Closure

It tries to add the "realistic" perspective to the missing-girl-in-LA genre of movies, but its many paper-thin characters hamstrung the attempt. But what really ruins the film is that the script rarely concocts any tension--the only exception is when Dee Wallace shows up and delivers a true masterclass perfomance. Ojeda, as the lead, is fine, but she's given so little to work with that she's set up to fail. As is, it's a barely watchable slog that has the occasional glimmer of creativity.