I Shot Jesse James (1949)

Story of Bob Ford, the man who shot Jesse James in the back. (imdb)
Cast and Information
Directed By: Samuel Fuller
Written By: Samuel Fuller, Homer Croy
Starring: John Ireland, Preston Foster, Tom Tyler, Eddie Dunn, Reed Hadley, Victor Kilian, J. Edward Bromberg, Phillip Pine, Barbara Britton, Tommy Noonan, Jeni Le Gon, Barbara Woodell
Genre: Western
Country: USA
Where to Stream
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I Shot Jesse James belongs to 12 collections
1. Features under 91 minutes (public: moderated by epiphany - 56 stars)
2. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 19 stars)
3. Directorial debut (public: moderated by djross - 16 stars)
4. Eclipse Series (public: moderated by PeaceAnarchy - 8 stars)
5. Film Titles That Are Complete Sentences (public: moderated by Maaxwell - 7 stars)
6. Cinemacom's 500 Best Westerns (public: moderated by Pickpocket - 5 stars)
7. Western Noir (public: moderated by offlineoz - 1 star)
8. Jesse James (public: moderated by djross)
9. Available on Divicast (public: moderated by Dunstan-xxx)
10. My Criterions (private: Matthew Parkinson)
11. Filmstruck (private: caffe)
12. Western watchlist (private: AFlickering)
Browse the full list of collections
| Date | User | Rating | |
| Sep 10 | panzerwolf | 65 46% |
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This movie will naturally be compared to the later take on the subject (The Assassination of Jesse James by the Coward Robert Ford) and in contrast, this movie from 1949 portrays Robert Ford as a victim of circumstances. For the most part, I did enjoy seeing a different take on the subject, but it is a bit too melodramatic in a way usual for its era to emotionally affect me. It's still a good piece, with the usual western bravado replaced by contemplation on guilt.
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| May 18, 2021 | PUNQ | 70 96% |
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The first feature film Samuel Fuller directed! And who else could shoot such a competent western in just 10 days?! I Shot Jesse James (1949) is a depressing tale of Bob Ford and how killing an ruthless outlaw in crazy country only brought tragedy to his own already sorry life. It was wonderful to behold.
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| Jan 15, 2021 | peyrin | 60 32% |
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It sure is a throwaway B-movie. You can already start to see Samuel Fuller's affinity for studying the living breathing American mythos though.
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| Jul 16, 2020 | Malcym | 6 54% |
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Sam Fuller's debut is uneven but boasts two or three extraordinary moments along with those that drag. Very good cast with John Ireland particularly good as the tormented Bob Ford. The assassination scene is notable.
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| Jul 22, 2016 | glumpy_99 | 61 19% |
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Unusual western probably has more value as a fascinating curio, as first-timer Fuller experiments with aspects of his craft, than as an entertainment in its own right - though the moral considerations of Ford's actions, as well as a peek into the future of the cult of celebrity and celebrity worship (as Ford experiences both sides of the coin) give much to ponder. The lack of a cohesive style (and wobbly performances) don't ultimately reap better rewards, but it's still fascinating.
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| Feb 26, 2016 | FrancoGonzo | 9 42% |
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Star Rating: ★★★
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| Oct 25, 2013 | lisa- | 3 30% |
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to snuff one friend to gain the hand of marriage of another, and the torment he has to deal with in the aftermath. story becomes a bit unfocused after a while and there's nothing particularly remarkable about it but it's still not bad.
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| Aug 31, 2013 | chadisdanger | 72 30% |
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I was expecting something more muscular here but instead this is a good psychological drama of a western. John Ireland does fine work as the tormented Robert Ford, not necessarily regretting what he did (in this version he does it for a woman) but having to deal with the daily humiliation that comes with it. It does however lack much of the verve that Fuller was capable of later in his career.
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| May 14, 2013 | wetwillies | 70 19% |
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Didn't really get into this one, but I appreciate it, I like John Ireland and it's got some cool touches - namely, a match that gets flicked across a room and the wonderfully ironic finale.
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| Mar 03, 2010 | jeff_v | 61 26% |
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Much of this early Sam Fuller film is given to scenes such as the one where Robert Ford encounters Jesse James in the bathtub, his back exposed to him, and James says something like, "Well, go on ahead, do it.... scrub my back!" Or the scene where a balladeer strums a song about the coward Robert Ford without knowing he's standing right next to him. Dopey stuff like that is the rule here. The ending is pretty good though, and gives a taste of what's to come from Fuller.
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| Oct 09, 2009 | Mentaculus | 79 70% |
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I wasn't expecting a love triangle from a film with this kind of sensationalist title, but I gradually warmed up to it. If there are flaws in the film it's that it still feels somewhat antiquated (narrative, acting!, dialogue) -but the situations are still all Fuller, and all fantastic. There's much to recommend, including a Jesse that looks like a James and less like a Pitt.
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| Jun 20, 2009 | tonydal | 60 21% |
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Fortunately it's still early in his career, so the touches of Sam Fuller hokum are relatively sparse. But they're still there.
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| Dec 18, 2008 | KMcNeil | 8 84% |
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Overlooked and underrated. Fuller's first and - in some respects - one of his best.
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| Nov 11, 2008 | Nathan S | 4 74% |
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For the first 15 or 20 minutes I wasn't really digging it. After the assassination though, the movie picks up quite a bit. A lot of the acting is pretty dated, but John Ireland is terrific as the tormented Robert Ford. Fuller shows some early talent in a few stand-out scenes (the bar fight near the end is great), and even if the entire thing isn't overly remarkable, it's a brisk and easy watch.
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| Nov 09, 2007 | PeaceAnarchy | 65 17% |
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Bob Ford's character arc is interesting but the dull acting and meandering storytelling make this watchable at best. There are a couple of really nice scenes, but otherwise pretty forgettable.
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| Oct 06, 2007 | DavidKahane | 73 53% |
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The first film directed by Samuel Fuller and it already bears some marks of his celebrated aesthetic, most jarringly with a point of view shot of someone taking a punch to the face. The film is feisty and cerebral, even if it's hampered somewhat by some staginess that betrays its era. Especially interesting are the thoughtful digressions on the ways in which celebrity mingles with notoriety. It's not a great film, but there's clearly talent shaping that action on the screen.
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| Average Percentile 53.43% from 165 Ratings |
