sign in
register
Watch
Showtime Apple TV Channel Max Amazon Channel Max
+7
Good Time
Showtime Apple TV Channel Max Amazon Channel Max
+7
JustWatch
Remove ads

Good Time

2017
Drama
Suspense/Thriller
1h 42m
A bank robber finds himself unable to evade those who are looking for him. (imdb)
Directed by:
Josh Safdie Josh Safdie Benny Safdie Benny Safdie
+1 more
Written by:
Ronald Bronstein Josh Safdie Josh Safdie Benny Safdie Benny Safdie
+2 more
Starring:
Jennifer Jason Leigh Jennifer Jason Leigh Robert Clohessy Robert Clohessy Robert Pattinson Robert Pattinson Benny Safdie Benny Safdie Barkhad Abdi Barkhad Abdi Necro Buddy Duress Taliah Webster Taliah Webster Peter Verby
More
Genres:
Drama, Suspense/Thriller, Crime
Country:
USA
Language:
English
imdb More information at IMDb
See title update history
Suggest an edit
Show Less
Your probable score
?

Good Time

2017
Drama
Suspense/Thriller
1h 42m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 65.49% from 2360 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

(2360)
Compact view
clear
Compact view
Show
Sort
barthalenBarthalen
Rated 22 Sep 2021
81
84th
A nerve-wracking escalation of bad and desperate decisions from a terrible person who drags all those around him down into a grimy, neon-drenched vortex where hope and empathy come to die. But enough about [religion/politics], Good Time is quite the intense ride. One where you both want to get off, and can't keep yourself from leaving since you want to see how far down things can go. The ending arrives quite suddenly, but that just adds to the merciless 'that's life for ya' factor.
Rated 22 Sep 2021
bownBown
Rated 20 Nov 2017
85
75th
This movie was a....*checks thesaurus*....superior....*checks thesaurus*....while
Rated 20 Nov 2017
leonardisLeonardis
Rated 22 Sep 2020
94
79th
I loved this. The Safdies are really good directors. A lot of the exterior shots of the night city and the way the conversations are filmed reminded me quite of bit of Michael Mann and David Fincher. The intro was extremely well done too. Robert Pattinson is very good and Benny Safdie is actually really good. This movie was very intense at times and uncomfortable at others. Just about everything was done well here, even if Connie isn't a very likable guy. I highly recommend it.
Rated 22 Sep 2020
actionbergActionberg
Rated 18 Aug 2017
85
84th
A twisted electronic dream set in the neon streets of New York City. It's a story of dysfunction and desperation that is, in its own way, propelled by love. The music is beautiful, the cinematography all its own, and the performances are so good you can't tell the professionals from the non-actors. The Safdies do it again.
Rated 18 Aug 2017
hawkinsHawkins
Rated 25 Feb 2020
92
93rd
I'm high on the style. Neon-synth waves wash over grainy film stock, distant zooms intensify motion, fugues of overlapping dialogue erode communication. So much pizzazz it's off the pizzazz-o-meter. My new Hollywood pipe dream is for the Sadfies to write/direct a Hotline Miami movie featuring Nic Cage - I guarantee that would be totally bitchin' awesome and not at all a waste of talent
Rated 25 Feb 2020
gnalkhereGnalkhere
Rated 16 Aug 2017
95
97th
This is one of those films that made me glad i didn't get fatally sick at some point in my life. Greatest opening credit sequence of the year. The underrated/Best film of 2017.
Rated 16 Aug 2017
moribunnyMoribunny
Rated 02 Oct 2017
80
91st
Pattinson's character Connie Nikas invokes an at once craftier and stupider Vincent Gallo from "Buffalo 66", in a character-centered crime caper crossing "Dog Day Afternoon" with "Crimson Gold". The Safdies create a gritty, unnerving thriller of errors with a nuanced anti-hero; an underprivileged yet self-entitled prick, who is not quite as good a brother as he thinks he is to mentally challenged Nick, played by Ben Safdie in the gutwrenching scenes book-ending the story.
