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Di qiu zui hou de ye wan

Di qiu zui hou de ye wan

2019
Drama, Mystery
2h 18m
A man went back to Guizhou, found the tracks of a mysterious woman. He recalls the summer he spent with her twenty years ago. (imdb)
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Di qiu zui hou de ye wan

2019
Drama, Mystery
2h 18m
Your probable score
Avg Percentile 65.51% from 350 total ratings

Ratings & Reviews

(350)
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Rated 06 Apr 2019
66
51st
I simultaneously agree with both JakeAesthete and loc42. I couldn't quite connect with everything, even when it all started coming back and fitting into place. That ending. It's an incredible long take for sure but it ends up feeling too much like an incredibly long take. It's nice to finally know that Stalker takes place in 2046. GET IT?
Rated 15 Feb 2020
8
98th
empty pretentious academic postmodern film school garbage that only poseur internet-era cinephiles who refer to apichatpong weerasethakul as "joe" and have karagarga memberships and wong posters and sculpting in time on their bookshelves like me could possibly love. wait... guys like me? i'm a guy like me!
Rated 10 Oct 2018
90
97th
Can't say I understood it, and it did get a little long at times, but the camera work is amazing and the dreamy atmosphere near perfect. === Holds up on the rewatch too - the visuals are just fantastic. This must be the only way in which you can use both 3D and a long take without them becoming gimmicks.
Rated 09 Dec 2018
56
43rd
The meta elements and long takes are impressive, and I really wish I liked this more, but it is also very, very dull.
Rated 16 Mar 2019
95
95th
Sure it's basically just a mashup of Wong Kar-wai and Tarkovsky, but then holy shit there's an hour long single take in 3D. I couldn't tell you a goddamn thing that happened in this movie, but by the end I was sort of convinced that it was the moment all of cinema had been leading up to.
Rated 06 Mar 2020
5
91st
I want to drink in every second of this gorgeous, haunting, mysterious, melancholy tone poem.
Rated 05 Apr 2021
86
78th
Visuals are 10/10. A WKW and David Lynch hybrid. Where the former utilizes recurring thematic motifs as a way to construct a cinematic song poem, the latter uses recurring information to allow the audience to construct a pattern of meaning from the surrealist ambiguity if they so choose. Here, Bi gives us the opportunity to choose one or both of those options; either way, we must marvel at the beauty. The long shot, though impressive, feels amateurish at times, not unlike in Kaili Blues.
Rated 12 Mar 2023
80
68th
So similar to Kaili Blues that I think you’ll probably prefer whichever one you watch first. This movie is great, I really enjoyed it, but watching them in order gives you a strong sense of “I want to do that again but better”, even though the earlier film rises above its technical imperfections. It’s strange, I almost feel like you need to watch one or the other, but not both. I hope he does something completely different next
Rated 23 Nov 2019
65
29th
I'm torn. It's a technical achievement but I'm not sure it was worth it. Sometimes when he just moved the camera along a wall with talking placed over it the movie felt dull. And like someone said, the long shot at the end is impressive but also kinda just felt like a long shot. There are moments where it's gorgeous and the narrative would be interesting if it wasn't limited by Bi Gan's directorial choices. I liked it, ultimately, and admire it in ways but I wanted more.
Rated 16 Oct 2018
75
60th
Gan Bi surely is one of the greatest skilled directors to emerge the last few year. The already famous one-take long 3D ending sequence is absolutely marvelous. And all other direction before that is superb already too. But the movies is too much style over substance. Or at least I didn't get enough substance out of it.
Rated 29 Dec 2018
85
86th
one of the films worth ruminating on...
Rated 04 Mar 2020
84
93rd
Everything about you is a mystery.
Rated 20 Mar 2019
40
19th
Looks like a mix of Wong Kar Wai and Tarkovsky without doing justice to both directors. Sorry but I don't perceive any poignancy or poetry in showing real clocks to create a sense of time passing by. The romance seems so inauthentic and mechanic. I am sick and tired of these cliché women, who are mysteriously charming and intellectualized. Long shots with the absolute ugliness of Chinese countryside's dirty aesthetics don't appeal to me either. I see the intention, but it is fake and failed.
Rated 03 May 2019
84
98th
Structured like a Pynchon novel, with the truth leading to less and less certainty, and realized through an utterly stunning set of scenes lensed with as much attention paid to the poetic details as to the increasingly hopeless plot - all to be abandoned into a poetic reverie of imagined bliss which arrives at the same moment as the real loss of all hope. What a beautiful contrast between the story and the scene, the real and the poetic, the hopeless and the idealized. Perfect in every way.
Rated 03 Jul 2020
69
83rd
