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Halloween

Halloween

1978
Suspense/Thriller, Horror
1h 31m
Fifteen years ago, Michael Myers brutally murdered his sister. Now, after escaping from a mental hospital, he's back to relive his grisly crime again, and again...and again. (Anchor Bay Entertainment)
Your probable score
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Halloween

1978
Suspense/Thriller, Horror
1h 31m
Your probable score
Avg Percentile 59.57% from 6574 total ratings

Ratings & Reviews

(6574)
Compact view
Compact view
Rated 28 Sep 2018
95
84th
Classic horror filmmaking at its finest. The effects feel a little dated, but it's directed really well and it manages to be genuinely creepy without being overly violent and sexual, a problem I have with most remakes and horror films in general. Original and well done from both sides of the camera. This one is well worth the 90 minutes if you haven't seen it. I will probably avoid most of the sequels and spin-offs.
Rated 16 Mar 2008
100
98th
Watching this you get a sense Pleasence is a little unhinged having spent most of his career with Myers but then the sequels happen and you see the real monster. God damn
Rated 01 Nov 2017
94
97th
Although John Carpenter's iconic horror classic "Halloween"(1978) wasn't the first slasher film, it was the movie that gave rise to the slasher genre that would come to dominate 80's horror movies. The suspenseful atmospheric trendsetter spawned countless imitators as well as its share of poor sequels in the years to follow. Despite all these repeated efforts, the original remains a simple horror and Halloween classic, like candy corn, but except it doesn't suck...like candy corn.
Rated 25 Oct 2008
71
53rd
While I'm not a fan of slasher films I can't deny the cultural impact that this one has had. Yes it's full of what we now consider cliches. With the antagonist seemingly able to appear and disappear at will, who's able to able to kill everyone except the protagonist and is able to shrug off moral wounds. Still, while dated, it doesn't resort to gore for scares and is a genuinely scary movie. I'm not a slasher fan so this wasn't up my alley but even I consider it a worthwhile watch.
Rated 04 Mar 2016
92
84th
Refreshingly restrained and atmospheric slasher. Relies far more on tension and mood than blood or violence (though it has those, too). Great cinematography as well.
Rated 22 Jan 2022
78
57th
Carpenter is obviously remixing Psycho--although Michael Myers isn't as awesome as Norman Bates. The photography, editing, and music are skillfully done, but the story needs some help. In particular, I don't buy Michael's weird psychosexual fascination with teenagers about to get laid. And the scares can be repetitive as he's always in the background; like a mouth-breathing incel version of Where's Waldo. Still, it's fun and Curtis obviously influenced every teenage female horror lead.
Rated 07 Apr 2012
91
98th
The movie during the double feature while Jamie Lee is babysitting is none other than the original Thing From Another World. I love that.
Rated 01 Jun 2007
70
74th
Halloween is the film that started a whole genre and although on a tight budget, it makes good use of fear and suspense to provide a gripping viewing. Although the themes of the movie are now very predictable after numerous remakes, reimaginings and copycats they are well done and are what really make the film what it is. Even with minimal gore and heavy use of darkness to hide the lack of funding required for the more violent scenes it works really well. I have to say, I was quite impressed.
Rated 14 Aug 2007
9
98th
I'm not exactly a lover of the slasher genre, but this is a film with a lot going for it: The sheer tension and terror, the creative way they shoot Michael (in the spirit of Jaws, glimpsed around corners and in the shadows until the movie's closing minutes), Jamie Lee Curtis' proto-scream queen performance, and John Carpenter's score, which is unsettling and timeless and perfect and probably the best horror theme song ever.
Rated 07 Feb 2008
8
82nd
The best parts of the film are the slow build up, the music and the realistic scenario that it's set in. Suffers from the typical shit you see in horror films: absurd choices by the characters (could've killed him easily a few times) and some pretty weak dialogue. The opening scene is pretty sweet but I felt the ending could've been better.
Rated 27 Apr 2008
73
62nd
Prototype for the modern slasher that effectively sets it's foreboding mood through Carpenters tight direction and minimalist score. Pleasance is fine as the harbinger of doom/master of exposition and Curtis does the one thing required of her: be a sympathetic victim. The star though is Carpenter, instilling menace into a villain who alternates between standing around and walking slowly.
