Chinatown (1974)
Jack Nicholson is private-eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite to investigate her husband's extramarital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in Chinatown.
Cast and Information
Directed By: Roman Polanski
Written By: Roman Polanski, Robert Towne
Starring: James Hong, John Huston, Roman Polanski, Faye Dunaway, Jack Nicholson, Diane Ladd, Roy Jenson, Bruce Glover, Perry Lopez, John Hillerman, Joe Mantell, Darrell Zwerling
Genres: Drama, Suspense/Thriller, Crime, Mystery
Franchise: Chinatown
Country: USA
Where to Stream
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Chinatown belongs to 211 collections
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Browse the full list of collections
| Stars | User | Rating | |
| 25 |  |
Moribunny | 98 99th |
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Polanski does a wonderful job, the cast does a wonderful job, but Robert Towne's script steals the show. After a thousand little pieces fall right into place at the very last scene, the sheer perfection of this story hits you, hard.
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| 14 |  |
BillyShears | 100 98th |
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Huston is barely in this and he’s easily one of the most despicable evil movie monsters ever. Oh and Polsanki.
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| 12 |  |
Pickpocket | 10 98th |
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Arguably the best script ever written. The backdrop is incredibly well done, the dialogue is believable and advances the plot, the storyline is great and has one of the best protagonists ever in Nicholson. There are so many complications to Gittes and it's also witty and funny. You have to see this movie. Great ending too. "Forget it, Jake. It's Chinatown."
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| 11 |  |
Alex Watkins | 6 98th |
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Setting aside its first-rate production values, its all-time great screenplay, Nicholson and Dunaway at their peaks, and Polanski's assured direction: what makes Chinatown resonate more deeply than ever in 2018 is the fact that it casts, as its villain, an amoral businessman, who, besides totally fucking over the little guy, is literally an incestuous rapist.
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| 9 |  |
brandt64 | 75 55th |
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I'm sorry, but I found it to be a little underwhelming and hard to get into. The plot is well-written and the characters are well-acted, but I found it difficult to care about either. It just lacks a certain spark for me and there's little payoff in the end. On the plus side, the script is very enjoyable.
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| 8 |  |
billkerwin | 100 99th |
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A neo-noir masterpiece, memorable for its style, its despair and its beauty. A complex story told in spare dialogue, it begins in political corruption and ends in family outrage. Although the mystery may be solved, the tragedy cannot be averted, and evil survives to prey upon the next generation. Nicholson and Dunaway, two unusually cold actors, display extraordinary vulnerability, and Polanski, in an unforgettable cameo, shows us what happens to "nosy fellahs."
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| 6 |  |
Ytadel | 9 98th |
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A brilliantly elaborate, dark, and cynical neo-noir mystery set in a Los Angeles that's never seemed less appealing. Easily one of the best mystery screenplays ever written boosted further into masterpiece territory by Jack Nicholson's tired twist on the traditional hard-boiled noir detective. John Hutson is fantastic as Noah Cross. You just want to punch him in the face. Also, nose cut!
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| 5 |  |
easydiff | 91 97th |
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Polanski's ode to noir becomes itself the shining example of what noir can be. Perhaps Nicholson's greatest preformance, simply because he doesn't play "Jack Nicholson"
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| 5 |  |
Nathan S | 5 93rd |
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The production design is of such detailed and authentic quality. It fills me with nostalgia for a time and place I've never even experienced outside of cinema. Its puzzle-piece mystery is methodical, paced at careful measure, and filled with revelation. Nicholson is so cool, Dunaway is classic, Huston is legendary.
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| 4 |  |
Farzan | 94 95th |
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Chinatown is one of the best mystery films of all time. Nicholson is at the top of his game and plays private-eye Jake Gittes with the utmost class. I didn't find this film to be much for the first little while, I can even say I hated it, but about halfway through, i realised this was pure gold, and the ending was an absolutely mindblowing experience. Polanski does wonders.
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| 4 |  |
Spunkie | 75 90th |
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Somehow Chinatown seems overrated to me. It probably has the guts, the brain, icons, art noveau poster, smoke and light. Revelation pace and chaotic structure is exceptional too. But I can't get what is neo in this noir.
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| 4 |  |
JooJoo | 7 99th |
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Unbelievable, really. From the entire cast [special nod going to John Huston in one of the only roles to literally make my skin crawl no matter how many times I see this], virtuoso camerawork, the methodical and careful pacing, to the gut-shattering ending that I don't think could ever be matched in impact. Just unbelievable.
