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Green Room
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Green Room

2016
Suspense/Thriller, Horror
1h 35m
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Avg Percentile 57.34% from 1968 total ratings

Ratings & Reviews

(1968)
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Rated 01 Jul 2016
60
59th
Extremely tense & scary. Patrick Stewart is charismatic, even when portraying a Nazi cult leader. There are a few strange plot turns & not everything is entirely convincing. Their situation gets more desperate as they their numbers dwindle. The survivors must use all their strength, cunning & wit to find a way to survive. It has a satisfying ending with good special effects that sell it well. Good quality production & music. A very horrific story with lots of violence & gore.
Rated 12 Oct 2017
80
81st
Great buildup, ratcheting up of tensions and suitably gruesome resolutions. And having a bunch of Nazi assholes get their comeuppance at this point in time felt like a very welcome scrub treatment for the soul.
Rated 15 Apr 2016
80
86th
It goes hard in the motherfucking paint. Despite subtly adhering to some survival horror tropes, GREEN ROOM never lets up on its brutality and should be commended for it. Definitely up there in the list of great "siege movies." Grisly, claustrophobic, and intense. Like a real rock concert, for the moments it has you, it REALLY has you.
Rated 01 May 2016
7
67th
I was sold the minute the band covered "Nazi Punks Fuck Off" in front of a crowd of white supremacists.
Rated 20 Jun 2016
87
96th
Rough year. I mourned the losses of Bowie, Prince and Ali. As a movie guy I was equally effected by Scrimm and of course, Rickman. This one just feels rougher. Obviously it's a different reveal of the fragility of life, but also it seems like such a premature end to a cinematic talent. Maybe not an icon, but someone who had a nice long career ahead of him. This one hurts. tl:dr Great movie! Tense! Add Saulnier to your watchlist. Listen to punk!
Rated 08 Jan 2018
75
77th
One of the more tense movie experience in a long, long while, mostly due to the uncomfortably slow and realistic build up and nuanced portrail of both pro- and antagonists. Between this and Blue Ruin Jeremy Saulnier is most definitely a director to keep an eye out for.
Rated 29 Apr 2016
5
91st
Combines the two best genres--punk rock and horror, naturally--into a vicious and ultraviolent bottle film. Saulnier keeps tensions high by recognizing that violence is not only rarely clean, but also chaotic: when twitchy amateurs raise arms against each other, there's bound to be some brutal casualties for which neither side has planned nor prepared. P.S. I request--nay, demand--that Imogen Poots star in all future films with the same punk chic haircut she rocks here.
Rated 07 May 2018
75
74th
A bunch of punk rockers accidentally see the aftermath of a murder and find themselves beseiged by a gang of neo-Nazis led by a sinister Patrick Stewart. Gritty and appropriately brutal, it offers up plenty of suspense and nasty gore. Some of the music is really good too, though a band of wimpy teenagers playing the Dead Kennedys song "Nazi Punks Fuck Off" to a room full of militant skinheads would've been strung up before their set ended. Just saying.
Rated 11 Sep 2015
90
81st
With Blue Ruin, Saulnier showed a knack for using suspense and shocking violence to make a nuanced thriller. Green Room takes that even further, taking a situation and using no-holds barred intensity and gore to keep you on the edge of the seat. It mixes up the violence with dark humour, but that doesn't offer any relief to the dread that never lets up.
Rated 04 Jul 2016
80
77th
"Uhh pull Picard out of there" Played with my expectations like a sweet Clash bass riff. Some clerk at Payless Shoes ringing up all the packs of red shoe laces: "Hey you punks be careful with this stuff your docs are gonna pop"
Rated 13 Sep 2016
3
36th
the trouble begins when our protagonists sell out to the other side for some quick bucks, and it's that great capitalist totem--the iphone--which truly lands them in shit, crying for punk's oldest antagonist: the cops. they're poseurs, see, and so is the typical cinephile eating up the screen's adolescent fantasies; both are punished by saulnier and his thudding, offhand violence. it works to a point, but it's a bit uneven and cute in its attempts to transcend formula and posturing itself.