Rated 01 Nov 2015
90
97th
The best slasher film. Pleasence is great, as is the cinematography, and Carpenter's 80s-synth score, which is on repeat, is so bloody awesome.
Rated 04 Nov 2015
81
87th
Enjoyable and efficient slasher, and another one described (fairly aptly) as an inventor of the genre. Good camerawork and pacing is augmented by the sparse and atmospheric score. It is pretty tense, and the evil Shatner mask is a good technique to convey the essence of the character. The cast is pretty good; Curtis does well, and Pleasance is fun as a walking portent of doom. It maybe suffers a bit from the idiotic actions of a few characters, but this is par for the genre. Recommended.
Rated 14 Aug 2007
78
89th
An excellent reading of this film, of horror films in general, and of cinema in general, is conducted by Louise Krasniewicz in "Cinematic Gifts: The Moral and Social Exchange of Bodies in Horror Films", in Frances E. Mascia-Lees & Patricia Sharpe (eds.), Tattoo, Torture, Mutilation, and Adornment: The Denaturalization of the Body in Culture and Text (Albany: State University of New York Press, 1992): 30-47. Also, cf. my Criticker review of THE TEXAS CHAINSAW MASSACRE (1974).
Rated 14 Aug 2007
78
63rd
There is a lot to appreciate about Halloween: the slow build-up, the way Carpenter shows horror lurking the most innocent corners of small-town America, the excellent score (by Carpenter himself) and use of stings, and the creation of a slasher icon, Michael Myers. But in the end it's still just a slasher flick. A good slasher flick, but nothing more. This really isn't one of my favorites anymore.
Rated 15 Jun 2008
90
97th
Great
Rated 24 Feb 2009
90
96th
Carpenter very effectively creates horror without the use of a lot of special effects or blood. This film shows what can be achieved with a good story and character development when atmosphere is properly utilized to create tension. Very good film.
Rated 30 Jun 2012
82
77th
The only thing creepier than a psycho killer wearing a William Shatner mask is William Shatner not wearing a mask.
Rated 12 Oct 2014
66
95th
Nude women, screaming orgasmically as they're being knifed. If that doesn't promote a healthy view of sex, I don't know what does.
Rated 20 Dec 2016
85
80th
I wouldn't say it's the scariest movie by any means, but it's certainly creepy some of the time. However, it is well made and interesting, even if we've seen this a million times now. Back then though it would have been fresher. I do love how Myers isn't humanized, and he just struts around like a force of evil, rather than a human. And of course, the theme song, which always adds something to the scenes that it's played, even when it's just the intro credits.
Rated 27 Sep 2018
81
62nd
Saw this once on tv when I was about 12 & it scared the hell out of me. But it's difficult to grade this fairly 40 years later since some of the tropes it helped to create - uninteresting teens you don't care about - are now clichés & I've seen enough clips to know when the murders occur. This destroys any suspense I might otherwise feel. Still, its strengths remain obvious: effective jump scares using foreground & background & arguably both the greatest horror score & horror ending ever.
Rated 02 Nov 2018
70
61st
Surpassed only by Star Wars in terms of the importance of the score to the movie's overall success. I've never been into slashers, but it's interesting to see what basically started them all. I really appreciated some of the filmmaking more than anything else, especially the opening scene.
Rated 23 Sep 2020
90
92nd
What you have to love about lil Mikey Myers is that he's ultimately a showman. He didn't have to show up in that sheet, but he did because it's not just about murder -- it's also about style.
Rated 17 Jan 2007
79
57th
A very creepy horror/stalker/thriller film, Halloween, like the the first of many popular horror movie franchises, is actually a pretty decent and scary film. The movie's real scariness comes in the great use of music and the suspense built up because you know everyone is gonna die, you just don't know when or how. Pretty good!
Rated 14 Aug 2007
93
96th
Can you say "the most successful independent film of all time?" I can, and watching this makes you realize just how influential and ahead of its time this film is. The number of bastard children spawned by Michael Myers in immeasurable.
Rated 18 Nov 2007
7
57th
Pretty lame until the 3rd act. Roger Ebert once stated: "I would compare it to Psycho." He was in way over his head...
Rated 09 Apr 2008
80
81st
A horror classic. Contrary to most new films (especially the remake), not bloody but rather suspenseful.