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| 4 |  |
frederic_g54 | 10 97th |
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(2nd viewing): Can't believe I gave this a 70 a couple of years ago, but it shows you just how much I appreciate and value these kinds of films today. "Chinatown" is another timeless masterpiece, a prime example of American cinema, both tense and engrossing, and undeniably attractive. The film just looks alive and beautiful. The performances and music also contribute a lot to this amazing noir. Highly recommended !!!
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| 4 | theficionado | 100 97th |
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At one point, I listed L.A. Confidential as one of my favorite movies. And then I saw Chinatown.
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| 4 |  |
Luna6ix | 86 92nd |
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A damned fine thriller, Nicholson pulls of the tough as nails, clever, and ever wisecracking private eye better than perhaps anybody has ever before. The story has a good amount of well developed twists and turns and is just an all around good movie. Too bad the sequel wasn't made in a timely manner, and too bad the third was never made.
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| 4 |  |
arkadia | 98 98th |
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Flawless, especially the revelation scene which feels organic and unscripted and unwanted, even as it answers our questions.
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| 4 |  |
DavidBlast | 95 96th |
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"Forget it. This is China Town". I try this line every time my girlfriend wants us to clean up the apartment, and it never works. This saddens me for many a reason; mostly because she's never seen this absolute Noir pinnacle, but also because I always indulge her, afraid she'll cut my nose. But that's because she's my s.. oh to hell with this review.
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| 4 |  |
goremeat | 87 90th |
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It's not as genuine and personal as you'd want it to be. Some parts are clearly perfunctory, and there to facilitate a sense of completeness that wasn't necessary to begin with. It's still great though, just not the highest of the highs.
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| 3 |  |
Magb | 90 85th |
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Crime thrillers don't get much better than this. Polanski does a great job immersing the viewer in the movie.
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| 3 |  |
Filligan | 96 94th |
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It took me three viewings to understand the dark brilliance behind Chinatown. Now I can see with complete clarity how beautifully handled every shot in this film is. How fantastic the cast is, breathing life into such complex characters so effortlessly. And how masterful and intricate the plot is. Undeniably, this film is a monument to cinema.
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| 3 |  |
ozymandius10 | 94 99th |
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Took me forever to finally watch this, and I regretted that like many of the other classics I've seen lately. Jack Nicholson is at the top of his game here as 30s gumshoe Gettes, and you never really get a handle on who the true villain is (until about the last 20 minutes, of course). I love noir, and this is most certainly that at it's finest. It's a weaving story that takes many turns, and it never gets boring or plods along. Infinitely impressive.
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| 3 |  |
nimno | 96 97th |
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A classic. Jack Nicholson did a masterful job with this. John Huston was a menacingly realistic actor instead of a director. Very memorable. I've watched this movie many times.
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| 3 |  |
Ocelot | 95 98th |
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An absolute masterpiece. With the revitalization of noir in the early 1970's, Chinatown came along to change it forever. Jack Nicholson gives a great performance as private eye Jake Gittes, but the greatness of this film shines not through its acting, but its sheer brutality. From the moment Jake has his nose slashed to the very end of the film, Chinatown takes everything that cliched noir stories relied on and starts from square one.
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| 3 |  |
spleen | 81 73rd |
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Not sure where the Chinatown angle fit it, but I guess it's hard to win Oscars with a movie called "Los Angeles Water and Sewage Treatment Plant-Town".
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| 3 |  |
ZayanK | 96 95th |
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I too like breathing with my nose.
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| 3 |  |
glumpy_99 | 100 99th |
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Extraordinary crime/drama/mystery, which improves and deepens on repeated viewings. Nicholson gives his best 70s performance, and Huston is chilling as the oily "Mr Big". Literally so much going on that the first half is almost indecipherable on initial viewings, but familiarity reveals everything fits seamlessly together and makes sense. Polanski's mastery of cinema is on full display here, and Goldsmith's haunting, majestic and old fashioned score helps to perfectly evoke 40s film noir.
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| 2 |  |
terrymac | 86 94th |
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Wonderfully downbeat, rich and satifying fare. Seeing this has compelled me to check out more of the original noirs, a genre I had (to my shame) hitherto largely ignored...