Rated 02 Oct 2017
luna6ixLuna6ix
Rated 18 Jun 2020
69
32nd
Having only seen two Safdie movies, I feel that I can already tell that I'm not much of a fan. They do two things really well, they pump their movies with so much anxiety that viewers might need medication afterward, and they do a fabulous job at bringing New York City to life, especially the unglossy, real city behind the postcards us non-natives are familiar with. The biggest defect in their films, this one included, is that almost all of the characters have very few redeeming qualities.
Rated 18 Jun 2020
judo_koalaJudo Koala
Rated 29 Aug 2017
88
96th
The Safdies' ability to morph NYC into a threatening, lurching, decrepit pit of despair, its denizens the fringes of society--dealers, hustlers, thugs, addicts, the impoverished & the misguided & the disabled & the broken--calls to mind the fierce, raw grit of '80s Abel Ferrara, rarely seen in filmmaking today. Training their eye on the underbelly of the city, the Safdies continue to utilize claustrophobic vérité techniques and absorbing soundscapes in what is visceral filmmaking at its height
Rated 29 Aug 2017
jschlanskyJSchlansky
Rated 24 Feb 2018
97
97th
Holy shit this is fucking good. The acting, the direction, the cinematography, the musical score, the editing, everything about this movie is absolutely excellent. The score is incredibly engaging and original despite it's familiar sound. The sense of place is so strong and every element of the production design conjures up a dirty, sleazy feeling. Robert Pattinson, Benny Safdie, and the rest of the cast are in top form and the color, oh my gaaaahhhhh
Rated 24 Feb 2018
alex_watkinsAlex Watkins
Rated 06 Apr 2018
5
91st
A night-gone-bad film which careens from one miserable scenario to the next with reckless abandon, the acuity of its portrayal of the wrong places with the wrong people continually gnawing in the pit of my stomach. Few films have ever made me as anxious. It's as propulsive as the best action films with a sense of sheer dread to rival the best horror, and shot with the flair of a Nicolas Winding Refn film. I'm torn between wanting to never watch it again or wanting to watch it again right now.
Rated 06 Apr 2018
fredericg54frederic_g54
Rated 28 Sep 2017
9
90th
Fueled by a hypnotic visual style and a dense, driving soundscape, Good Time is at once messed up and completely in tune with its own unhinged insanity. While I couldn't relate to the character's questionable morals, the Safdies make a compelling case for the often destructive nature of love and how it can make people do some pretty stupid things. And I loved almost every minute of it.
Rated 28 Sep 2017
seethruskinSeethruskin
Rated 29 Aug 2017
6
95th
Good to see the consensus changing on Pattinson like I knew it would. This is one of those career defining roles. This reminds of last years Victoria but with a better visual style since it's not stuck in the gimmicky one shot thing (although I do like Victoria)
Rated 29 Aug 2017
ocelotOcelot
Rated 02 Jan 2018
85
94th
every single second of this film, right from the very first frame, is laced with overwhelming dread. both that Pattinson's Connie will do something horrible -- morally or legally -- or that he won't, and others will be caught in the crossfire in his desperate attempts to prolong the inevitable. if this isn't the best film of the year, it is one that will be passed along by worth of mouth over the weeks and months to come. "did you see Good Time?" be sure your answer is yes.
Rated 02 Jan 2018
twincinematwincinema
Rated 16 Jan 2018
85
85th
This film left me empty inside after it was finished. The scenes with his brother are heartbreaking. This film was not a Good TIme -- it was actually a Bad Time.
Rated 16 Jan 2018
blakeengelBlakeEngel
Rated 27 Aug 2017
85
99th
Interesting to experience a movie that functions in terms of an immediate "What happens next? And then what?" storytelling philosophy. It really feels like the American version of the Dardenne Brothers. Instead of following people with a wide lens behind their backs, we follow from the front with a long lens, so often staying in a pretty tight closeup. The score is mostly fantastic, all performances are great, its just a giant meltdown in the middle of New York. Bizarre and unique.
Rated 27 Aug 2017
guy_piranhaguy piranha
Rated 12 Dec 2017
75
81st
a welcome case of false advertising. No one has any good time whatsoever. Except that security guard. Maybe.
Rated 12 Dec 2017
ecitizeneCitizen
Rated 11 Jan 2018
80
83rd
An incredibly raw look at a desperate criminal in action. After a robbery, their bad situation escalates as the night continues. It was incredible to watch him moves so fluidly from one chaos to the next. A consummate liar, a despicable person, and a terrible influence on his dimwitted brother. Robert Pattinson was convincing. Good music. A whirlwind of action, near constant chaos, some edge of your seat tension and very entertaining.
