Elephant
2003
Drama, Suspense/Thriller
1h 21m
Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.
Directed by:
Written by:
Your probable score
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Elephant
2003
Drama, Suspense/Thriller
1h 21m
Your probable score
Avg Percentile 56.23% from 4676 total ratings
Ratings & Reviews
(4676)
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Rated 08 Aug 2009
86
80th
Let's get this out of the way: if you complain about this being boring, or uninteresting, or just shots of people walking, you're a giant fucking idiot and don't get it. ARGH NOW I'M TOO ANGRY TO FINISH THE REVIEW WHY IS THE HIGHEST-RATED REVIEW ON HERE ONE BITCHING ABOUT THE LACK OF EMOTIONAL ENGAGEMENT, ARE YOU STUPID, ARE YOU ACTUALLY STUPID
Rated 08 Aug 2009
Rated 07 Aug 2009
3
80th
It feels like the camera is constantly searching for answers, but is completely unable to find any. It makes you feel hopeless because you're totally unable to understand how these things can happen.
Rated 07 Aug 2009
Rated 24 Feb 2010
0
0th
100% pure, uncut, certified Arthouse Bullsh-t. Certain people (esp. Cannes Film Fest juries) love2 sniff around essentially blank slates like this& crap out their own interpretations of "meaning", "significance" &other words ur forced to put quotes on. It's an easy game2 play since there's no there there. But it's still a case of Film Theory types discussing the Emperor's New Clothes. If there's anything worse than H'wood's calculated garbage it's pretentious, belligerently dull "art" like this
Rated 24 Feb 2010
Rated 18 Mar 2007
42
13th
Elephant is a horribly boring movie that has zero emotional engagement despite its incredibly important subject matter. You'd think a movie of this sort would have to do very little to be thoroughly involving and incredibly tense, yet Elephant manages to be absolutely awful on both of those fronts. It's not a recommendable film in any way, shape, or form.
Rated 18 Mar 2007
Rated 14 Aug 2007
5
57th
Tracking Shots of People's Backs as They Walk Away from the Camera: The Movie
Rated 14 Aug 2007
Rated 14 Aug 2007
75
84th
Van Sant is a filmmaker with one foot in the mainstream and the other in art. This, inspired by the Columbine High Massacre, is definitely an art movie. It's more than a nod to Alan Clarke's Elephant. It takes Clarke's use of tracking shots to new extremes, but is more tame in that it has some dialogue, at least a semblance of a plot and gives at least a clue as to what's going on. Anyway it's very well made, realistic and shocking. A powerful, relevant rehashing of someone else's idea.
Rated 14 Aug 2007
Rated 03 Feb 2009
86
83rd
As cheesy as it is to say, movie was 'Haunting'. Great camera work by Van Sant here. Stories mesh beautifully, authentic feel, very shocking and brutal climax or more-the-like an anticlimax that you never really see what's coming until the pieces finally piece together at the end. In closing, great one-time watch with very realistic high school portrayal. Watch to understand the man Gus Van but not for an enjoyable blockbuster non-art student film filled evening.
Rated 03 Feb 2009
Rated 08 Jul 2007
60
8th
A shallow and talentless attempt at an "artsy" film.
Rated 08 Jul 2007
Rated 09 Feb 2009
40
25th
This is a really hard movie to rate. I get it; I really do. The movie has a very powerful statement, and the fact that it looks like such an indie film only accentuates the power of the message. However, the execution is just flat out cancerous to the film itself: the acting is poor, the camera shots (while they are a testament to the art of a long, drawn-out camera shot) are way too long, and the format of the film takes away from the viewer's ability to really care about what happens.
Rated 09 Feb 2009
Rated 14 Apr 2009
45
8th
Most of the actors seemed to just play stereotypical characters you see in other high school films; asshole jock, deranged lunatic, puking drama queens, guy with camera taking pictures of everything.. For an 81 minute film, it sure dragged on forever, and when the film finally started to get interesting, they switch to another kid whose life seems to have no value and we watch more mundaneness. A film on this subject matter and not once any emotional feelings.