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| 2 |  |
th_mertens | 81 83rd |
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Now I see which standards Brian de Palma was trying to overclass with The Black Dahlia. Well I can tell you: 'he failed miserably'. Chinatown shows in every possible way what the noir-genre should be: sassy girls, arrogant main character, scenery, and mainly an interesting & layered plot. ... A worthy classic.
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| 2 | TheWolf913 | 68 35th |
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Did I watch the same movie everyone else did?
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| 2 |  |
TedDedon | 97 97th |
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Chinatown is probably the best film noir movie that actually isn't even film noir.
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| 2 |  |
westknife | 74 55th |
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One of the most beloved films among the cineasts, I wasn't as impressed by this as I felt I should have been. For one thing, the plot was overcomplicated and confusing. Nicholson and Dunaway give excellent performances here, and the mood is properly mysterious, but I found myself observing the film from outside rather than being immersed in it. The great films noir that this is based on are ultimately better.
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| 2 |  |
hehejaja | 100 99th |
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Atmospheric like no other film; a delicious crime-flick from the always potent Polanski. Calm on top and turbulent underneath.
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| 2 |  |
Jeb | 99 95th |
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Chinatown is one of the most engrossing Noir legends ever made. Polanski, once a horror film fanatic, single-handely popularized this genre.
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| 2 |  |
inhmn | 99 92nd |
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a movie with a punch-in-the-face final. A dozens of yawns during the noir-style drama are repaid with a mind-blowing last five minutes.
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| 2 |  |
ewp805 | 94 96th |
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One of the best mystery films I've ever seen. Polanski's directing, Towne's legendary script, and Nicholson's acting helped to make this a truly timeless classic that revitalized noir.
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| 2 | boredoms | 100 99th |
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Best film about water.
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| 2 |  |
Seryxa | 100 93rd |
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Teasing, complex mystery that uses the conventions of detective stories to explore civic and personal corruption, in the style of Raymond Chandler, but adding a more modern perspective. It is eminently watchable, with effective individual scenes and performances and photography which is lovingly composed though tending to suggest period by use of an orange filter.
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| 2 | oaic | 0 3rd |
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Stylized, artsy soap opera.
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| 2 | forehead1 | 60 70th |
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Great direction, good performances - particularly from Nicholson - and a plot that keeps you interested throughout, but watching it for the first time 36 years after its release you can't shake the feeling of it being an overlong episode of Columbo. Entertaining but not essential, despite its obvious merits I just didn't care enough about the outcome to consider this a 'keeper'. Perhaps a second viewing is required.
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| 2 |  |
afx237vi | 90 95th |
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"You see, Mr. Gittes, most people never have to face the fact that at the right time and the right place, they're capable of... anything..." And thus John Huston (in a deliciously sinister performance) sums up the entire essence of film noir in one simple quote.
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| 2 |  |
thegreyfox | 95 98th |
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When I tell my grandkids about the days when Hollywood made films about "real" (fictitious OR true) stories, rather than relying on marvel comics, laugh a minute animation and "exciting" CGI, I will use this film as an excellent example. Chinatown is a metaphor for everything corrupt in modern society, where the little man can do practically nothing ... or "as little as possible" .... against the root of all evil. No happy endings, no "just deserts", just brutally real, sad and stunning.
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| 2 |  |
Paxton | 74 75th |
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Nicholson can and has carried movies with terrible scripts. This does not have a terrible script, but he still carries it.
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| 2 |  |
juntakinte99 | 93 87th |
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Along with Rosemary's Baby, it makes a great double bill called Polanski's Problematic Classics. Here we see his weird psychosexual fantasies on how life would be better if a woman just learned to love the abuse, gaslighting, and trauma a man gives her. There's also an "eat your vegetables" quality to the script, which every screenwriter loves to study, but I'm not sure audiences even care about. And yet I still dig this picture, both for the message on corrupting power & the technical skill.
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| 2 |  |
philamental | 39 9th |
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I just ... don't ... get ... this. I've tried twice now, and I least I didn't fall asleep the second time, but I really can't see the masterpiece everybody else sees in Chinatown. A reasonably good murder mystery, but it's glacially paced, Gittes frequently finds clues too conveniently, and to my mind the acting is often laughable which took me out of the scenes in question. I'd forgive that in the 40s or 50s, but this came out two years after The Godfather so it has no excuse.
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| 2 |  |
JonnyHalftab | 98 99th |
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All time great script, score, direction, and performances. "He lives at 1712 Alameda. Do you know where that is?" "Sure". The music accompanying references to Chinatown evokes a feeling of cyclical time. Something terrible made Jake leave Chinatown, but something terrible is still fated to happen there again
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| 1 |  |
fabfunk | 97 95th |
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Waht's your excuse? If you love movies, you love "Chinatown".
