Critique de la séparation

More worked out and more competently put together, but for some reason less compelling than Debord's previous film. Perhaps it is that as it starts to look more like a "real film", the more difficult it is to argue for the destruction of film, even if what Debord means by this is complicated (something like: the end of what he calls the "passive" arts in favour of something more genuinely collective, political and "active"). Nevertheless, there is real material for digestion here.