Rated 14 Apr 2009
Rated 26 Jun 2019
59
21st
Exploitation can have artistic merit but when art feels exploitative I generally find it harder to deal with. This minimalist experiment is too interesting to label pretentious (especially regarding time & perspective) but too reserved to feel quite right. Its callous indecision can be seen as an earnest attempt to avoid simplification or as misguided alienation of charaters & events (different to a depiction of alienation) that only serves to exploit the all too real horror of not knowing why.
Rated 26 Jun 2019
Rated 20 Feb 2007
70
77th
Utterly flat, but in the end strangely affecting. Suggests that the possibility of such a transgression lies in the destruction of children's affective capacities, individual but also collective – that is, in the ruin of the ability not only to feel but to interact. And that this is a pathology which is not confined to the perpetrators. But we are, perhaps inevitably, left to wonder about the root causes of this sociopathology.
Rated 20 Feb 2007
Rated 14 Aug 2007
5
0th
Most worthless waste of film ever. Not given a 0 because I guess it has pretty people in it or something.
Rated 14 Aug 2007
Rated 14 Aug 2007
59
16th
Interesting but not very enlightening. I prefer Gerry, but points for doing something bold and different.
Rated 14 Aug 2007
Rated 14 Aug 2007
40
11th
a movie someone can only watch on fast forward
Rated 14 Aug 2007
Rated 15 Mar 2008
20
2nd
Faggy
Rated 15 Mar 2008
Rated 12 Nov 2008
80
46th
A mixture of fantastic visual and sound design with a narrative that is wholly disappointing. Perhaps if Van Sant had given us a reason to care about anyone who dies (other than perhaps Elias) we wouldn't be left raising an eyebrow as the final scene pulls the curtain.
Rated 12 Nov 2008
Rated 29 Nov 2008
25
21st
This left me with a bad taste in my mouth. The cast of child actors, most of whom play themselves, seems very uncomfortable in front of the camera. The takes are absurdly long, and rather than making me feel like I'm trapped in a boring day of high school, they just left me bored. On top of it, they repeat scenes (specifically the uneventful ones) several times from different perspectives. And at the end- surprise! School shooting. Definitely the longest hour and 20 minute movie I've watched.
Rated 29 Nov 2008
Rated 06 Apr 2014
80
59th
Acutely terrifying. I'm questioning if what it says needs to be said, but it's so striking that I don't want to overthink it. It's a visceral exercise in perspective; minimalism shouldn't be mistaken for simplicity.
Rated 06 Apr 2014
Rated 14 May 2018
68
66th
Elephant is a middlebrow quasi-art film catering to aesthetically conservative Anglophones, but on the other hand there is a concerted effort to make some kind of sense of a tragedy rooted in a specific social pathology. It was a HBO production, so it was never going to be as radical as it should have been, but Savides' camera patiently glides through empty school hallways, emphasising the dislocation of youngsters raised in a rootless world. Van Sant's avoidance of agitprop is commendable.
Rated 14 May 2018
Rated 02 Aug 2021
80
65th
Elephant was marketed as an apolitical antidote to Bowling for Columbine and Michael Moore's damning commentary on the Littleton massacre. Ironically, that lack of point-of-view holds the film back. Still, Van Sant goes to his greatest skill as a filmmaker: art school experimentation made accessible in a mainstream movie. His artistry creates a brooding picture imbued with a sense of unease as you await the horror about to unfold. Recommended, although perhaps too avant-garde given the topic.
Rated 02 Aug 2021
Rated 12 Nov 2023
90
92nd
I watched this as a teen, and really disliked because it was boring. I still think I was correct, but now I like this film! It achieves a state of boredom and mundanity, because it's a snapshot of a regular day in these people's lives. The horror of this film, which after an hour of narrative circling finally comes, is the banality of evil. Van Sant does offer some explanations, but he doesn't commit to any of them. These are just two kids. That's it.
Rated 12 Nov 2023
Rated 01 Apr 2007
39
24th
There are a lot of notorious, three named renegades in history: John Wilkes Booth, Lee Harvey Oswald, Marcus Junius Brutus. Welcome home, Gus.
Rated 01 Apr 2007
Rated 29 May 2007
75
66th
Gets extra points for the very natural dialogue.
