Edipo re (1967)

In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity... (imdb)
Cast and Information
Directed By: Pier Paolo Pasolini
Written By: Pier Paolo Pasolini, Sophocles
Starring: Pier Paolo Pasolini, Alida Valli, Ninetto Davoli, Silvana Mangano, Franco Citti, Carmelo Bene, Luciano Bartoli, Giovanni Ivan Scratuglia, Julian Beck, Francesco Leonetti, Ahmed Belhachmi, Giandomenico Davoli
Genre: Drama
Franchise: Pier Paolo Pasolini's Mythical Cycle
AKA: Oedipus Rex
Where to Stream
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Edipo re belongs to 22 collections
1. Jonathan Rosenbaum's Top 1000 Movies (collaborative: moderated by PeaceAnarchy - 38 stars)
2. They Shoot Pictures 1,000 Greatest Films (2017 revision) (collaborative: moderated by iconogassed - 22 stars)
3. Doubling The Canon (collaborative - 13 stars)
4. Sight and Sound 2002 (collaborative: moderated by PeaceAnarchy - 9 stars)
5. Africa (collaborative: moderated by td888 - 8 stars)
6. Masters of Cinema (collaborative: moderated by hristos - 6 stars)
7. Doubling The Canon (2010 update) (collaborative: moderated by MMAlpha - 5 stars)
8. Ancient Greece (collaborative: moderated by djross - 4 stars)
9. They Shoot Pictures ex-Top 1,000 (collaborative: moderated by MMAlpha - 3 stars)
10. Djross film as art (public: djross - 3 stars)
11. Doubling the Canon (2011 update) (collaborative: moderated by MMAlpha - 1 star)
12. Doubling the Canon (2012 update) (collaborative: moderated by Cinephile - 1 star)
13. Oedipus / Oedipal (collaborative: moderated by Ag0stoMesmer - 1 star)
14. Italian director (collaborative: moderated by iconogassed - 1 star)
15. Cinetheque (public: allegreller - 1 star)
16. Versátil Home Video (collaborative: moderated by allegreller)
17. TSPDT 2016 new additions (collaborative: moderated by avgcrtckr)
18. Djross 1967 top ten (public: djross)
19. Rewatch & Random (public: ForrestQ)
20. Djross Italian feature films I've seen (public: djross)
21. Djross the 100 films that define my taste (public: djross)
22. Read the book and seen the film (public: ylajali)
Browse the full list of collections
Date | User | Rating | |
Apr 11, 2022 | ![]() |
bof | 80 83rd |
Pasolini clearly saw something important in Sophocles' old tale, and while I'm not sure I'm seeing the same thing, the sheer mad commitment of it and that eerie ending asks the viewer to bring their own subtext; the artist who's only happy when he chooses not to see what's going on, the unbearableness of truth. In a way, it's the same "you see but you don't understand" ending he had in Gospel of Matthew, isn't it? No wonder he had to make people literally eat shit.
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Mar 22, 2021 | ![]() |
djross | 80 91st |
The Italian setting of the opening and closing, even the highly un-Greek Moroccan setting of the main part, the variations from the text, the way of reflecting on the themes, the strangeness of the costumes, all of this makes sense and seems interesting to this viewer. To stage Sophoclean tragedy in the modern age without becoming a museum piece is not easy, and this viewer is not sure that it could have been done much better. Perhaps Pasolini's Greek films were not well understood at the time.
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Oct 09, 2017 | ![]() |
Moribunny | 53 41st |
A middling effort from Pasolini's middle period, a kind of mechanical adaptation of Oedipus with rugged dialogue ammended by some text inserts, poorly shot in a Moroccan desert bearing no real resemblance to the area between Delphi and Thebes. Pasolini's express goal of "primal cinema" benefits from the minimalism and rejection of psychoanalysis, but is hindered by the director's need to draw smug modern allegories. Costumes in this movie are superbly capricious.
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Aug 30, 2017 | ![]() |
Yiannos | 73 77th |
(Viewed on 28/06/13): Pasolini's historical films tend to have a chintzy quality that, when combined with the hysterical acting, often borders on parody. But it's precisely that gap between pretension and reality that fascinates, and E.R is a typically idionyncratic work that compels and repels in equal measure. Citti's performance is dubious, but his presence is strong, and the stark landscapes are unforgettable, as is the finale that daringly reimagines the story in a contemporary setting.
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May 08, 2017 | ![]() |
oskarhu | 77 54th |
The costumes and headgear used are particularly eye-catching.
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Jul 07, 2016 | ![]() |
deep_green | 85 94th |
Far out. Sophocles + camp + LSD. Great soundtrack (how much of it is a synthesiser?)
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Jul 17, 2015 | ![]() |
PetrosTser | 60 40th |
Pasolini took the ancient myth of Oedipus, along with the famed tragedy of Sophocles, and made them his own. You can surely question the changes he's made to the original material, which often lead to obvious contradictions, and marvel at the cheapness of the production. But you can't ignore the potency of the story or the psychological intensity he tries and to some extent manages to insert to it via his directorial approach. This Oedipus is different and less weighty but still interesting.
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Jan 24, 2014 | ![]() |
lisa- | 4 52nd |
not particularly interesting, as it's mostly just a story without too much beyond the surface, and rather silly too. just like other pasolini movies it's rather odd without going full-on wacko, and it seems like it's almost making fun of its genre and setting.
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Jul 26, 2012 | ![]() |
TrixRabbi | 48 8th |
Uuug... There's a lot here that's pretty good. The design is fantastic, the acting is strong, the camera work is solid. But it's just so boring. It just goes on and on and on. And I love the original play too. The lack of dialogue thing didn't work here. Everything felt detached and prolonged and just kind of empty. And I knew from the first 20 minutes I was going to be bored, but I stuck it through. Not worth it.
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Apr 24, 2012 | ![]() |
baronayaz | 72 81st |
fantastic and realistic.
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Apr 04, 2009 | ![]() |
childintime | 70 71st |
final scenes are stunning
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Aug 14, 2007 | ![]() |
MartinTeller | 54 10th |
Reasonably interesting when there's stuff going on (despite some horrible dubbing, hammy acting, and overall sloppiness) but in between there's a whole lot of boring blah. Endless scenes of Oedipus walking, walking, walking. And I saw the same long, slow pan of the city at least three times. Noteworthy only for the way the story is bookended by shifts between the modern and ancient world (which served no purpose that I could discern).
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Average Percentile 63.28% from 269 Ratings | ![]() |