Rated 05 Aug 2008
77
63rd
So like, I'm not that big a fan of these horror type films. It's not because I'm afraid of them, it's just that they're so predictable. Yes, people die. Yes, the bad guy always catches up with them even though he never runs. No, you can't kill him conventionally. Perhaps you can kill him with one of those high powered assault rifles. No, that doesn't work, either. They always find the most creative ways to kill the baddies. Pneumatic nail guns blessed by the pope soaked in holy water.
Rated 02 Mar 2009
100
97th
Carpenter's creepy classic. This is one of the best, most successful low-budget horror films ever made (costing a mere $350,000, it grossed more than $80 million worldwide), with a beautiful use of widescreen framing (unfortunately lost on the tube) and color composition recalling the films of Mario Bava and Dario Argento. Curtis is warm and appealing in her starmaking role as the besieged heroine, while Pleasence is pure ham as the bug-eyed doc.
Rated 10 Feb 2010
90
95th
Actually took me twenty years to build up the nerve to watch this a second time; that's how badly it freaked me out as a little kid. While it's not as scary now as it was then (nothing ever is), a palpable sense of dread remains. After years of sopping up muddy, poorly-constructed slashers in its stead, every frame of this film looks like it's shot in bas-relief in comparison. Visually arresting and overall one of the most tonally consistent films I can think of.
Rated 24 Sep 2010
77
93rd
I love that it isn't out the middle of nowhere all the time. I love the score. I hate the tens of thousands of mediocre copies that have come in the decades since.
Rated 18 Aug 2011
90
95th
This is chillier than scarier, but Carpenter's filmmaking is one of a kind: it's the slowest, smoothest and most silent horror flick ever made. Classic. UPDATE: Subjective shots we don't always know if they are killer's POV. When IT appears, it's pure and simple evil. Relentless, unbeatable, crude, folcloric. Greatest stalking shots ever. Kids watching The Thing while Myers strikes. is pure bliss. We stay with his POV, but we don't know him at all. The suggestion of evil is one of a kind.
Rated 01 Nov 2011
79
72nd
While its thunder has been stolen by many inferior copies, this still packs a punch today. It succeeds because it bleeds atmosphere and genuine suspense: Carpenter's direction makes this work. In fact it's almost refreshing in the face of subsequent slasher films, with its subtlety and lack of relying on constant jump scares. The best part is definitely the score: simple but powerful, and deservedly iconic.
Rated 03 Nov 2011
64
69th
Well, for one thing, it's well filmed. As you watch this film you feel like you're stalking these squeaky high school girls. It's just how the camera follows characters close enough to see their expressions, but not too close as to startle them. When it does get close it gets for a kill. In my eyes Carpenter's effort as a composer was even better than directing with this film. The story is generic (from todays point of view).
Rated 27 May 2017
85
97th
(Viewed on 05/10/13): Carpenter knew what Murnau knew: that real terror lies in the mystery created by elegant shadow play. Carpenter/Cundey's stark chiaroscuro lighting creates an intense atmosphere where the 'boogeyman' takes on a phantasmagoric quality and is like a spectre emerging from a crepuscular void to attack its prey briefly before disappearing into darkness. Endlessly imitated but never equaled, Halloween is the definitive slasher, and it remains Carpenter's magnum opus.
Rated 01 Nov 2017
90
90th
I mean there are sheer points just for the amount of originality in the concept at the time, but even if those were taken away its a damn suspenseful film that I have to say is probably one of my favorites in the slasher genre now. Halloween was super cool and might be heading onto my Halloween watch-list every year now.
Rated 09 Nov 2018
50
31st
The movie that for better or worse changed the horror genre and inspired (my favorite) Friday the 13th But Is it just me who feels disappointed ? The plot ain't that great the story is beyond slow and Uh....... oh yeah no blood
Rated 05 Oct 2020
70
66th
The music is great and the set up to the killings is good. It's not that scary and, of course, people make really stupid decisions throughout. Though, Michael Myers is a pretty great villain and I like the different storylines of the doctor and Laurie.
Rated 21 Oct 2020
75
53rd
'Halloween''s greatest strength lies not in what's shown, but in what isn't: Carpenter's taut focus on atmosphere over action creates tension in the form of violated spaces, and the potentiality for violated bodies, as opposed to the process of murder itself. It's a slow burn process that finds itself all but eschewed in dozens of obscene slasher films to come over the years, one that demarcates this watershed feature as standing apart from its ilk to this day.