Rated 11 Jan 2018
ieuandpIeuanDP
Rated 23 Apr 2018
85
85th
It's difficult to watch at times just because it's so grubby and depressing, and it doesn't really pursue a stylised aesthetic (Neon Demon, Nightcrawler etc.). I think it's to the film's credit though - they never glamorise his actions or the social decay around him. That final, intrusive scene is really poignant too, and touches on loads of different issues in a really simple but powerful way (my score might be buffed a bit by that oneohtrix point never soundtrack).
Rated 23 Apr 2018
corbadCorbad
Rated 25 Feb 2018
75
66th
The actors, particularly Robert Pattinson in the lead role, give such strong, human performances that their unlikeability and the claustrophobic closeness of the cinematography does not repulse but draws in, and the film is a taut, if sometimes curiously paced, thriller.
Rated 25 Feb 2018
sellissellis
Rated 01 Sep 2017
89
86th
Like Rain Man meets Naked meets Cops directed by mumblecore filmmakers. The camera is the eye, observing unflinchingly at the shadows and alleys of the city, that you drive by and only find out later were there. It's both thrilling, threatening, and intimate from the very first scene. Pattinson is enigmatic and spontaneous, fully capable of pulling off this portrait of a charismatic liar. It avoids sentimentality and tragedy but embedding itself forever into memory. Great film.
Rated 01 Sep 2017
neonmanNeonman
Rated 30 Nov 2017
89
90th
This has cult film written all over it. It's not just a wild ride, but a brief gaze into the wild ride that some inner-city folks live, best demonstrated by Ray's story. Connie's path ends up going all over the place, and he's taken through excellently shot locations and street-casting that make this film feel like such a revealing exposé of this kind of New York (and the fantastically fitting electronic wonders of Oneohtrix Point Never don't harm the film either).
Rated 30 Nov 2017
letskillrobotsletskillrobots
Rated 26 Dec 2017
13
31st
This was like Of Mice and Men except with the dude from Hufflepuff.
Rated 26 Dec 2017
staryarabbistaryarabbi
Rated 04 Nov 2017
75
68th
Fatalistic-paranoid odyssey of a twisted rebellion with a FPS neonesque surveillance aesthetics. Pattinson (Quixote) and the moron (Panza) go through a survival of the fittest journey in the jungle of NY which starts and ends at a rehabilitation center exploring economic and moral demise of contemporary America through several institutions such as prison, hospital etc. Some characters were shallow but it might be a conscious choice to prompt the feeling of nihilism & utter tragicomic vacuity.
Rated 04 Nov 2017
amorfusAmorfus
Rated 09 Jan 2020
91
78th
There isn't a performance less than superb in this movie. This is a stressful, tension packed ride. The Safdie bros. are a force.
Rated 09 Jan 2020
rebeccalexrebeccalex
Rated 27 Aug 2017
90
95th
Robert Pattinson was a gem. The music and cinematography kept me anxious throughout the entire film.
Rated 27 Aug 2017
mattorama12mattorama12
Rated 27 Feb 2018
74
74th
Pretty much non-stop intensity. Between the uncomfortably close camera, the thumping score, and the increasingly poor decisions, the tension is really relentless. And the denouement is what brings this thing together. Reminds me a bit of Irreversible in the emotional arc it takes you on.
Rated 27 Feb 2018
nathan_sNathan S
Rated 25 Apr 2018
4
74th
Energy, momentum, neon wash, and electronic pulse are the expression of its jovial title. Good Time is an aesthetic treat, but after all it's a sad and pitiable event. Connie takes advantage, deceives, lords himself over the unworthy; misguided and destructive antics all in the name of brotherly love. It is a complicated characterization which defies the viewer to empathize with the plight of a terrible person. The nocturnal capsule and constant sense of frustration recall After Hours.
Rated 25 Apr 2018
moonsmilkmoonsmilk
Rated 22 Nov 2017
9
80th
Smarter people than me have talked about this film's indictment of white privilege or it's exploration of institutional oppression, but it's always shocking to see the Safdies exploring poverty in a way that doesn't feel cloying or exploitative. Robert Pattinson is obviously a powerhouse in this, and it'll be a travesty if he doesn't get nominated for this. How the hell is this Oneohtrix Point Never's first score?