Rated 29 May 2007
Rated 14 Jun 2007
70
32nd
Some great shots and moments, but totally irresponsible filmmaking, that fails to address why the characters are the way they are, or how it feels to be a victim of a school shooting.
Rated 14 Jun 2007
Rated 14 Aug 2007
61
39th
Long and drawn out shots end up being a viewer endurance test rather than symbolic. When things are happening on screen they're entralling but there's far too much excessive downtime in between to make this a really enjoyable film.
Rated 14 Aug 2007
Rated 14 Aug 2007
91
91st
Elephant is perhaps the most intense film I have ever seen. Gus Van Sant pieces together a compelling story and makes incredible use of silence and distance in movies to create a movie that must be watched full concentration to be truly enjoyed.
Rated 14 Aug 2007
Rated 14 Aug 2007
40
7th
Maybe I'm just not an artsy-enough guy, but I didn't particularly like this film. That's about all I've got to say. It dealt with an important current issue and all, but don't feel like you're missing anything if you don't watch it.
Rated 14 Aug 2007
Rated 14 Aug 2007
20
0th
This movie sucks. Gus Van Sant out did himself with this movie. It is as if he wondered if he could make a movie worse than the Pyscho remake. Mission accomplished Gus.
Rated 14 Aug 2007
Rated 28 Oct 2007
77
82nd
More of a mood than a movie. Beautiful images, loved the long camera drives. A brave subject to take upon. Interresting how some people find the gay scene out of place, for me it felt some how just right to make the movie complete.
Rated 28 Oct 2007
Rated 31 Dec 2007
65
30th
It's an interesting premise that's uniquely filmed, but it mostly feels boring.
Rated 31 Dec 2007
Rated 03 Jan 2008
63
32nd
It felt a bit like a Haneke film, but I couldn't help but find the kids kind of annoying, due primarily to the acting. Once you lose that you lose the impact. This was the right way to tell this story, just get the professionals next time to portray it.
Rated 03 Jan 2008
Rated 19 May 2008
42
4th
Gus Van Sant tries to cash in on the tragedy of school shootings in the United States and ends up making a terrible film, with terrible writing and some truly bad actors. One might even call it...tragic.
Rated 19 May 2008
Rated 27 Jul 2008
85
80th
It's not for everyone. Watching a bunch of teens be teens, from different perspectives, over and over again. It's based on Columbine but instead of trying to tell you why it happened, it tries to be as objective as possible and is a strong movie because of it.
Rated 27 Jul 2008
Rated 06 Apr 2009
86
73rd
Gus Van Sant reveals and exposes the dark secrets of school chaos with Elephant, a sentimentally unsettling and uncompromising film dealing with different academic complications inside and outside of the building: Bullies, fights and such more that I will not explain. It also helms a recurring moral within bonds between father and son, that is strongly binded by insightful looks of youth violence and a tragedic shooting incident. The flaws? An eye-brow raising final scene and it's a bit boring.
Rated 06 Apr 2009
Rated 20 May 2009
100
96th
The heartbreaking cumulative power of this movie will have you spellbound long after the end credits have rolled. Van Sant has created a stark, horrifying glimpse into the fallibility of life, consequences, and the human condition. When the carnage has subsided, he asks the very question likely to be on his audience's mind: why? Van Sant is at just as much of a loss as the rest of society on the answer. This is candid, sumptuously layered, unspeakably authentic, and, finally, devastating.
Rated 20 May 2009
Rated 02 Aug 2009
96
96th
A truly heart-stopping film experience. Van Sant takes realism to another level and paints a portrait that anyone who went to high school in this decade could find something to relate to. Incredible tracking shots.
Rated 02 Aug 2009
Rated 13 Aug 2009
10
6th
I suppose this is an attempt at uber-realism but as a viewer what you see is a bunch of long shots of students walking down long halls with no dialogue, no characters and no plot until the obvious and unwanted ending. Nothing of interest here, don't waste your time.
Rated 13 Aug 2009
Rated 16 Nov 2009
94
97th
An absorbing, hypnotizing and quietly delicate feature, a sort of Columbine fiction, I could say. One of the best of this decade, no doubt of that.
Rated 16 Nov 2009
Rated 31 May 2010
30
13th
Did not care for this movie at all; seemed (to me) to be very self-indulgent.