Rated 21 Oct 2020
92
70th
Really good stuff. The movie has great tension and violence that doesn't at all feel unnecessary or gratuitous. Poots, Yelchin, Blair, and Stewart were my favorite performers, but everyone did their parts considerably well. It's also really well shot, with some beautiful cinematography. The decision-making is vital to the story and I like the directors approach in those regards (although I think it's silly that they're here because someone didn't lock a door). Very entertaining.
Rated 29 Jun 2016
8
71st
'Green Room' is a seizing, kick-ass experience. The heroes are believable, the villains are intimidating, and the setting is appropriately claustrophobic and filthy. From the moment the shit hits the fan, the movie takes you on an unrelenting roller-coaster that both subverts and pulls off the genre's most familiar tropes.
Rated 06 May 2016
75
74th
If Blue Ruin is the pared-down, rustic facsimile of the revenge film, then Green Room is the same treatment for the siege film, a backwoods Assault on Precinct 13. One thing I like about both of Saulnier's films is that the instances of violence land with weight (slit throats, faces blown off), and they're filled with characters who are scared, reluctant to enter the battlefield, cognizant of the terribleness of violence -- which keeps that terribleness front and center for the audience as well
Rated 07 Dec 2016
78
82nd
Oh boy! I love Green Day! What was that song about masturbation again? Green Day was the bestest movie about punk rock, redneck Nazis, killer Nazi hounds, and and a racist starship captain EVAR.
Rated 26 Mar 2020
72
41st
Relatively solid and straightforward thriller where the bad guys are bad because they're Nazis and the good guys are good because they're not. There's not much here under the surface, but what it lacks in depth and characterization, it makes up for with a satisfying ending.
Rated 09 Jul 2017
69
73rd
Mean-spirited, visceral, claustrophobic thriller. You won't be bored that's for sure. NEVER stick your hand out a door to Patrick Stewart.
Rated 28 Jun 2016
85
95th
this is all sorts of fucked up and masterfully put together. i consider myself pretty numb, but saulnier definitely knows how to create impact. can't remember the last time i felt this tense watching a movie. of course there's your occasional conveniences, some choices were weird and obviously just for the sake of plot advancement, but man...what a ride. should be a plain 100 for saulnier's desert island band.
Rated 07 Oct 2016
80
79th
A nasty and thrilling movie, with chilling scenes and creepy Stewart. People making smart decisions felt refreshing, the movie has some unexpected moments too. A rather intense movie that I quite enjoyed.
Rated 13 Sep 2016
84
71st
The filmmakers have crafted a riveting thriller with plenty of well-staged action scenes you won't be able to take your eyes off. If not for one too many plotholes with the protagonists occasionally behaving like the teen idiots in a horror film (e.g. what they do with the gun, not killing people who want to murder them) and the bad guys sometimes none too smart either (why doesn't the leader pretend he's a cop? why give their targets so much time to rest?), this could've been great.
Rated 01 Jul 2016
89
92nd
As this was wrapping up I was like "well, that was gut-squeezingly tense and all but it wasn't quite as masterful as BLUE RUIN, huh?" Then that dog went and laid its head in that dead guy's lap and I was like "oh." And now I can't stop thinking about this goddamn thing. Saulnier needs to keep doing more stuff exactly like this. He makes unsettling art out of the junk we'd have rented at Blockbuster and made fun of on a slow Friday night in the 80's. Anyway this movie's fucking awesome.
Rated 12 Dec 2016
77
75th
Not my favorite type of film, but this might be my favorite of its kind.