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| 1 |  |
djross | 91 98th |
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Polanski's masterpiece. For years I've had the idea of making a film about the Chaffey brothers, but set in Mildura. It would be a kind of cross between this film and DAYS OF HEAVEN, and undoubtedly the greatest Australian film of all time.
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| 1 |  |
Kavu | 91 96th |
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Deservingly a classic and the best detective story I've seen. Nicholson and Polanski are in top form.
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| 1 |  |
Punchy-McGoo | 92 93rd |
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Extra high for screenwriting. As a viewing experience, I may go a tad lower, into the high 80's. This is writing for the screen perfected.
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| 1 |  |
Stardog | 95 98th |
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Doesn't insult the viewer by explaining every little detail of the case. Allows you to work it out by yourself.
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| 1 | gleeb | 89 97th |
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Damn, this is good. Gittes is played about halfway between Marlowe and the gutter, an interesting take.
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| 1 |  |
Derekstar | 100 96th |
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If you ask me, this is the best noir ever made. And there are a lot of great noirs. I'll also say that the mystery in this movie is absolutely captivating. Too often, especially in film, mysteries are either too simple or in the end make no sense. Oftentimes we'll get a character at the end of the film to explain everything, and tie it all together. We don't need that here. Even though there are a lot of threads, and the story itself is complex, every thread makes complete sense.
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| 1 |  |
nilkynarfy | 80 78th |
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Neo-noir always gets the wallpaper right, but forgets to install the plumbing. This one's good though, entirely thanks to Jack Nicholson's performance and Paedo Polanski's technical prowess. Plus, I think I'm in love with chinatown the metaphor, and have used it in day-to-day life. I didn't care about the characters or story one bit, though. Chandleresque only does it for me in Chandler, it comes off like schtick otherwise.
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| 1 |  |
Stain | 100 95th |
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Unique, wonderfully acted, and truly friggin' STRANGE detective story. Too bad Polanski is such a perv or he'd have made a lot more films like this for us
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| 1 | 0012 | 100 98th |
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A perfect film.
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| 1 |  |
Freder | 95 92nd |
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Distills the spirit of Hammett and Chandler better than any of the movies that were actually made from their books. If we take his later performances (when he essentially devolved into a charicature of himself) into account, Nicholson seems a strange choice for the part of the detective; but outside of CUCKOO'S NEST, this may be his best performance. Huston rocks the house with his villainy. For my money, it's Polanski's best movie.
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| 1 | jetjaguar | 95 89th |
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Long after the advent of Noir, Polanski managed to perfect the form. Take one of the best screenplays ever written, plunk down Nicholson at the height of his skills, and you get classic. Goldsmith's music don't stink either.
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| 1 |  |
Haruko | 75 76th |
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The pedo-grampa character gets interresting aspects if you concidere Polanskins latter adventures..
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| 1 |  |
KasperL | 95 98th |
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A pretty much perfect classic. One of the greatest neo-noirs.
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| 1 | lars66 | 97 97th |
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Gorgeous and artistic with story and characters to match. An all time great.
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| 1 | DVicknabb | 100 97th |
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If I could give it a higher score than 100 I would.
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| 1 |  |
recklessmess | 88 94th |
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OK, what *the fuck* does Chinatown have to do with this movie? Gittes had a beat in Chinatown when he was a cop, and the the very ending of the movie takes place there. But the movie itself takes place in southern California, and Chinatown LA has like 3 minute of actual screentime. So the final line, "Forget it Jake, it's Chinatown" means what, exactly? That the woman's death won't get investigated, just like the main crime in this movie that *doesn't* take place in Chinatown?
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| 1 | LynchMidget | 100 96th |
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Absolute brilliance. Quite possibly the greatest screenplay ever and it's the most gut wrenching ending I've ever seen.
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| 1 | mzam35 | 100 95th |
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"FORGOT IT JAKE ITS CHINATOWN" BUT I GURANTEE IF YOU WATCH IT YOU WILL NEVER FOGET
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| 1 |  |
XakkMaster | 98 98th |
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Simply one of the best screenplays ever written. Nicholson is perfect. Although it's not a tear-jerker by any means, Dunaway's emotional performance brings an added layer and the ending is so powerful that it gets me every time.