Rated 31 May 2010
Rated 20 Nov 2010
40
71st
It's hard to see how this treatment of the topic could arouse, let alone satisfy, anybody's curiosity about it. Hard to see, that is, how it tells us anything more about it than that the flow of life got interrupted that day by two kids with no understanding of what life is. It does have something to tell us, on the other hand, about how a sense of the flow of life can be achieved on screen: long shots, long takes, no dramatic inflection or punctuation, a disinterested point of view.
Rated 20 Nov 2010
Rated 06 Jan 2011
95
89th
Probably the closest anyone will ever get to making sense of Columbine, simply because it doesn't try to make sense of it. GVS understands that that's a dead-end road. To call it irresponsible is to be blind not only to that, but to the meaning of the real-life shootings and their aftermath. The lack of real actors among the cast can be distracting, but it's better than the alternative, and gives it chilling authenticity. This is the only high school I've ever seen on film that felt real.
Rated 06 Jan 2011
Rated 05 Apr 2011
0
1st
Terrible, terrible movie with terrible acting, terrible writing, terrible direction and terrible everything else.
Rated 05 Apr 2011
Rated 10 Apr 2011
30
22nd
The people saying they didn't feel an emotional connection are inhuman monsters, not unlike Alex and Eric. We connect because we're people, and death at the hands of a monster is scary to everyone, except maybe the monsters themselves. The problem with the film is that for this very reason we don't need to spend an hour meandering around the high school. It's solid, if slightly misguided.
Rated 10 Apr 2011
Rated 12 Sep 2011
2
15th
It's interesting, and the final sequence is powerful, but it's also rather banal and reductive (especially that on-the-nose "don't bully us" monologue Alex gives the principal), so my feelings are rather mixed. Whether I should dock it or give it credit for ripping off Satantango's overlapping structure and long takes is another question.
Rated 12 Sep 2011
Rated 31 Jan 2012
70
71st
A portrait of a terrible tragedy, this movie really gets you into the atmosphere and you feel in a dehumanize environment.
Rated 31 Jan 2012
Rated 29 Feb 2012
45
11th
Some stereotypes talk mundane bullshit and then get shot by other stereotypes. Van Sant said he wanted to present it not as a movie but more a realistic depiction of what really happened and that would be fine if it had something to say beyond that or maybe if some of these kids could fucking act. It's boring, pretentious and self indulgent. Gains some points for not being overly melodramatic and brave.
Rated 29 Feb 2012
Rated 08 Jan 2013
75
53rd
Hard to watch doesn't begin to describe it.
Rated 08 Jan 2013
Rated 14 Aug 2013
75
63rd
Van Sants stylistic choice of making this an overt "reverse-First Person Shooter" is nothing short of ingenious. The characters are little more than ciphers, walking player character types based on outlines of high school stereotypes, but this provides us with just enough to empathize (or despise). And theres something to be said for a movie that can make me briefly despise a culture and mourn a tragedy so throroughly, without anyone crying at the camera. Even if said culture is The US.
Rated 14 Aug 2013
Rated 27 Jan 2014
72
52nd
Gus floats us through the lead up to & eventual occurrence of a high school massacre. Pointing a sight or two at a few potential inflammatories along the way. He took a swipe at the usual video game angle, the more unique societal conditioning angle & a brief example of teenage bullying. I was just thinking he should withhold bringing his stock gay sequence to the table as that would mean it could also be used as critical fodd..and they're making out in the shower..damn it Gus.
Rated 27 Jan 2014
Rated 23 Jun 2014
61
47th
Van Sant really knew what he was doing when making Elephant, but at the same time, it was not my type of film. I found it to be boring, however; Van Sant really created a remarkably intimate vision of the horrors of the all too common school shooting. I grasped everything I needed to grasp from Elephant, and although I found it insipid, it is not a film I will forget.
Rated 23 Jun 2014
Rated 27 Sep 2014
90
93rd
Powerful and chilling, Van Sant's Columbine-inspired feature starts slowly, establishing the everyday lives of several students with long tracking shots that show the relative normality of high school life, all the time building tension for the inevitable second act. It's authentic and deeply unsettling, with the bland setting and largely unknown cast fuelling the sense that this could be happening at almost any high school in America.
