Farewell, Home Sweet Home

More of the same from Iosseliani, maybe slightly less funny than Monday Morning and visually even less impressive (the fact that William Lubtchansky shot both just indicates further how little visual sense Iosseliani seems to have). He appears to have a very specific, consistent schtick (sort of a drab Tati, basically) that i can certainly admire and even find amusing in limited doses (although both these films sort of put to me sleep) but i don't feel like i need to see any more anytime soon.