husband is severely injured he makes demands on her which she reluctantly obeys. He demands that she sleep with other men and she slowly descends into a dark world that dangerous and unforgiving, all the while convinced that her actions will save her husband. A truly bizarre and thought provoking story.

Rated 13 Nov 2012

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nexos

Rated 14 Aug 2007

2 points for the movie 8 points for the scenery

Rated 14 Aug 2007

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Vandelay1

Rated 14 Jun 2008

Very Nice

Rated 14 Jun 2008

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xacviant

Rated 15 Sep 2011

BREAKING THE WAVES may be Von Trier's most straightforward film (which isn't saying much); it lacks some of the mad genius that distinguishes his best work. But Von Trier is still miles ahead of most other directors. The story here is quite a compelling one, raising questions about faith and devotion--in a way which may actually be more Von Trierian than it might seem on first glance. Emily Watson is good, if a bit hammy in spots; she has fine support all around. And the ending works for me.

Rated 15 Sep 2011

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Hofschneider

Rated 06 Mar 2013

Despit the great performance of Watson, I can't feel it. It's way to long for what it tells... and its completly constructed. The dogma-approach just tries to hide, that Bess' character is just simple. She is not "good", she is stupid. Yes, the first 30 minutes are amazing, when the couple gets to know eachother physically, in it's childish way. But apart from that, I just wanted to shout: "Grow up!". And in the end it's just religious assholes and another dead woman in a Lars-von-Trier-movie.

Rated 06 Mar 2013

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mrwgh6

Rated 18 Apr 2024

theyshoot10

Rated 14 Jan 2010

382

Rated 14 Jan 2010

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td888

Rated 12 Aug 2013

I should stop watching drama's. Despite the high PSI I just don't enjoy it that much.

Rated 12 Aug 2013

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SHOCKULAR

Rated 08 Nov 2022

It's impossible to fully write about this in the space available here, so I'll just say that this has incredible depth and complexity and characterization that covers so many topics capably. Emily Watson is incredible (she earned a Best Actress nomination). Interesting editing makes things feel a bit disjointed. The Ordetian ending is questionable and cheesy to some but worked for me and added some much needed hope at the end of what is a pretty devastating picture. At times felt Bergman-esque.

Rated 08 Nov 2022

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bolivar

Rated 03 Oct 2012

starts of very well done and promising, only to turn into overly contrived and it feels as if von trier just put on a thick layer of everything on top of it. its too long, bess is hardly likeable, the god dialogues are silly and then it all of a sudden ends on a romantic note, cgi bells and a walking jan. wtf? this movie failed to do all those things that dancer in the dark did. I suppose my reaction might have been different, had I watched this first.

Rated 03 Oct 2012

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Med

Rated 14 Aug 2007

You must see Watson if you love great acting.

Rated 14 Aug 2007

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theyshoot11

Rated 30 Nov 2011

#327

Rated 30 Nov 2011

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jnsoneji

Rated 10 Mar 2013

nice acting, direction, picturisation. eye opening against forced, fake religious principles of church

Rated 10 Mar 2013

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Dorkovsky

Rated 30 Jun 2009

It would be incredibly easy to criticize this as being von Triers most misguided film (not an unusal trait to expect from him), but that doesn't seem fair considering misguidance is basically the central theme, and with Watson's stellar performance, it makes her actions completely believable.

Rated 30 Jun 2009

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Blockrocker

Rated 16 Jul 2010

It has its flaws, but the emotional impact is very strong. Trier knows his stuff.

Rated 16 Jul 2010

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teddi

Rated 18 Aug 2016

This film is causing an actual pain, but it's worth every second. Emotionally very strong. The acting is really impressive, Emily Watson is sublime.

Rated 18 Aug 2016

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gokseltuzun

Rated 28 Jan 2014

Çok genç yaşımda izlememe raümen beni çok etkileyen bir film olmuştu, o günden beri saygı duyarım Lars abiye. -- When I was in secondary school I watched it and it was schoked for me reallt it was so strange and perfect.

Rated 28 Jan 2014

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