Rated 15 Aug 2016
80
75th
A small-scale film about a group trapped in a room that becomes increasingly violent. I think I am conditioned for films to move away from the action at the moment of violent impact. I was not ready for this film to show someone...sorry, no spoilers. Patrick Stewart is chilling (may only be because he plays against type). My only complaint is that I didn't care about any of the characters. I was feeling tense about the situation, but didn't really allow that feeling to extend to the characters.
Rated 15 Jul 2016
90
95th
Holy shit. I said that, out loud, multiple times while watching this blue print for suspense films. Everything is dirty, the villains are terrifying, and our heroes are convincing. After Blue Ruin and this, Saulnier is a force to be reckoned with.
Rated 22 Nov 2015
80
83rd
If the setup sounds like comedy - and it does have a nice sense of humour - that just makes it hit all the harder once the violence starts. And boy, does it start; gripping, graphic, unfair, playing off the Precinct 13 setup while never getting predictable. Nazi punks fuck off.
Rated 26 Aug 2016
85
82nd
Very similar in style and tone to last year's masterpiece It Follows, Green Room is brutal, demented, and badass. With a great cast led by Stewart and Yelchin, the story is tight enough that there isn't too many places to slip. But honestly, some great visuals and direction is what really made Green Room awesome. Try not to miss this one.
Rated 24 Apr 2016
77
71st
Intense, viscerally violent film that shows how situations spiral out of control in an instant.
Rated 26 May 2016
4
51st
I hate how whenever a movie has a punk band their name is always something stupid that no self respecting band in our age would call themselves. Good movie tho. That first show they played was basically how touring is when you're an unknown band, except you're lucky to get 40 bucks and a meal.
Rated 24 Apr 2016
92
86th
Punk as all fuck.
Rated 12 Sep 2015
90
85th
Really good. Funny, violent, intense, and overall well made. It's a step up from the already impressive Blue Ruin.
Rated 28 Jun 2016
15
3rd
So disgustingly obsessed with the minutiae of real violence that to sell this airless butcher shop as a thriller is akin to what Haneke pulled with Funny Games: you'll choke on your quest for entertainment. Only Saulnier never breaks the fourth wall while following the blueprint; he really is on a death trip.
Rated 24 Apr 2016
61
69th
Hardcore horror, in a non-supernatural form. Patrick Stewart is harrowing, and the intensity never lets up.
Rated 25 Sep 2016
8
78th
Unpredictability as to the outcome of a character's fate seems to be Saulnier's forte, as he lets things unfold slowly and methodically, always one step ahead of its audience; I was literally yelling obscenities at the screen every time I realized I let my guard down. Unlike Blue Ruin though, the film's nail-biting tension does fizzle out a bit towards the end, but as far as thrillers go, Green Room is right up there with the rest.
Rated 15 Oct 2016
50
21st
This mess is the result of too much control in the hands of one person. Whilst it has excitement, the real tension is hoping that someone, somewhere will eventually explain, clearly, what the hell is going on. I say clearly because the audio is frankly appalling. Muffled, shouty, but rarely clear. The actions of just about everyone are either completely stupid, opaque, or ludicrous. Stewart is terrible with zero threat. Not without it's fun, but could have been so much better with some clarity.
Rated 07 Oct 2016
89
89th
An exhilarating, brutally visceral experience. I think what makes this movie so effectively intense is how both sides are simply caught in a shitty situation and they have to do what they need to do. The motive of the villains isn't "pure evil" or senseless sadism or other typical horror stuff, it's survival, just like the protagonists. The result is an extraordinarily realistic sense of danger and fear. A great movie.
Rated 26 Dec 2016
85
92nd
This was great. It up-ends a lot of the tropes of the slasher genre by having a cast of victims that generally act like rational people instead of horror movie archetypes. It never lets up on the tension and sense of danger and the plot/pacing remain solid throughout. It's also boosted by Patrick Stewart playing against type as a neo-Nazi leader. It's a tired genre that has so many bad entries, so it's refreshing to see a movie that does it really really well.