Rated 01 Mar 2007
70
82nd
The best of the slashers.
Rated 20 Mar 2007
70
61st
The atmosphere was really what made it so memorable-- the dirtiness of the abandoned house, the way you could practically feel the chilly fall air and smell the leaves, right down to the cheap horror flicks on the TV sets. All of that really put you there, and made you feel genuinely menaced. However, there's almost no suspense, thanks to the kills being broadcast via POV shot. Plus, well, it's hard to be overly affected by the deaths of characters we've known for like 30 seconds of film.
Rated 12 Jul 2007
4
83rd
The acting is absolutely terrible, but this is just a classic.
Rated 14 Aug 2007
35
19th
Way overrated slasher. Compared to some of the stuff that was being done in the seventies, Halloween is dull and not scary at all.
Rated 14 Aug 2007
85
84th
A horror classic.
Rated 14 Aug 2007
4
70th
Seen 40 years later, the original Halloween feels so modest given what it spawned: not just a franchise with nearly a dozen titles to its name, but an entire subgenre of horror, the masked-man slasher film. But despite this modesty, it's still a sterling example of the genre, due in no small part to Carpenter's expert staging of the action on a small-town street, making suburbia feel as foreboding as it ever has. And that musical theme is an all-timer.
Rated 08 Feb 2008
99
99th
Love it...scared the HELL out of me when I was 12. 25-30 viewings later and I find myself now able to melt into the world that Carpenter and Co. (shout out to Dean Cundey and Tommy Lee Wallace!) create. I love spending time in this world so the, at times. leisurely pace is, for me, a feature, not a bug. I feel like I know the streets of Haddonfield better than my own neighborhood. And what an ending. The Shape is in the wind. Evil is everywhere. Not arrested 5 minutes later w/out a shot fired.
Rated 10 Feb 2008
80
80th
What differentiates this horror movie of others, is his good story. What lack for be perfect, is to be a little more realistic. Even so, a classic.
Rated 21 Feb 2008
90
94th
This movie scared the daylights out of me as a kid. It was the first horror film I saw and was the measuring stick for all others. I liked that it could be scary without having to show much blood and gore. That music is the best.
Rated 14 Mar 2008
81
66th
While not one of my favorite slashers, I can't deny the influence this had on so many horror movies to come. Along with Black Christmas and Bay of Blood, it helped invent the slasher genre as we know it. I enjoy the Michael Myers character, but he just isn't as "cool" as some of the great horror villains to succeed him.
Rated 27 Apr 2008
80
76th
Words are superfluous; this is an effective, moody horror-dish with firm direction. Always a delight.
Rated 17 May 2008
70
34th
Having grown up in a post-Halloween world, I can say there have been much better slasher flicks, this may be arguably the first, but it's not the best.
Rated 28 Jun 2008
99
98th
One of if not the greatest horror movies EVER Made
Rated 19 Jul 2008
95
87th
Phenomenal Carpenter horror flick! There are no words to describe how amazing and brilliant this film is. Very intelligent and set off Myer's career as a horror icon!
Rated 13 Aug 2008
78
83rd
Eerie masterpiece of voyeurism and evil in the suburbs. The violence and death sequences are a bit limp and don't have the same punch as the Italian giallos of the same era but the moody atmosphere and camerawork are incomparable.
Rated 29 Nov 2009
67
11th
It hasn't stood the test of time well, especially after being heavily parodised by the Scream and Scary Movie series. Everything about the production seems very rushed and there is a real lack of attention to detail, ranging from the props and sets to the choices of shot and editing. Very weak character build-up, too. At times as heavy-handed as a student film - Carpenter really seems to have little idea of what and who he ought to be filming. Disappointing.
Rated 18 Feb 2010
75
71st
Genuinely strange and very creepy film back when people weren't quite as jaded about horror. Still a solid classic. Ignore the shitty sequels the original was the real deal and the only one worth watching.
Rated 08 Aug 2010
99
99th
As perfect a horror movie as any I've seen. Like two of my other favorite horror flicks- Phantasm and Suspiria- the emphasis here is on style over substance. But whereas those two films become mired down in convoluted, dreamlike narratives, Halloween pairs its visuals and score with a minimal but effective story. As many times as I've seen it, it's still an incredibly eerie flick.