Rated 22 Nov 2017
deaddillydeaddilly
Rated 28 Aug 2017
85
84th
Kind of plays out like a completely depraved version of a stoner buddy comedy. "Good Time" swells with a layered chaos that forces the viewer to live in the moment. Even moments of calm are constricted by the complete tangle surrounding the characters. I started to find some beauty and purpose amongst the fuckery towards the middle of the film, and thats when it clicked with me how impressive this was.
Rated 28 Aug 2017
le_mamile mami
Rated 29 Oct 2017
80
82nd
Not for the people who is the only child of the family.
Rated 29 Oct 2017
joelwatchesmoviesjoelwatchesmovies
Rated 15 Feb 2018
10
98th
Claustrophobic, anxiety-provoking, and just generally discomforting: All negative descriptors, but in this case they're just a testament to the gripping atmosphere created by the well-crafted gritty thriller script (Ray's tangential story was the one hiccup), memorable turns and score, and bold camerawork (see the glut of shaky close-ups, birds-eye car shots). All of this is brilliantly bookended by two tear-jerking scenes of innocence that stand in sharp contrast to the grime in the middle.
Rated 15 Feb 2018
wwallce4prezWWallce4prez
Rated 02 Dec 2017
88
92nd
The Safdie Brothers' craft is on full display for 100 minutes of anxiety. The lens is always a little too close so that we feel we might get caught up in this night from hell. Wonderfull performances and a groovy soundtrack round out a superbly made film
Rated 02 Dec 2017
peyrinpeyrin
Rated 26 Nov 2019
95
99th
It takes surgical precision to create a clusterfuck this electrifying. Pattinson is dynamite.
Rated 26 Nov 2019
chengmingchengming
Rated 18 Dec 2017
60
35th
It looks like the Safdies are working hard on perfecting the kind of movie I don't watch. In this one, Ohneotrix Point Never don't disappoint for the movie, but the rest feels a bit like starting a series a couple of episodes in, where the main hero seems impressive but you're just not quite interested enough in him because you must have missed something before.
Rated 18 Dec 2017
harmonicaHarmonica
Rated 28 May 2018
74
50th
Artful and intense crime drama/thriller recalling the likes of Mean Streets with a blend of stylised photography and raw performances. It's easy to get caught up in it all and swept along for the ride, but the film really shines when the pace lets up - brief interludes allowing for some intimate character drama and insight. The film develops an engaging narrative and social commentary, but in the conclusion feels a little slight and mostly sells short all the good work building to that point.
Rated 28 May 2018
anomalyAnomaly
Rated 25 Jan 2020
77
66th
Filled with an uncomfortable tension and forward energy that threatens to boil over into violence at any moment. Pattinson gives an incredible performance, selling Connie's desperate sleaze perfectly. However the pacing does stumble somewhere in the middle, and it never quite recaptures the anxiety of the first half. Also RIP that security guard who got a mouthful of LSD, that shit's active in the tens of micrograms range.
Rated 25 Jan 2020
cmonsterCMonster
Rated 17 May 2020
81
72nd
An interesting film full of dichotomies. Connie is simultaneously so loving yet completely narcissistic and uncaring about ruining people's lives. He is obviously both clever and constantly making stupid horrible choices. The choices made in the cinematography were top notch.
Rated 17 May 2020
igormacheteigormachete
Rated 15 Oct 2017
90
89th
The movie is so dense I kept forgetting to blink. Pattinson is the man
Rated 15 Oct 2017
fra_paolofra paolo
Rated 21 Feb 2018
49
51st
As a piece of film-making, this is superb. But all that technique rests on a plot that twists in an unbelievable fashion too often.
Rated 21 Feb 2018
kavuKavu
Rated 03 May 2018
87
89th
Small but effective in its brutality. R-Pat keeps on shining, luckily not literally anymore.
Rated 03 May 2018
obdurateObdurate
Rated 03 Nov 2017
50
14th
It tries to fool the viewer into believing it's a frenetic movie by using an admittedly pretty cool, electronic soundtrack and some decent cinematography and usage of colour... but it's not that. It's rather boring with almost no truly memorable moments. I liked the credits when the disabled brother was with others like him trying to integrate himself, but the movie doesn't really earn that payoff because the rest of it is stale. Pattinson was fine but it was hardly this career-making role.
