Ema (2019)

Date	User	Rating
Apr 21, 2022	Malcym	5 _32nd
Visually this is a knockout, with energetic camerawork and dazzling use of colour, and it’s buoyed by an engagingly offbeat score. The performances are very good although the script is fairly ludicrous, the dialogue scenes not always convincing and the pacing choppy. I admired the audacity and it’s worth a watch for those eye-popping images.
Oct 06, 2021	BruhCringe	77 _62nd
Оценка - 77 Общая - 74 Нарратив - 5.5 Сценарий - 6.5 Постановка - 7 Целостность - 6.5 Монтаж - 8 Выполнение своей цели - 7.5 Флоу - 7.5 Личное - 7.5 Атмосфера - 8 Эмоции - 7 Актерская игра - 7.5 Саундтрек - 7.5 Синематографи - 8 Визуал - 8.5 Звук - 7 Продакшн дизайн - 9 Костюмы - 8 Настроение - 1
Aug 23, 2021	natebarrios	60 _31st
I also want to be out with my friends and a flamethrower
Apr 19, 2021	psim	73 _39th
An unconventional, and often disorientingly told family drama... and heist movie?
Mar 01, 2021	Neonman	62 _19th
The first fifteen minutes of this are so great, so god-damn does it suck that it changes into what I hoped it wouldn't become. What is a visually and aurally thrilling examination of a kind of soft grief becomes your usual tale of a woman slutting herself out and "finding herself", which is highly unsatisfying to watch (though perhaps a bit sexy), especially given the absence of the integral husband character during these moments.
Jan 03, 2021	JohnSandwich	45 _19th
some of the visual work is nice and some cool sequences, but this story/script is just terrible
Dec 27, 2020	bof	76 _73rd
Dance as terrorism. di Girolamo is a beast, and Gaspar Noé wishes he could even think of something like this. Not that I'm entirely sure much thought went into it beyond "BURN", but damn, this is punk rock.
Jul 03, 2020	Judo Koala	76 _61st
As in his last feature, 'Jackie,' Larraín is remarkable at painting a highly impressionistic depiction of his protagonist's state of mind through kinetic cinematography and absorbing soundscapes. Unfortunately, Larraín's destruction of the nuclear family makes for a weird narrative turn, and I'm not sure even he's certain of what statement he's making. Alas, Bernal's tirade against reggaeton made me LOL, and Di Girolamo takes on her role with a most wonderful ferocity.
Jun 20, 2020	chengming	75 _76th
If every family drama was interspersed with so much color, music and beautiful cinematography, I'd definitely be watching more of them. Granted, they do come across as gimmicks frequently, but that doesn't stop them looking great.
Jun 18, 2020	moraesfelipe	40 _14th
Larraín is certainly a director talented enough to pull off a bunch of seductive and provocative images, but I'm just not sure about everything that happens around them -- the dance stuff works way better tham the adoption drama, actually.
May 29, 2020	AAAutin	64 _78th
(KRAMER VS. FLAMETHROWER)
May 18, 2020	buttercup	6 _34th
climax şili şubesi
Feb 29, 2020	Yaren	77 _25th
26.12.19 Usame Kadıköy Sineması
Jan 04, 2020	andayb	60 _46th
taking a flamethrower to the family institution, ema is off kilter ass it gets. decidedly arthouse, it revels in its meandering and visual breaks. the plot itself is quite hard to swallow and it relies heavily into imagery (literally and figuratively). Di Girolamo's eccentric presence lifts the movie a notch.
Dec 27, 2019	Aras	70 _36th
"Spectrum"
Dec 26, 2019	Agasdus	73 _66th
S
Dec 24, 2019	kadikoy	85 _93rd
Marjinal hayatın inanılmaz çekiciliği. Evlatlık aldığı oğlunu, diğer aileden almak için elinden geleni yapmaya uğraşan Ema, sınırları zorlayan bir seçime yapmaktadır. Metaforlarıyla, baskın da olsa, merak edici öyküsüyle ters köşeye yatırıyor. Özellikle ilginç sonu ile tüm aileyi toplaması takdiri şayan. En iyi yönetmenin kim kanka? Pablo Larrain. O zaman dans.
Dec 20, 2019	Mpython	7 _57th
7+, Perdede, Kanyon.
Dec 18, 2019	guvolefou	75 _54th
Beyoğlu Sineması.

Average Percentile 47.85% from 267 Ratings