Breaking the Waves (1996)
Set in a religious community in the north of Scotland, where a seemingly naive young woman named Bess McNeil (Emily Watson) meets and falls in love with Danish oil-rig worker Jan (Stellan Skarsgaard). Bess and Jan are deeply in love, but Bess finds it difficult to cope when her husband is away on the rig.
Genre: Drama
Country: Denmark, France, Iceland, Netherlands, Norway, Sweden
Directed By: Lars von Trier
Written By: Lars von Trier, Peter Asmussen
Starring: Stellan Skarsgård, Udo Kier, Emily Watson, Jean-Marc Barr, Katrin Cartlidge, Adrian Rawlins, Sandra Voe, Mikkel Gaup, Roef Ragas, Jonathan Hackett, Phil McCall, Robert Robertson
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Breaking the Waves belongs to 128 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 205 stars)
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In defining moments that contrast faith and rationale, "sacrifice" questions it's own ideological boundaries on whether one will remain true to themselves and the love they desire, or face the insufferable for a higher cost. It's chapters parallel life's unifying qualities of love and grief that embark on this same wave crashing as it reaches shore.
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A harrowing meditation on the transcendence of individual faith and goodness in the face of a dominating ideology. Special in its ability to make the viewer question the very nature of goodness by observing the force of goodness against social constructs of law and religion. Emily Watson is a force of nature here.
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RuruSmasher | 82 42% |
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The concept and some of the execution are great, but I could not connect with the main character at all, and it's not Emily Watson's fault. She is amazing with what she was given. I don't understand (or don't want to) what 'good' means to von Trier in this. I feel like even JC had a pretty healthy sense of self and boundaries, both of which Bess lacks completely. And if it's meant to be a condemnation of how women are socialised to be self-sacrificing, it fails to get that across clearly.
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| Apr 16 | gutterfly | 77 37% |
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Most films should not be 160 minutes, but a sparse Dogme film especially shouldn't be 160 minutes. I dunno maybe some of the *religious allegory* is lost on me but it doesn't feel substantive enough for how long this is.
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what a performance of emily watson!
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Oyunculuklar şahane. Kamera açılarıyla yaratmaya çalıştığı atmosfer çok başarılı. İnanç, sevgi, adanmışlık ve fedakarlık üzerine harika bir film. Ama Trier'in diğer filmlerindeki akıcılık bu filmde yok. Ayrıca dram denilince aklına bağırarak ağlayan kadınlar geliyor herhalde Trier'in. Bu iki yönüyle gerçekten izleyicisini bayan ve sıkan bazı sahnelere sahip.
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This film is ... fierce, melodramatic and uncompromising in its ambition. It's shot in a ragged, handheld style, but has beautiful static chapter headings accompanied by rock music from the 1970's (when the film is set). This is Watson's film debut, and it's a powerful performance. She's asked to portray some extreme emotions ... and to carry on conversations with God like a small child would. She, like the film itself, risks looking foolish, but is ultimately profound and devastating.
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| Sep 14, 2018 |  |
ilkyaz | 95 97% |
| Sep 10, 2018 |  |
Modaal | 93 67% |
| Sep 09, 2018 |  |
Natigai | 96 76% |
| Sep 07, 2018 | LeeviJ | 90 86% |
|
| Sep 06, 2018 | Cronos | 70 75% |
|
| Sep 06, 2018 |  |
MaartenVC | 70 62% |
| Sep 05, 2018 |  |
voneverec | 78 74% |
| Sep 01, 2018 |  |
redboots | 80 75% |
| Aug 10, 2018 | albievo | 96 80% |
|
| Aug 09, 2018 | thirdeye42 | 74 60% |
|
| Aug 07, 2018 | filmbantha | 60 31% |
|
| Aug 05, 2018 |  |
fluland | 93 94% |
| Aug 02, 2018 |  |
Lluvia2157 | 93 58% |
| Jul 31, 2018 | Glaconius | 98 62% |
|
Displaying 1 to 250 of 2382 total ratings: Prev | Next
| Average Percentile 69.08% from 2382 Ratings |  |