Rated 27 Jul 2016
89
91st
The only part I didn't like was when they duck-taped his wrecked arm I mean holy jesus wrap a piece of shirt or something around it first! duck tape directly on sliced up skin, you know what that's gonna be like peeling off? Gonna have to just amputate the whole fucking arm now.
Rated 22 Dec 2016
94
79th
This movie was executed so well, the premise is great and sets up the carnage that ensues perfectly. Its intense and scary. Patrick stewart does his part and is very believable. *Update* I rewatched this movie with a group of people and its so much fun to see everyones reactions. All of that suspense puts so much anxiety in the air. Awesome feeling to experience with movies. Jeremy Saulnier has made at least 2 very visually pleasing and intense thrillers. Check out his other film Blue Ruin!
Rated 29 Jun 2016
65
36th
Saulnier knows how to make his violence count. That arm scene. Christ.
Rated 10 Sep 2016
7
84th
Tough, gripping, violent little "bottle episode" of a thriller. Keeps the pulse racing almost start to finish, definitely worth checking out.
Rated 20 Jul 2016
4
74th
Resist fascism with art, destroy it with violence if necessary.
Rated 20 Feb 2020
54
16th
Surely it's saying something about two sides of racism via Stewart's more closeted bigot controlling the obvious skinhead goons. Unfortunately, beyond getting me riled up about white supremacists I didn't find much here worth revisiting.
Rated 26 Mar 2020
65
59th
A nasty stream of well executed actions and reactions, signifying nothing.
Rated 17 Oct 2016
71
64th
Really simple set-up, and Saulnier executes it well. I found the scene-by-scene direction and editing really outstanding. The only real problem is with pacing, as the action seems to peak too early and it loses steam to get to the end. And also Patrick Stewart is one of those guys who is always on point. I had no idea he was in this, so it was pretty exciting when he showed up.
Rated 19 Nov 2016
60
72nd
Was there supposed to be a character that I was supposed to root for? Ended up rooting for the dog.
Rated 26 May 2016
72
59th
A nice tense little thriller. Could go without the gore moments tho that stuff always gets me. Sequence when they roll up to the white power compound reminded me of being on tour, showing up to a venue in Tuscon, Arizona and there being just a guy sitting alone with a big dog outside. Also big lol to the band scoffing at 35 bux and lunch while on tour.
Rated 10 Aug 2016
80
52nd
Extremely violent with a fantastically sinister Patrick Stewart. Note to self: do not perform at a white supremacist club house.
Rated 01 Jan 2017
65
31st
I don't feel any connection with any of the characters heading into the event that sparks things. That does dull the impact a bit. And the "dumb idea" when it first happens... that kind of doubles as a dumb plot device, too. This has an undeniable style and definitely stays faithful to it throughout, but I'm left feeling a bit ambivalent to it. It's definitely not a bad movie, not at all. It's worth checking out, especially for the style-seekers among us. Just didn't resonate strongly with me.
Rated 04 Aug 2016
79
51st
Didn't care much for the ending and the displayed stupidity of the otherwise brilliant antagonist. I guess it would be too much if the bad guys won?
Rated 08 Jun 2016
86
51st
Extremely gripping and well executed, but ultimately somewhat empty. Absolutely worth watching for any thriller fan, just don't expect much depth.
Rated 14 Jun 2016
82
85th
Starting off quite terse and shouty, both in style and content, Green Room eventually segues its way into a full-on horror film - a genre Saulnier clearly relishes. He takes his sweet time as his defenceless protagonists are stalked through a dark and smoky labyrinth populated by man-eating dogs and monstruous figures with shotguns. Perhaps he's played a lot of Doom? Great suspense and just enough characterisation to make it all hold together (the baddies just needed a touch more nasty).
Rated 10 Sep 2016
91
98th
You ain't hardcore cause you spike your hair when a jock still lives inside your head.
Rated 18 Feb 2016
50
38th
I have to rewatch
Rated 29 Jun 2016
75
83rd
The trailer for this looked corny as hell with all those terrible quotes, but I do enjoy myself some Nazi Patrick Stewart.