Rated 03 Nov 2017
dmcrimsonDMCrimson
Rated 21 Mar 2019
86
94th
Beneath the claustrophobic camera and low-life world is a masterclass to fast-paced tension. Great soundtrack and well-defined characters too.
Rated 21 Mar 2019
astrakhanastrakhan
Rated 14 Jul 2018
79
66th
Strong "descent into madness" crime drama, underpinned by a mesmeric Robert Pattinson. The story and direction are executed in a way that keeps you on the edge of your seat from start to finish, with clever use of soundtrack and camera angles to create a perpetual state of unease, nay, desperation. Dark, moody and visceral - the Safdies explore their disturbing vision of an America which appears utterly beyond salvation.
Rated 14 Jul 2018
lintonmyroxylintonmyroxy
Rated 24 Jan 2020
96
99th
Best score ever and the easily missed details really make this great. Dog fighting ring briefly mentioned on local news- how does security guard with pitbull afford that nice apartment? Can't find bag of money at park- why is Connie suddenly ready to leave apartment after saying he'd stay for hours, and why is he taking that duffel with him?
Rated 24 Jan 2020
omgfridgeomgfridge
Rated 27 Feb 2018
6
53rd
An alright time.
Rated 27 Feb 2018
darrenDarren
Rated 04 Jan 2018
90
92nd
One of the few films with a social message that isn't boring. Makes me want to make movies again. Something I hadn't thought about in a very long time.
Rated 04 Jan 2018
davidblastDavidBlast
Rated 25 Sep 2021
75
72nd
Who doesn't love a movie about a clever gang of gentlemen thieves with an intricate plan that unfolds with surprising twists and turns? Well, it turns out that the exact opposite approach is great too. ‘Good Time’ is about dumb lower-class thugs, desperately trying to fend off whatever problem is in front of them. Pattison nails the irritated and ruthless ‘Can do’ attitude of a drug fiend. It's unnerving to watch his unhinged decision-making. Good times? Not exactly. Good film, though.
Rated 25 Sep 2021
pluggedinPluggedIN
Rated 10 Sep 2017
20
12th
Unless someone comes to an almost biblical conclusion--that the only way to avoid disaster is to, paradoxically, stand up and face what's coming. To confess. To repent. To sacrifice yourself for the sake of others. The movie gets there--eventually. Alas, to come to this sort of conclusion does not make for a good time, nor does it make for a good movie. But it does offer, at least, a decent caveat.
Rated 10 Sep 2017
nothingsgoodNothingsGood
Rated 23 Jun 2020
50
46th
Pattinson is a great central figure, though I wish there was more Leigh and Safdie and less Buddy Duress. It's definitely a ride, but there's quite a few lulls and a huge anti-climax that all the good times can't really make up for, no matter how good of a time they are.
Rated 23 Jun 2020
ytadelYtadel
Rated 19 Sep 2018
6
70th
I definitely admire film’s punk rock filmmaking aesthetic and simultaneously theatrical yet lived in performances and its super cool electronic soundtrack. Somewhat less of an admirer of its largely nonsensical scattershot narrative. But it definitely felt like they had and pursued a vision, can’t take that away from them.
Rated 19 Sep 2018
kryptkrypt
Rated 21 Jun 2018
86
62nd
For a Bad Time® watch...
Rated 21 Jun 2018
natebarriosnatebarrios
Rated 10 Sep 2017
80
86th
robert pattinson needs to shower or something in this movie
Rated 10 Sep 2017
adam_p_dAdam P-D
Rated 02 Feb 2020
80
94th
Good Time is bookended with touching scenes of Nick's life finding some order. But the intense, relentless body of the movie is driven by his chaotic brother, Connie. He tells Ray that he serves no function, but when you create nothing but anarchy then maybe serving no function is the most useful thing you can do.
Rated 02 Feb 2020
quintonjaminQuintonjamin
Rated 27 Jan 2020
80
80th
As another review said, Good Time is anything but a good time. This movie follows a character who is not only unlikable, but so selfish that you hate him. Pattinson is great in this dark thriller with a few scenes that will have you cringing.