Rated 16 Aug 2010
100
92nd
Absolutely one of the scariest, creepiest movies of all time. This is probably John Carpenter's masterpiece. A must see for every horror fan.
Rated 02 Sep 2010
80
85th
Here's a film that achieves what it sets out to do in the first place: scare. It is impressive that John Carpenter's "Halloween" has been copied, ripped off and even mocked so many times, but it remains one of the scariest thrillers ever made. The director brilliantly utilizes his cast, his camera angles and settings and the result is horrifying.
Rated 01 Jan 2011
88
66th
Don't see "Halloween" in an empty theater on a weekday afternoon. See it on a weekend night in a packed house. "Halloween" is a film to be enjoyed with a boisterous crowd; it's an "audience picture," a film designed to get specific reactions from an audience at specific moments. With "Halloween," the most often desired reaction is screaming. It's a beautifully made thriller -- more shocking than bloody -- that will have you screaming with regularity.
Rated 30 Oct 2011
70
39th
The meat of the movie is confined to the last few minutes and the ending is a little contrived
Rated 18 Nov 2011
85
92nd
I love how *quiet* this film is. What would be jump scares are instead lingered on - Michael's curiously cocked head, Laurie's quiet weeping - and the result is a slasher urexample that isn't gory, isn't overly violent, just utterly unnerving.
Rated 17 Dec 2011
79
77th
Although this film is a little bit dated I would still recommend it to fans of classic horror films. Some of the dialogue is really silly but check it out to see one of the first modern day slasher flicks.
Rated 04 Apr 2012
77
61st
Much imitated iconic slasher flick that actually offers a lot more nuance, drama and atmosphere than you might expect from later genre offerings. Only really surpassed decades later by the post-modern horror classic, Scream.
Rated 08 Jul 2012
83
95th
It always amazes how good this movie is. When you think about it the movie is slow paced, lacks gore and has little on screen violence compared to movie of the same time period. What make the film work are the collection of interesting people and the time the film gives them to tell a good story and allows us to care if only a little. The music is also iconic and might just be the biggest single factor for why this film has become a classic.
Rated 24 Oct 2012
72
79th
Surprisingly awesome cinematography (especially all the wide frame shots). Effective score. I was thoroughly creeped-out for a day or two after.
Rated 27 Dec 2013
75
79th
A film that spawned a genre. All the tropes used in later films began here, but until Scream none did it better than this. The minimalist score (and plot) serve to build a sense of unremitting tension. Not as gory as I remembered it to be; in fact it's almost gore-free. But Carpenter's voyeuristic POV filming, the sparse use of Myers as an omnipresent threat, and Curtis' impressive debut all build up into an atmosphere of terror that countless sequels and rip-offs failed to capture.
Rated 28 Feb 2014
76
63rd
As wonderfully unsettling and disturbing as I remember it being. Pretty much every horror movie made in the last 30 years would be very different without a single William Shatner-faced psychopath.
Rated 20 Oct 2014
88
87th
Michael Myers is a physically imposing presence that melts into & out of existence. He's human, surprisingly susceptible to injury, & otherworldly, indestructible & ineluctably moving toward some utterly opaque end. The tensions between these different aspects -- the present & the immaterial, the fragile & the immortal, the mundane & the inscrutable -- are themselves pretty unsettling. The whole thing's tight as a drum, a nice slow burn.
Rated 12 Nov 2014
84
89th
The beginning and end of the classic slasher film. A full course on effective and economical filmmaking.
Rated 19 Nov 2014
98
95th
Revolutionary, iconic slasher film ratchets up the tension to extraordinary levels, thanks to Carpenters clever (and endlessly imitated) staging, and a comparatively discreet use of gore in favour of a slow burn build-up. Served by exceptional performances all round (with Curtis' intense scream-queen and Pleasence's calm, unflappable authority figure the stand-outs), as well as a deeply unsettling music score. Much deserving of the 'CITIZEN KANE of horror movies' title.
Rated 03 Aug 2015
86
87th
gosh it's just so tense isn't it? carpenter is a magician, this is magic.
Rated 06 Nov 2015
88
89th
Kinda want to give this a 100 just to spite those fucking dweebs laughing at this when i saw this on the big screen. Die Die Die
Rated 17 Dec 2017
75
65th
Top badass moment? Michael Myers, the fashion critic. In 1963 he kills his sister for wearing horrible clothes and because he'd been made to dress up in a terrible clown suit. 15 years later, he comes back to kill off more teens for wearing even uglier outfits. Sadly, as we all know now, this didn't help Mike Myers deal with his existential rage, which later manifests itself in the form of Austin Powers, the pinnacle of bad fashion. No cats, chainsaws or decapitations.