Rated 01 Nov 2016
83
81st
Relentlessly brutal, balanced with a dose of self-awareness similar to a film like You're Next. Scarier than any new horror movie I've seen in years.
Rated 05 May 2016
80
79th
It's violent without being gratuitous, and the way the characters speak and act made them seem genuine.
Rated 15 May 2016
77
81st
Saulnier does a great job of presenting well rounded characters who remain grounded when put in extraordinary situations. For that reason you feel every bit of horror and fear. A great follow up to Blue Ruin.
Rated 30 Apr 2016
70
54th
Not really "horror", more crime-thriller given the lack of supernatural monsters and other schlock associated with horror. Pretty realistic except you'd probably have to scour this whole segment of the galaxy to find people more over-the-top Nazi-skinhead.
Rated 29 Jun 2016
55
23rd
This was an interesting one. Directed well and the acting was fine with an interesting and never exactly letting you know what's going atmosphere like our characters. A great one-room film with a balanced amount of gore and violence. A decent watch, not to be expected. My desert island band: Mono (Japan)
Rated 30 Jun 2016
80
91st
Saulnier's rawest, most perfect work to date and a masterclass on all that a horror thriller should be. While pretty light on graphic gruesomeness, it is brutal and nerve-racking thanks to a realistic premise, claustrophobic setting, and a fast-paced, somewhat opaque script that forces you to stay alert or you miss a beat. Against genre convention, the protagonists are quite sharp. Good cast. One of its decade's finest.
Rated 05 Jul 2016
80
67th
It's got a lot of gritty style and wonderful cinematography. The violence is graphic but feels right. The acting is fine, with Stewart being the highlight as the menacing but understated neo-Nazi. It's rather intelligent and ends up being a pretty satisfying siege movie.
Rated 30 Jan 2017
78
65th
Make more movies like this please.
Rated 19 Oct 2015
75
64th
Divertido. Yelchin podia ser o novo Bruce Campbell
Rated 28 May 2016
85
82nd
Holy christ
Rated 11 Jul 2016
50
77th
What's with the incredible hype of Green Room (2015)? Is it a tribute to Anton Yelchin's bizarre death? Found it entertaining, and I get that it's a little bit more polished then the average "We're trapped" films, but it still turns out the same....
Rated 06 Jun 2017
72
53rd
Excellent premise, good execution, terrible ending. Creates an incredibly tense atmosphere that occasionally boils over into violence, and makes you fear for what will happen next, until it disappointingly loses its way in the third act and starts resorting to cliches. Some of the violence felt fake, too. But Patrick Stewart is excellent and quietly menacing as the amoral white supremacist owner, and it's nice to see him playing against type.
Rated 13 Dec 2016
75
61st
A chilling against-type turn for Patrick Stewart is maybe the only genuine surprise in GREEN ROOM, director Jeremy Saulnier's gorier and more blunt follow-up to his modern revenge classic BLUE RUIN. The film masterfully builds tension as the situation escalates, though the violent release is often more chaotic or confounding than cathartic. The suspense and horror are on point, but the themes don't cut quite so deep.
Rated 06 May 2016
63
20th
Eh
Rated 28 Aug 2016
79
56th
Visceral, restless, and oppressive in a way that suits the subject matter, but in a way that also makes the movie fatiguing to endure. Normally the slow tightening of the wire is exactly what you want from a thriller, but at a certain point, you want the tension alleviated, even if the wire violently snaps. It's hard to make a movie with harmless, innocent heroes pushing back against relentlessly vile antagonists feel totally satisfying, but Green Room's utilitarian thrills account for a lot.
Rated 17 Sep 2016
55
39th
Solid craftmanship, but not really something that I enjoyed or got a kick out of.
