Durante la tormenta

Completely devoid of any originality, derivative of better Sci-Fi dramas, and a whole lot more implausible than those.

Solid, but unimpressive sci-fi flick with notes of crime, drama, and romance in for good affect. I could probably watch a dozen flicks like this back to back and find nothing to complain about, but I won't be frothing at the mouth either.

**********SPOILERS**************** What doesn't make sense to me is the reveal that the guy never intended on killing his wife, it was an accident. When he gets arrested in the first timeline, immediately after it happens, he confesses to the police that he was going to cut up the body and bury it under the slaughter house??? When did he have time to formulate this plan? On his way to the police station? And why would he say that? Obvious plot device is obvious!

Not a bad variation on the time-loop genre, but made in quite a generic style, so that, for example, the soundtrack seems a little dated. Perhaps that's intentional, but I'm not sure what purpose it serves.

oyunculuklar çok klişe ama götürdü bir yere kadar

Ein Hoch auf Analogtechnik. Mit dem ganzen modernen Digitalplunder kann man nicht mal eine Videokonferenz durch die Zeit einrichten und Chaos stiften. Man hat manchmal fast den Eindruck, dass die Firma Casio den Film mitfinanziert hat. Er hat durchaus einige spannende Szenen, auch wenn manches unsinnig wirkt. Vera hätte die Zeitlinie eigentlich so drehen müssen, dass sie ihre Tochter Gloria und Kommissar Nico bekommt. Nico isch mega, er raucht nöd.

Çocuk sahibi kişiler için çok duygusal. Beni çok sarstı. SPOILER Cinayete tanık olan bir çocuk ölür. Seneler sonra evine evli bir çift taşınır. Kadın evde bir TV ve kamera bulur. Fırtınalı bir günde kamera çalışır ve kadın çocukla temas kurar. Çocuğu dışarı çıkmaması konusunda ikna eder. Fakat zaman değişir. Kadın bir doktordur ve kocasıyla evlenmemiştir. Çocuğu da yoktur. Kadın çocuğuna kavuşmaya çalışır. Zaman yolculuğu temalı bir film.

Interesting enough but not good enough. I was bored half way through and figured it out somewhat earlier than expected, thanks to the acting being too obvious.

Another mildly impressive thriller by Oriol Paulo where all the logic of the story is so paper-thin and requires so many contrived elements to work, that I can't stop my eyes from rolling. For example [spoiler], police officers in Spain don't introduce themselves to people they talk with, I guess?

Mostly generic and far too predictable, but there are a few good points. Main issue for me (aside from the story not being compelling) was the protagonist: after changing the past, she is completely confused as to why the world changed. For the entire length of the movie she oscillates between a clear understanding of her being in a different timeline and complete confusion as to why the world is different from what she remembers. It is truly ridiculous.

niko omilana