Rated 27 Jan 2020
hadleyreisHadleyreis
Rated 29 Aug 2018
70
54th
Shit, man. Fucking hell, bro. They had a good time.
Rated 29 Aug 2018
vandelay1Vandelay1
Rated 27 May 2022
45
46th
worth a watch
Rated 27 May 2022
syntheseizurSyntheseizur
Rated 12 Mar 2018
80
59th
An accessible, grubby, stylized crime movie with nuance on issues of criminality, law enforcement, privilege, and urban life. Its social commentary goes unspoken almost to a fault, with its frenetic movement and heightened suspense doing most of the talking. You almost wish for more quiet character moments and less rapid-fire action, but what's there speaks loudly. It's a genre film first-and-foremost, and a competent one, but it's the hidden desperation and muted frenzy that elevates it.
Rated 12 Mar 2018
mcjohnsonMcJohnson
Rated 21 Oct 2017
20
1st
This could bore the hind legs off a donkey. Like a Coen Brothers movie, except with lousy dialogue and a complete lack of humour. The incredibly ham-fisted moral that crime doesn't pay and the utterly misplaced social commentary on racial profiling exacerbate the film's many other issues. Avoid.
Rated 21 Oct 2017
chmulcr0nchmul_cr0n
Rated 24 Nov 2017
69
53rd
Watching idiots be stupid is only entertaining for so long. Although I have to admit some of it was pretty funny. Unintentionally so. Nick being the only character I gave a shit about made it kind of a bummer to have him pretty much out of the story for so long. The second half of the movie was just lot weaker in general. Once it stopped being about Nick, Connie became less interesting, as did the plot, and that new moron was just fucking annoying. But the ending was pretty cool.
Rated 24 Nov 2017
timmotimmo
Rated 03 Apr 2020
90
66th
It's SHOCKING how good Pattinson is. I had no idea. The movie is also really good, and I look forward to seeing the rest of what the Safdies' career holds.
Rated 03 Apr 2020
heapshakeheapshake
Rated 11 Feb 2018
80
84th
I wish it had been a wee bit shorter, but it is certainly enjoyable. I need to watch some more of these guys' flicks.
Rated 11 Feb 2018
dasmaymaydasMaymay
Rated 15 Dec 2020
86
92nd
"Don't be confused, it's just gonna make it worse for me."
Rated 15 Dec 2020
docbenwaydocbenway
Rated 28 Mar 2020
100
99th
best thing since The Killing of a Chinese Bookie
Rated 28 Mar 2020
susie_mauvesusie-mauve
Rated 05 Dec 2017
89
80th
Heck, it's not easy to create such tension. I like Pattison's performance - a lot. I need to see more of the Safdie brothers' work.
Rated 05 Dec 2017
stuie299stuie299
Rated 23 Jun 2023
75
46th
There are a lot of great individual pieces to Good Time, but it just doesn't quite come together as a whole. Robert Pattinson gives a very good performance. Stylistically the score is phenomenal and the cinematography/lighting is exquisite. The beginning third is very fast paced and engaging, but as the film starts to lose focus I start to lose interest. Technically everything remains at a high level, but much like Uncut Gems I eventually stop caring about what happens to the characters.
Rated 23 Jun 2023
glumpy99glumpy_99
Rated 17 Feb 2018
78
55th
Standard crime melodrama given a shot in the arm by a lively, raw feel, and excellent performances from a heady mix of marquee names and lesser known actors; Pattinson is particularly good (and almost unrecognisable) as the wiry, wired-up anti-hero. The episodic journey through sordid back-streets is not especially new, but the Safdies' and their cast still pull together a fun and enjoyable trip.
Rated 17 Feb 2018
cowfrappecowfrappe
Rated 20 Oct 2017
77
81st
A genre-shifting thrill ride.
Rated 20 Oct 2017
johnsandwichJohnSandwich
Rated 11 Aug 2019
90
95th
watched a few times actually, just forgot to rate it. excellent movie!
