Dangerous Liaisons (1988)

Set in France around 1760-1770. The Marquise de Merteuil needs a favour from her ex-lover, Vicomte de Valmont. One Marquise de Merteuil's ex-lover, Gercourt, is planning on marrying a young, virtuos, woman called Cecile de Volanges. The Marquise would like Valmont to seduce Cecile before her wedding day. Meanwhile Valmont has a conquest of his own in mind, Madame de Tourvel, a beautiful, married, and God fearing woman... (imdb)
Directed By: Stephen Frears
Written By: Christopher Hampton, Choderlos de Laclos
Starring: Michelle Pfeiffer, Glenn Close, Uma Thurman, John Malkovich, Keanu Reeves, Swoosie Kurtz, Mildred Natwick, Peter Capaldi, Laura Benson, Valerie Gogan, Joe Sheridan, Joanna Pavlis

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Dangerous Liaisons belongs to 43 collections
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Oct 18, 2020 | ![]() |
sopachuco13 | 90 83% |
Dangerous Liaisons was before my time but it was a movie cover that I remembered vividly at the video store. I'm glad that I waited until now to watch it because I don't think I would have been mature enough to enjoy it before now. I would not have been able to look past the costuming and the setting to see the amazing story contained in this movie. I do love the costuming and the setting but it's the characters that are so richly developed throughout the story that made me love this film.
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Frears is a damn genius, and this is one of his best.
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An immensely clever, ruthless black comedy that spirals into tragedy in the last act. Malkovich and Close clearly love these roles and really bite into them. Pfeiffer is quite good ... Reeves is not. I suspect his fairly naturalistic acting style cannot handle very theatrical dialogue ... he's awkward and wooden, but thankfully his part is really small.
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Pfeiffer is very attractive, and I like her acting, but the performances from Close and Malkovich are pretty bad. So I'll take 'Cruel Intentions' over this any day of the week.
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Fantastic production design with some wild casting misfires and a script that lacks some sort of intangible bite - when it should be quick, sharp and witty, it's slow and not nearly as clever as it thinks it is. It looks too damn good for me not to rate it well, but Thurman, Reeves, Malkovich, and Pfeiffer seem wildly out of place. Close is the only one who really fits her role. To anyone who enjoyed this, but thought it was lacking I would highly recommend 'The Draughtsman's Contract'.
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