Rated 29 Jun 2016
75
80th
Green Room is movie of streamlined brutal efficiency, like a German engineered machine designed to repeatedly kick you in the crotch. And it is fantastic.
Rated 04 Feb 2017
60
62nd
Not bad.
Rated 04 Jan 2017
80
80th
A gruesome and suspensful thriller that keeps you on the edge of your seat, with some dark humour that never feels out of place and one of the final great performances from the late Anton Yelchin. A seriously good film about punk rock, drugs and Nazi skinheads.
Rated 10 Aug 2016
45
45th
Contemporary punk-ish musicians get stuck in white power bonehead-land. I've seen much worse portrayals of the sensibilities of all 'types' involved and it is fairly tense and effective from the moment when the protagonists on stage, not without courage, cover "Nazi Punks Fuck Off'.
Rated 29 Aug 2016
67
66th
Watch it with a crowd.
Rated 27 Apr 2016
85
59th
Viewed April 25, 2016. There's something so exciting about watching Jeremy Saulnier take the sensitivity, focus and specificity of vision that made Blue Ruin so superb and use it to create the pure, breathless terror that fills Green Room. I think I'd be fine with him making these kinds of smart, subtle social-commentary-thrillers for the rest of his career. They're that good.
Rated 05 Jul 2016
75
81st
A tight, exciting thriller with a simple set-up & a lot of great tension. The way it dealt with violence was both exhilarating & disturbing. The confidence in directing is really evident. It wasn't a perfect movie - I did feel like some of the dialogue wasn't great (though I did love the last lines of the film), and some elements of the plot weren't very clear. Still, it absolutely nails it where it counts, and I highly recommend it. RIP Anton Yelchin, who gives a strong performance here.
Rated 05 Dec 2017
80
68th
Liked it without loving it for most of its length (felt kinda schematic and had some goofy moments, like the almost comical way Yelchin's arm injury is handled) but I really dug the third act. Once the dust has settled and the characters start expressing through their actions the trauma they've experienced, that's when it really grabbed me in the guts.
Rated 04 Jul 2016
80
91st
In a climate replete with flippant, soul-killing, body count spectacles like Purge, along comes the panic-inducing Green Room, which is as nauseating a movie as one of such ultra-violence should be. It presents a hateful continuum of characters in which Imogen Poots is the standout player. She has grit.
Rated 02 Mar 2017
70
43rd
it's suspenseful and it's refreshing that the victims aren't complete morons.
Rated 28 Jul 2018
69
23rd
Scream came out 20 years before this movie, yet they're still doing so many stupid things that Mathew Lillard was making fun all those years ago. I swear to god there's a part where someone says "Let's split up" and then everybody does and then most of them die. And when am I going to stop being asked to believe that Alia Shawkat is a teenager? Also, are we the only ones who thought Patrick Stewart was lowtalking the whole time, couldn't understand a fucking thing he said?
Rated 23 Apr 2019
83
86th
Extremely tense, with lots of surprises for such a simple concept.
Rated 19 May 2019
75
65th
Top badass moment? Playing the Dead Kennedys's “Nazi Punks Fuck Off” to a room full of racist skinheads; and getting away with it. Subtle. Captain Picard goes undercover as a white supremacist, to catch the fake Star Trek’s fake Chekov, who’s posing as a bassist in a very mediocre punk band. Aggro ensues and only a very ordinary door with very ordinary locks keeps this film from becoming a short. I liked Imogen Poots’s skinhead girl haircut though. No cats, chainsaws or decapitations.
Rated 23 Oct 2020
45
14th
To be a tense thriller, the characters have to act marginally smart. Or at least not dumb. Green Room on the other hand, gets into a routine groove of dumb decisions. Once the movie gets in this pattern of going in and out of the green room to up the death count, any sense of tenseness is lost. The whole reason for the murder is poorly told and came off unclear to me in the moment. At least the acting was good. Patrick Stewart should play more villains. Shame we wont ever get more Anton Yelchin
Rated 10 Oct 2020
80
60th
Great atmosphere and concept. Thought the acting was pretty strong, I enjoyed the psychology of this movie. One of those situations that could very well be possible at least in the terms of, yeah we're playing a show and end up stuck in a shit-bag nazi hell. That's a nightmare scenario. It delivered, loved that they added the Dead Kennedy's song, how could you not?!