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| 1 |  |
INDYATMN | 71 27th |
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What's the fuss? There's nothing in this mostly predictable jaded private eye storyline that hasn't been done 1000 times already (does anyone not see Huston as the mastermind the minute he shows up?) It's not even a deconstruction of the genre (like the Grifters), so I can only assume all those 70's critics who grew up on pulpy noir tales simply got a profound thrill out of watching a slightly more mature & pretentious throwback to their childhood faves. There are no happy endings: yawn.
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| 1 | Mechatigger | 100 91st |
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Excellent crime drama. Nicholson is superb. All the intriguing elements are put in their proper place by Towne in an intricate, entertaining screenplay.
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| 1 | Ella May | 50 7th |
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I like Roman Polanski but could not get into this one.
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| 1 | Ryanscoomer | 15 10th |
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Maybe I'm missing something. I couldn't see what the point of this movie was. Unless the point was that Chinatown is a shithole.
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| 1 |  |
Kebapche | 95 97th |
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"Forget it, Jake, it's Chinatown"
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| 1 |  |
SirStuckey | 65 45th |
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This movie didn't do much for me. Just one of those things where I hear everyone say it's fantastic and I am completely underwhelmed when I actually see it.
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| 1 |  |
Okkervil | 89 95th |
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Looks as good now as the day it was released. Nicholson is absolutely at his peak, the same can be said for Polanski, and Towne's screenplay is slick, smooth and an absolute triumph. Although "Chinatown" perhaps doesn't rank amongst my absolute personal favourites, it's an undeniable noir masterpiece.
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| 1 |  |
Bown | 87 84th |
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An incredible top-tier script, New Hollywood’s most iconic two actors in their prime, and superb evocative cinematography and music blend together to create one of the most quintessential American films of the 70s or in the noir and crime genres or just ever really imo tbh
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| 1 |  |
wetwillies | 100 98th |
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Movie 1000! This is a film that appealed to me in so many ways before I even saw it. It would be hard to match those expectations but it totally does. In the 70's Jack Nicholson was an untouchable actor. And to think, this is only his 3rd best performance from the decade! Faye Dunaway is spectacular, as is John Huston as the slimy Noah Cross. Roman Polanski is a phenomenal director who puts together a perfect vision of LA. That final line is the best final line ever, I think.
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| 1 | HavingFun! | 100 97th |
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It's Chinatown.
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| 1 |  |
SirRobbie | 90 96th |
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2nd viewing: This has to be most cruel and cold film ever made [even in Polanski's standards]. Also, this is probably the most "perfect" post noir film to be made without many of its elements. Last but not least, it has THE BEST SCRIPT EVER, which is more noticable then Nicholson's fantastic performance and Polanski's brilliant direction, and THAT IS SAYING A LOT.
So why, you ask, I am not giving it a "100"...well, maybe I think that there are better films... or maybe I'm just supid :P
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| 1 |  |
roofs_runner | 98 98th |
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Among all thrillers I've ever seen Chinatown would take one special place beyond the limits than any other movie could reach. This unbelievable balance of mystery suspense and drama play so well with your mind that you get absorbed without, actually, realizing it. Now I see how weak The Ghost Writer was in comparison to what Polanski could do when his talent was blooming. Jack Nicholson goes directly to my favorite actors and I feel sorry I haven't done it earlier.
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| 1 | lukey86 | 100 93rd |
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A perfect film. Can't say much more than that.
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| 1 |  |
overrated | 99 99th |
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Ironically between him, the director, and the lead, John Huston was by far the least sketchiest guy in the film.
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| 1 |  |
Talyn Golic | 100 99th |
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A stunning movie, containing an excellent performance from Nicholson. It's a slow burner, to be sure, but the story is flawlessly executed as we follow Gittes on his investigation all the way to the shocking climax. The film is beautifully shot, capturing the mood of the era perfectly, and is backed up by a wonderful score. The script is excellent with some amazing dialogue between Nicholson and Huston in particular. A brilliant mystery thriller with excellent performances and direction.
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| 1 |  |
paulin | 92 89th |
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ahh those neo-noirs. and don't let me get going about the soundtrack. and Nicholson. a brilliant movie. don't listen to anything anyone tells you about the ending; it's part of the magic.
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| 1 | Mr. Film | 97 94th |
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Jack Nicholson and Faye Dunaway are top notch on this suspenseful film that might be Polanski's masterpiece
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| 1 |  |
GeneSiskel | 63 28th |
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As much as I admire the work of both (Roman) Polanski and (Jack) Nicholson, I found Chinatown tedious from beginning to just before the end.