Rated 17 Jun 2018
70
71st
At first I thought I wasn't going to like it, but oh boy what a classic, the setup is so well done and tense that when the horror climax arrives is fantastic. A must see for horror fanatics.
Rated 03 Oct 2018
86
92nd
Halloween just drips with excellent atmosphere. The lighting tells the mood without the wonderful shot composition, haunting score, and the deliberate editing. Everything about this works and is an example of being more than the sum of its parts. I won't forgive it for spawning the slasher genre but there is a good reason this film has been copied so many times, it simply works at delivering horror.
Rated 24 Oct 2020
95
92nd
One of the best films of all time in any genre and a personal favorite. It doesn't get much better than this.
Rated 22 Nov 2020
78
49th
An exemplary presentation of sexual tension and conflict (of incest to some extent) on familial level acting out as crimes committed by a killer with some supernatural power, under the mask of quiet beautiful life in an American suburb (a theme brilliantly interpreted again in BLUE VELVET).
Rated 25 Feb 2021
70
74th
This is sound and moving image as unrelentingly ominous from opening credits to closing credits, mainly due to Carpenter's brilliantly simple music and the considerable but disciplined use of steadicam for the killer's POV. Carpenter also gets the pacing of the film (and thus the story) just right to ensure the biggest possible pay off for the viewer. Rating likely to increase on additional viewings.
Rated 31 Oct 2021
75
81st
A classic. I get the hype and I definitely enjoyed it, but apart from that, it didn’t blow me away. Although I would recommended as an important part of cinema history
Rated 01 Dec 2006
89
68th
A classic. Go Mike !
Rated 12 Dec 2006
84
77th
Thankfully relies more on mood and tension than gore it's quite effective, even though a few parts are rather cheesy.
Rated 16 Jan 2007
85
97th
michael myers best psyhco killer ever and u can t stop him
Rated 20 Jan 2007
71
69th
About as good as any horror movie gets in my book.
Rated 22 Feb 2007
90
82nd
one of my favorite horror flicks of all time...they just don't make them like this anymore
Rated 02 Mar 2007
83
73rd
This movie truly invented the slasher film genre, and delivered some serious spine chills for it's time. However when following this series watch this one and Halloween 2, but follow the series no further than that.
Rated 18 Mar 2007
86
76th
Simply one of the best horror movies around. Halloween is the definitive slasher flick.
Rated 22 Mar 2007
69
69th
Really terrifing!
Rated 25 Mar 2007
79
77th
While it doesn't hold up as well today, Carpenter's classic is certainly the best of the slasher pictures.
Rated 31 Mar 2007
80
68th
Minimalist and scary. After my sister saw it, she had to listen to her record collection for about two or three hours straight so she could get the Halloween theme out of her head so she could go to sleep
Rated 06 Apr 2007
94
77th
I watch it in black and white. It's better.
Rated 23 Apr 2007
81
67th
A fine example of the "less-is-more" approach, with some startlingly creepy shots. Good stuff.
Rated 21 May 2007
93
96th
Sullied by countless sequels and ripoffs, this is one of the greatest horror films of all time. Expertly shot and edited to maximum effect.
Rated 26 May 2007
50
36th
How does he know how to drive?
Rated 01 Jul 2007
80
52nd
Surprisingly solid. It doesn't get too cheesy, and the cinematography is pretty great. Brilliant suspense. Carpenter rocks.
Rated 03 Jul 2007
87
75th
A scary ass movie with not much gore, suprisingly.
Rated 03 Aug 2007
80
51st
One of the best suspense movies ever made. Every other slasher flick since has been dogshit by comparison.
Rated 07 Aug 2007
90
86th
A classic, that looks to be soon bested by the remake.
Rated 14 Aug 2007
80
89th
Doesn't rely on gore and jump scares thus succeeding to be a scary and enjoyable horror classic.
Rated 14 Aug 2007
85
91st
Michael Myers was the first and best of the serialized slashers. This flick is still absolutely nerve-shredding over 30 years later, and 99% of the films that copied it shamelessly never did it as well.

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