Rated 19 Sep 2023
43
7th
Flat and dreary... horror movie? thriller? seems to take some delight in its more unexpected, subversive elements (especially its casting of Stewart as a sort of coldly Blofeld-like head of the skinhead group), but is so fundamentally contrived and artificial that it becomes difficult to sincerely engage with, especially as the members of the punk group always seem to be one step removed from the material. Well-shot at least, favouring sickly atmospheric blues and greens in its colour design.
Rated 04 Jul 2016
75
71st
Saulnier's third film is every bit as brutal, unflinching and unpredictable as his breakthrough effort Blue Ruin, establishing that intense urgency in the early minutes which is sustained magnificently through to the end. Stewart is miscast as a Southern neo-Nazi but the rest of the cast impress, as does the visceral gore and killer soundtrack.
Rated 28 Jan 2021
63
82nd
#20-11#, rw3, liked, Imogen.P, rewatch(2) }*{ #17#, exp3, rw3, ratings, story, Imogen.P/9A5
Rated 12 Dec 2016
78
84th
I couldn't decide between a 76 and 78. Green Room has a pretty great cast and a very tense atmosphere though it doesn't begin that way. In the beginning violence is nothing but it quickly builds, and is incredibly brutal at that. A story isn't complete without some cliches, and that is apparent here. There is also some pretty underwhelming scenes but it still stands strong and holds a comparison to Blue Ruin. Anton Yelchin is fantastic in this as well.
Rated 06 Apr 2017
75
47th
And people wonder why I hate raves and such... Patrick Stewart is scary.
Rated 23 Aug 2016
72
85th
Punk music is raw and provoking. This movie is rawer ... My opinion here : http://opinion-as-a-moviefreak.blogspot.be/2016/08/green-room-2015.html
Rated 03 Dec 2016
46
48th
Thrilling no doubt, but a bit too gory for me. Possibly a model film for the genre.
Rated 01 Mar 2017
76
57th
Assault on Precinct 13 versão contra neonazistas.
Rated 09 Feb 2017
60
68th
Brutal
Rated 23 Jan 2018
75
41st
A nightmare that somehow finds light in the end. Saulnier is consistent with his disturbing scenes that entertain the audience and paint this horrific mood.
Rated 19 Aug 2016
74
56th
Nailed the grimy, nazi punk aesthetic, the level of violence & the forcibly disinterested dialogue delivery. I did enjoy the occasions where Saulnier leads us up to what would be your standard film sequence, only to cut it short in a wink wink kind of way (drinks at the journalists house, the paintball story, even the final sentence).
Rated 04 Oct 2016
80
77th
I agree with P u l p: watch it with a crowd. A welcome addition to the siege movie pantheon, with exciting story, awesomely gross gore, lovely production design and photography, and a not-quite-political edge to it all. (TBH I think today's neo-Nazis would probably just roll their eyes if some band sprung a "Nazi Punks Fuck Off" cover on them.) Patrick Stewart is welcome stunt casting but not exactly intimidating; couldn't we have got someone like... Harvey Keitel? J. K. Simmons? Even Ray Wise?
Rated 04 Oct 2016
70
76th
Good, possibly really good. It doesn't barrel its way to a conclusion, but up until then it's very well-paced. There isn't a dull moment, and the brutality is strewn out nicely here or there rather than clumped together.
Rated 06 Nov 2016
80
66th
Terrifying and excellent.
Rated 06 Jan 2017
6
54th
It keeps getting up in your face with tricks you don't see coming. Green Room is way more than crass exploitation. It's a B movie with an art-house core.

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