Rated 27 Sep 2014
Rated 15 Aug 2015
70
64th
Terrifying in how ordinary it all feels before it all kicks off. A brilliant case for home schooling.
Rated 15 Aug 2015
Rated 18 Jun 2016
25
5th
Amateurishly directed with protracted aimless scenes that do nothing to advance the plot, character development, theme, or any other elements of story. An occasional series of title cards with characters' names similarly achieves nothing more than to pay homage to Reservoir Dogs. The use of non sequential time is an annoying and, again, unjustified gimmick. The acting is mediocre and, in places, poor.
Rated 18 Jun 2016
Rated 09 Dec 2017
95
72nd
A Gus Van Sant film deserves a viewing. No definitive answers are provided as to the motives of Elephant. John Robinson is so beautiful he commands involuntary attention. Elephant's action, though perhaps slow, will provoke comment by all who see it.
Rated 09 Dec 2017
Rated 14 Nov 2018
70
36th
Does a great job showing how we develop a false sense of security.
Rated 14 Nov 2018
Rated 28 Dec 2019
90
77th
The production value suggests Elephant could have been a student film from one of it's characters, except for the fact that the tracking steadycam work comprising much of the film is brilliant.
Rated 28 Dec 2019
Rated 30 Jan 2020
80
73rd
There's much to say about the problems existing around the recurrence of mass shootings, but in terms of how to depict it with emotional honesty, Van Sant got it right, all the while most just kept giving the story credit to the one with the gun. You can't say that has absolutely nothing to do with why these people keep putting their faces in the camera's view, it's the darkest form of celebrity after all. Don't even entertain them as stars, or else you may let them burn out bright.
Rated 30 Jan 2020
Rated 24 Feb 2020
55
30th
god this + lords of dogtown made me develop SUCH a crush on john robinson back then........... and i didn't even realise it was the same guy lmao
Rated 24 Feb 2020
Rated 08 Jan 2021
60
13th
I didn't really like this movie. It was completely empty, a shell of a movie. The characters are all shallow. The actors are not particularly good, but there is not much for them to portray anyway. The long shots of a person walking and the camera panning around in funny ways are probably impressive because I see people praising them, but they didn't do anything for me. Maybe I would have felt differently if I had seen it back in 2003, but I feel like I gained absolutely nothing from this film.
Rated 08 Jan 2021
Rated 21 Jan 2021
84
81st
Brilliantly made movie from Van Sant. Its not a wonder that movie won the main award in Cannes FF. Made like a documentary, movie doesn't have a certain plot. Just follows schoolchildren in their every (tragic) day life.
Rated 21 Jan 2021
Rated 03 Jan 2024
68
91st
I really enjoyed the part when the elephant showed up.
Rated 03 Jan 2024
Rated 01 Dec 2006
90
75th
Great effort to put a controversial theme onto the screen. Its silence is breathtaking. Great experience.
Rated 01 Dec 2006
Rated 11 Dec 2006
66
12th
It's best only the first time around, which is really all the time you need to spend on it. Pretty intense. The acting is a little awkward and forced, but Van Sant's ambition shines through.
Rated 11 Dec 2006
Rated 14 Feb 2007
80
80th
Great movie, I'd rather call it a documentary, but obviously it's not. Only problems I had with it was that Van Sant (who's openly gay) felt the need to throw in a gay scene and a black character towards the end. Neither of which were necessary, but perhaps were only put in to satisfy (a.) black critics and (b.) his own ego. And yes, I'm white and heterosexual, which may be why I didn't notice a "lack of black people" and was confused about the gay scene.
Rated 14 Feb 2007
Rated 08 Mar 2007
55
49th
Great work from Gus Van Sant,amazing camera work.Its a shame the acting from quite a few of the people in this film is so very very poor.
Rated 08 Mar 2007
Rated 02 May 2007
84
76th
As far as Gus Van Sant's more artsy and meditative movies go this is one that is, surprisingly enough, haunting and far from sucky.
Rated 02 May 2007
Rated 25 May 2007
80
61st
I found it remarkably intense film to watch. The long scenes really built up the sense of peace and normalcy, which made the inevitable attack that much harder to watch.