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| 1 |  |
eCitizen | 70 70th |
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Fairly good mystery, but the script is dated. Period piece with lots of Film Noir qualities. Interesting film, but there are some potholes in the plot. John Huston and Faye Dunaway were good, and she was beautiful at that age. There are a few memorable scenes. Jack Nicholson was not as convincing as I had expected as the private detective. Worst characters were the inept police. I hated the ending, it left me wondering what the point of this movie really was, and it left the story unfinished.
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| 1 | susmatt | 30 13th |
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I didn't like it.
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| 1 |  |
W00DY | 95 99th |
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The pinnacle of Neo-Noir. There's barely a flaw in this masterpiece but the script, directing and score are probably the stand-outs.
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| 1 | torbern | 95 96th |
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The way the film's mystery slowly unravels--the way little hints (a glint of light in a pond, an old picture on the wall) are innocuously introduced, before taking on grim new meaning--is exquisite. It's all paced and framed perfectly, and the ending is one of the bleakest and best I can remember in a noir.
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| 1 |  |
Matija D | 97 99th |
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Fantastic crime/mystery film with brilliant script and wonderful performances led by Jack Nicholson on top of it.
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| 1 |  |
nilooravaei | 89 87th |
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not only is this film a remarkable homage to the best of hollywood, it is an astute, albeit bleak look at the overpowering and expansive nature of corruption. the film works so intricately. every line of dialogue, every "throw-away" moment pays off brilliantly. the film excels in every way - structurally, stylistically, thematically and in terms of performance. polanski really uses his european influence to bring nuance to the biggest american trope, the film noir. a true international classic.
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| 1 |  |
Groovy_Souls | 95 97th |
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Oh jesus, it's fantastic. A well-crafted mystery bolstered by a timeless script, Polanski's noir masterpiece is powerful and compelling. Every actor does a damn good job, especially Jack Nicholson, however. Robert Towne's script is the best we may ever seen, and up there with it are Polanski's direction and Nicholson's performance. Truly a classic.
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| 1 |  |
Yiannos | 85 97th |
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Single handedly responsible for revitalizing a long dead Hollywood staple, Chinatown spawned many imitators but no equals. Towne's oscar winning screenplay is rightly revered, but it's Polanski's deliberate pacing and handling of mood via low key lighting--aided tremendously by Goldmith's melancholy score--that brings the material to life. The slow burn trajectory obscures the importance of major plot details on first viewing, but it's wonderfully resonant. Nicholson and Dunaway are perfect.
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| 1 |  |
backwardsuit | 86 92nd |
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Gorgeous form, utterly bleak on the inside. One of the most profoundly depressed works I've seen. A beautiful expression of a harrowingly empty existence.
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| 1 |  |
benoliver999 | 100 95th |
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Chinatown never fails to disappoint; Polanski's masterful direction paired with two fantastic performances make it a timeless classic.
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| 1 | toddsalter | 90 70th |
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I didn't love trying to keep up with too many seemingly unnecessary details with which I had no real emotional attachment other than to try and not waste a movie watching experience. Otherwise I could appreciate the great acting, the fact this is a classic, and some really cool twists and turns in the plot.
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| 1 |  |
igormachete | 100 99th |
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Perfect
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| 1 | Superkick | 100 99th |
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Never seen a more perfect film. An absolute masterpiece.
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| 1 | bratings | 95 96th |
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Chinatown is a complex mystery that succeeds on every level, resulting in one of the finest films from both Jack Nicholson and Roman Polanski respectively.
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| 1 |  |
peyrin | 75 69th |
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Gotta be totally honest, at no point did it really hit me that this is one of the greatest scripts ever. Maybe a case of being groundbreaking in its time but no longer.
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| 1 |  |
Ale Roca | 90 81st |
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One of the finest Neo-Noirs ever..Jack Nicholson is great as private eye J.J Gittes but the Los Angeles 30's depiction is the true star here. Don't miss it.
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| 1 |  |
Armonica | 90 90th |
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Forget it jake, it's Chinatown!
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| 1 | JuggernautR | 98 99th |
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One of my favorite films of all time, and a nearly perfect film noir.
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Displaying 1 to 250 of 295 total ratings: Prev | Next
| Average Percentile 75.55% from 8396 Ratings |  |