Rated 11 Aug 2019
capodelnullacapodelnulla
Rated 20 Oct 2017
75
69th
seyirciyi, seyirci olarak bırakmak istemeyip bunu başaran filmlerden. yeni bir şey getirdiği pek söylenemez, ama müzik kullanımı ve ses tasarımı filmin etkisini katlıyor. salon aydınlandıktan sonra dahi insanın üzerinde kalan aptal edici hissi nasıl bir güçle geldiğinin iyi bir göstergesi.
Rated 20 Oct 2017
lightshadowlightshadow
Rated 29 Jan 2019
85
44th
ucuz bir romanı andıran senaryoya , yönetmenin modern dokunuşuyla gerek ani yakım çekimler gerek hızlı tempoda bir anlatım ile seyirciyi ekrana bağlamaktadır. Film göz açıp kapayıncaya kadar gerçekleşmekte olup sahnelerin hızlı akışlarından ötürü hiç soluklanamayacak olan bir seyirci oluşturmaktadır. Macerayı izleyicide bu denli canlı tutabilmesi bu filmin sanırım en öne çıkan özelliğidir. Yönetmenin diğer filmi olan uncut gems i de izlemediyseniz , Josh
Rated 29 Jan 2019
soixistSoixist
Rated 01 May 2021
81
64th
Really Good
Rated 01 May 2021
lethiaslethias
Rated 10 Mar 2019
84
62nd
Absolutely mad, twisted road this movie is. Fast paced, visual, tense. Interesting but unsettling characters, very well played. Would not watch again but would watch it the first time every time.
Rated 10 Mar 2019
yotsugiYotsugi
Rated 14 May 2021
90
60th
Nauseating and intoxicating. A ride that just wont end.
Rated 14 May 2021
whatisitiseewhatisitisee
Rated 11 Jan 2020
75
66th
great soundtrack to a gripping adventure and its inevitable conclusion. better in many ways than uncut gums
Rated 11 Jan 2020
stewballStewball
Rated 04 Sep 2017
70
54th
An exercise is demonstrating how low stupid can go. That said, there were some good parts, mostly about two thirds through. The music was massively obnoxious.
Rated 04 Sep 2017
future42future42
Rated 12 Oct 2019
35
52nd
Extremely grim movie. Very well shot and well acted.
Rated 12 Oct 2019
jpotiijpotII
Rated 03 Dec 2017
23
16th
Capricórnio.
Rated 03 Dec 2017
king_zazvorking zazvor
Rated 12 Mar 2020
65
35th
Frenetic pacing, some great use of long shots but lacking in character development (except as the credits roll), and I find the soundtrack heavy-handed and annoying.
Rated 12 Mar 2020
closedmouthclosedmouth
Rated 15 May 2021
80
68th
Really fun in its sequences of haute tension, and compelling in its quiet times. Loved the second-act stay at the voodoo house, and the moment of Crystal trying desperately to figure out what happened after Connie said he was gonna take a shit in that guy's house.
Rated 15 May 2021
pratchett3Pratchett3
Rated 26 Jan 2018
8
71st
safdie brothers make some gnarly movies man
Rated 26 Jan 2018
braddad68braddad68
Rated 02 Mar 2020
94
74th
Another great performance by Robert Pattinson. The movie is intense and has a totally real feel. Also, loved the music.
Rated 02 Mar 2020
mddglumddglu
Rated 06 Mar 2019
82
90th
3.3.19(+)
Rated 06 Mar 2019
yoohooyoohoo
Rated 16 Feb 2018
70
37th
Robert Pattison gives the least amount of fucks. Bravo
Rated 16 Feb 2018
morphinapgmorphinapg
Rated 02 Feb 2021
76
66th
This feels very similar in tone and style to Uncut Gems, by the same directors, but perhaps a less refined version of that style. Similar journey with a character that makes bad choice after bad choice, and it keeps you on the edge of your seat the whole time. Thankfully though, not quite as uncomfortable watching this. Pretty solid movie. Pattinson does a good job as the scumbag main character.
Rated 02 Feb 2021
notitlenotitle
Rated 02 Nov 2020
80
73rd
Very good film.
Rated 02 Nov 2020
yoshinarutoYoshinaruto
Rated 26 Apr 2019
80
90th
Solid non stop thrill ride with solid acting. The Safdie brothers knew what they wanted to do, and they did it well. With the oddly close camera, in your face score, and consistent pacing working well together. Also a bit like the Coen Brothers, but I’d say that’s a compliment here.