Gorgeous cinematography, mesmerizing sound design, an absolutely entrancing Tang Wei, and a show stopping hour long oner that any film buff would wank over don't make this a masterpiece. I wish the result were more emotionally involving but this dreamlike, narratively deconstructed surrealist gangster film, like if Infernal Affairs had been cut up and reassembled along the lines of Last Year at Marienbad, is at least a vivid, if detached trip.
Rated 17 Jan 2020
85
79th
I'm pretty taken with this. The flashback/search structure works well in the film's first 70 minutes. I really liked the use of the single take for the dream sequence in the final act--yes, it's showy, but there's a sense to doing it that way that communicates something slightly disorienting, a great stand in for a dream. There isn't much to hang on to as far as details about the characters, but this film strikes me as more about feeling and atmosphere, which are there in spades.
Rated 21 Jan 2020
65
61st
It's as about that 59-minute amazing, surreal shot as the wait for it -- because, to be honest, I just couldn't care less about what was actually happening. Stylish as hell, and seductive and technically way more accomplished than 1917, for example.
Rated 05 Feb 2020
65
24th
Great at establishing mood and going nowhere with it (except off the beaten path am I right?)
Rated 09 Mar 2020
77
88th
The dispersed mystery, the subtle Tarkovsky references and the bold long takes -including the final 1-hour 3D sequence- make up for just a little bit of greatness.
Rated 07 Sep 2020
45
9th
Visually beautiful but it's an easy construction: put charismatic people in front of neon-lit urban decay, of course that looks cool... But it doesn't make you an artist. Made exclusively for asian fetished cinephiles who attend film festivals (which should be me). I am used to this kind of stuff, nevertheless, it was excruciatingly boring, had to take 3 breaks watching death metal videos on youtube just to get rid of my frustration.
Rated 31 Jan 2021
77
37th
moody, pretty to look at, i have no idea what happened, super long one-takes are the most overrated element in filmmaking today.
Rated 06 Jun 2019
80
74th
Not an easy film to fully grasp on first watch, with a narrative that constantly shifts between past and present, memories and dreams, but fascinating to watch nonetheless. The second half is an impressive technical achievement and recontextualizes everything that has come before. Can't wait to see this one again.
Rated 24 Jun 2022
86
80th
Como eu não sabia que hora apareceria o plano-sequência de uma hora, fiquei ansiosa por metade do filme do tipo "falta muito, papai Smurf?", mas quando ele finalmente começou o prazer estético foi garantido. Na Mubi.
Rated 07 Oct 2018
85
87th
kafam cok karisti
Rated 14 Jun 2018
85
77th
14 Haziran 2018
Rated 24 Sep 2018
75
54th
25. Adana Film Festivali.
Rated 17 Oct 2018
85
86th
Atlas
Rated 07 Apr 2019
45
15th
Impressive final act--the first film I've seen to spot and exploit that 3D actually feels *less* real than 2D--but for me the ship had sailed by then as the preceding film is talky and hackneyed (disclaimer: subtitles felt iffy).
Rated 21 Apr 2019
80
86th
soon as i got out the movie i was like "damn hell yah this got a little bit of Wong Kar-wai and a little Tarkovsky and Double Indemnity" and it looks like everyone else did too. anyways, it's fuckin dope and beautiful as hell, dude!
Rated 06 May 2019
77
80th
Aquário
Rated 14 Oct 2019
77
96th
WOW!!!! What a visual Film!! What a pictures!! What a coplex screenplay!!
Rated 16 Dec 2019
85
93rd
Modern 1 dünyada gezinti yapmak. Arkadaşının, mafya tarafından öldürülmesi sonucu, sevgilisini kaçıran dedektifin hikayesi. Tehlikeli sahnelerde, gerildiğimiz 1 film. Ağır ilerleyen kurgusu, detaylı kamera açıları, metaforların her yerde dolandığı, rüya ile gerçek arasında dolaşan senaryosuyla muhteşem. Damarlarımıza David Lynch pompalandı. Yüzümü güldürdün. Başımı döndürdün. Acımı dindirdin. Yolumdan çevirdin. Ve daha 1 sürü şey.
Rated 04 Jan 2020
10
22nd
I didn't get it. This movie is as dull and cliche as they come.
Rated 05 Jan 2020
85
94th
reverse kurgulu ruya, ani, hayat ucgeninde melankolik gorsel solen
Rated 23 Jul 2020
90
87th
a somnolent masterpiece
Rated 23 Sep 2020
82
59th
A non-linear mystery film that slowly dissolves into a dream. The jigsaw puzzle plot is composed of pieces that don't quite want to fit together. Beautiful and even moving at times, it is definitely an achievement on a technical level.
Rated 25 Oct 2020
86
84th
Bir film ne hissettirmeli? Sinematografisi nasıl olmalı, müzikler nasıl kullanılmalı? Diyaloglar hikayeye nasıl hizmet etmeli? Hepsinin cevabı olarak gelmiş bu film. Long Day's Journey Into Night ve yönetmen Bi Gan'ı geç keşfetmiş olsam da bundan sonra hep takibinde olacağım.
Rated 25 Mar 2021
90
81st
Music, cinematography, shots, dark atmosphere, dream transitions, metaphors and words… Everything is wonderful and flawless. A near-perfect movie from Gan Bi. I hardly prevented myself from giving 100 points and maybe I lost points due to the cast. David Lynch, Tarkovski, Bergman even Fellini. It is admirable for Gan Bi to watch the movies of these men and make such an example. Breathtaking, this is art.
Rated 15 Dec 2021
10
14th
nothing happens in the first hour, so no need to bother more...

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