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From the Earth to the Moon

From the Earth to the Moon

1958
Sci-fi
1h 41m
Set just after the American civil war, businessman and inventor Victor Barbicane (Joseph Cotton) invents a new source of power called Power X. He plans to use it to power rockets, and to show it's potential he plans to send a rocket to the moon... (imdb)
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From the Earth to the Moon

1958
Sci-fi
1h 41m
Your probable score
Avg Percentile 18.4% from 48 total ratings

Ratings & Reviews

(48)
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Rated 19 Apr 2020
32
18th
Call me old-fashioned, but I'll take the Georges Méliès adaptation of silly French wizards battling moon demons in "A Trip to the Moon"(1902) over this boring more faithful adaptation of the Jules Verne novel. Instead of the dry space travel sci-fi, I was far more interested in the alternate history of President Ulysses S. Grant dealing with the invention of the not-nuclear weapon, "Power X", where the U.S. enters an 19th century atomic age...imagine "duck-and-cover" but hiding under a horse.
Rated 22 Jul 2009
47
7th
Fairly boring, there really isn't much about this movie to complain about since it's so dull. I do know that by 1958 entertainment was invented, but this doesn't have it.
Rated 07 Aug 2018
35
11th
Cool cast but it's so fuckin boring. Wonder if a Jules Verne adaptation has ever been good?
Rated 25 Jul 2018
2
10th
Dumb
Rated 10 Oct 2012
65
29th
You'd think a production with both Cotten and Sanders would have at least a fair amount to recommend it. Unfortunately though, after a long (and not terribly necessary) prologue, this one goes into Lost In Space mode once it leaves Earth, where pretty much anything is possible and all logic gets thrown out the window/portal.
Rated 15 Nov 2016
30
9th
ger; [Von der Erde zum Mond]; nach dem amerikanischen nord-süd konflikt erfindet ein wissenschaftler ein neue energiequelle, welche er für eine rakete zum mond nutzen will.;
Rated 18 Jul 2008
40
19th
Passes the time.
Rated 05 Jun 2010
29
10th
The action is turgid, the characterization wan. It grinds along without a pulse, enlivened only by the unintentional amusement that comes from watching old Hollywood pros like Joseph Cotten and George Sanders interacting awkwardly with the special effects, looking like they're marking off time in their heads, the ticking away of minutes until they can salve their mortification with a couple tumblers of brown liquor at the nearby watering hole the only countdown that particularly concerns th

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