Rated 25 May 2007
Rated 09 Jun 2007
96
90th
Powerful. I loved Gus Van Sant's shots, and while the story felt a bit contrived at times, his use of regular kids and overlapping storylines really endeared the movie to me.
Rated 09 Jun 2007
Rated 11 Jul 2007
4
83rd
High schoolers act like high schoolers, classes are boring, evil is banal, and tragedy isn't pumped for cheap thrills. Probably the most tasteful way to deal with a school shooting. Anything else would seem exploitative.
Rated 11 Jul 2007
Rated 05 Aug 2007
3
62nd
it's as deep and tempting as its style of using long steadicam shots, but i still kind of liked it. definately interesting.
Rated 05 Aug 2007
Rated 14 Aug 2007
90
79th
Saw this movie. It said more about Columbine than Bowling for Columbine ever could.
Rated 14 Aug 2007
Rated 14 Aug 2007
75
29th
Pretty Good, not Van Sant's best but proberly his best of his death thilogy but he will never top My Own Private Idaho and Drugstore Cowboy
Rated 14 Aug 2007
Rated 14 Aug 2007
30
3rd
I just don't get Van Sant, seriously.
Rated 14 Aug 2007
Rated 14 Aug 2007
70
32nd
Wasn't there. Can't judge how accurately this movie in particular portrays the events that it reenacts. Told and performed well enough.
Rated 14 Aug 2007
Rated 14 Aug 2007
85
66th
Pretty interesting movie, kind of on the boring side.
Still had enough power to shake you up.
Rated 14 Aug 2007
Rated 14 Aug 2007
50
17th
I'm really not a van Sant guy. His aim was in a poignant direction, but I feel that the execution was just silly. The choice to use unprofessional actors backfired.
Rated 14 Aug 2007
Rated 14 Aug 2007
75
32nd
Quite poetic, but it falls apart at the end. I'm not sure if I like it, but I do admire Van Sant for at least trying.
Rated 14 Aug 2007
Rated 14 Aug 2007
45
11th
I can understand how "THIS IS DIFFERENT SO ITS GOOD" crowd could get behind Elephant.........but this fly on the wall film just didn't do it for me.
Rated 14 Aug 2007
Rated 14 Aug 2007
76
58th
Gus Van Sant is a master as director here, though while I think you could use this technique to capture the natural lives and possible reactions to this situation of real high school students, the theory stops working when you have non-murderers conveying what they think the murderers would be like. Plus, this is one of those rare films where more scope would have made the movie more interesting. Too short, which isn't that mch of a criticism I guess.
Rated 14 Aug 2007
Rated 14 Aug 2007
85
60th
Loved it. Eery at times and filmed amazingly well.
Rated 14 Aug 2007
Rated 14 Aug 2007
95
92nd
People don't seem to understand this movie and the point it is trying to make.
Rated 14 Aug 2007
Rated 14 Aug 2007
60
35th
Incorporates every single cliche about high school violence you could imagine, and then just makes some new ones. Even so, it's a pretty watchable movie.
Rated 14 Aug 2007
Rated 14 Aug 2007
45
21st
Very slow movie that doesn't even have much of a payoff at the end. The end is at least worth a rental though
Rated 14 Aug 2007
Rated 14 Aug 2007
75
21st
Purposively ordinary until the horror begins. An interesting study.
Rated 14 Aug 2007
Rated 14 Aug 2007
50
23rd
Well made enough but perhaps it's the Englishman in me and so the degree of removal from the incident but the film feels quite dragged out and boring. While this is the style, it takes it too far for my tastes.
Rated 14 Aug 2007
Rated 14 Aug 2007
90
92nd
Van Sant's best film thus far. Icily gorgeous, flawlessly captured.
Rated 14 Aug 2007
Rated 14 Aug 2007
60
21st
Minimalist filmography and pseudo-complex plotlines. Gus Van Sant probably sat around inspecting real teens and copying their dialogue verbatim. However, everything feels intentional. I enjoy his references to the metaphoric Elephant that can not be completely known, but this movie is a waste of time if you're out for thinking during the film. You'll think about it afterwards.
Rated 14 Aug 2007
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