Rated 26 Apr 2019
nargNarg
Rated 27 Jan 2024
69
68th
A car crash. A very stressful car crash. The only question is how many pedestrians will get run over before the guy at the wheel careens off the road and plows into a tree.
Rated 27 Jan 2024
djrossdjross
Rated 22 Mar 2018
65
71st
As a tale about lumpenproletariat characters of a kind usually not given central focus in (at least Hollywood) movies, this is better than average, even if the implausibly frenetic narrative can hardly be called cinema verité. I'm getting the feeling that lurid red and blue lighting has come into fashion now that orange and teal has (thankfully) gone out of it: can't help but wonder if that's because a generation of filmmakers have now been raised on STAR WARS and its sequels.
Rated 22 Mar 2018
silent_discosilent disco
Rated 06 Mar 2020
80
73rd
Oh God, why is sleazeball Robert Pattinson my type? It is actually so clear with this one that they wanted to make this since Heaven Knows What because its basically all the most hypnotically transfixing, adrenaline-juiced, scumbag survivalism of that movie's best moments which took precedent over that movie's actual conceit. They got sick crane shot money now though, and its about the only way you stop being a pore on the character's faces so revel in the exposure of an indifferent playground.
Rated 06 Mar 2020
seenmanyseenmany
Rated 21 Jun 2018
91
87th
it maybe R rated, but its not actually an R movie. Good movie, tells about lots of points of risk in any life
Rated 21 Jun 2018
noisebloomnoisebloom
Rated 12 Nov 2022
83
52nd
Directly preceding the release of their next film, Uncut Gems, the Safdie brothers' Good Time is remarkably similar to its successor, thematically and emotionally. The stakes here don't feel quite as high, and as such, this great movie feels like a warmup for the phenomenal Gems.
Rated 12 Nov 2022
yarenYaren
Rated 29 Feb 2020
80
34th
29.02.20 Beyoğlu Sineması
Rated 29 Feb 2020
arberwaticusArberwaticus
Rated 20 Apr 2018
86
42nd
Robert Pattinson dominates in his preformance as a bank robber. He is incredibly unlikable, selfish and evil. This is not a lovable scoundrel movie, this is a dark and twisted journey. Most of the movie follows his every move evading the cops and trying to get money to free his brother from prison with a few side characters thrown in. This movie drops you right into the action and backstory takes a back seat.
Rated 20 Apr 2018
war_machineWar Machine
Rated 21 Nov 2017
75
65th
Blackmasks+redmsmokebomb+broretard-jailbeats+sugarmommagrandmamoneylol-cancelledcard+sneaksbroouthospital+womanhouse-dyeshairlol-chillwithdaughter+makesouttodistractnewslol+gonnabangbutguywakes-nothisbrolmao+tellsgirl-letsgetmybro+MEHguy'sstory+butgonnagogetmoneyfromhisstorywithhimlol+securitygetsguy+robKOs+cops+disguise-frame-druglol+copsgetgirl-robsaysnotherlol+loolnecro+robdips-copsget+guyfallbalconylol
Rated 21 Nov 2017
apm2091apm2091
Rated 10 Nov 2019
77
70th
Just had a panic attack, this was not a Good Time
Rated 10 Nov 2019
st_bernaSt. Berna
Rated 08 Nov 2021
85
83rd
Bundan böyle Safdie kardeşleri takipteyim. ^^
Rated 08 Nov 2021
philamentalphilamental
Rated 11 Mar 2019
61
39th
Really tense movie to the point of being frequently uncomfortable to watch. That is clearly the intent of the Safdies so credit to them for achieving what they set out to do. 'Good Time' is anything but though, and Pattinson is excellent in an ugly risky role as he continues to show there's more to him than being a sulky vampire.
Rated 11 Mar 2019
radumsmnradumsmn
Rated 30 Sep 2019
82
92nd
Is this the beginning of the new genre neon synthwave noir? Because it is dooope.
Rated 30 Sep 2019
prowlerprowler
Rated 04 Dec 2017
83
84th
if republicans stay in power all movies will be like this in a few years time
Rated 04 Dec 2017

Collections

Loading ...

Similar Titles

Loading ...

Statistics

Loading ...

Trailer

Loading ...