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Killers of the Flower Moon
2023
3h 26m
As the Osage Nation's wealth attracted the greed and envy of outsiders, a wave of violence swept through the community, leaving a trail of devastation and fear in its wake. The film follows the investigation into these heinous crimes, led by a young FBI agent determined to bring justice to the Osage people.
Directed by:
Martin ScorseseKillers of the Flower Moon
2023
3h 26m
Your probable score
Avg Percentile 66.11% from 1342 total ratings
Ratings & Reviews
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Rated 23 Oct 2023
6
35th
"Giving cinema respect", as recently supported by The Man, The Meme, The Legend himself should never translate to his audience sitting through 200 minutes of repetitive events led by a dull main character with only the slightest narrative through line to hang it all on. It’s then less about respect and more about a seasoned director becoming complacent. No matter how well your actors perform, or how good your crew is, a mediocre script will often lead to a forgetabble film
Rated 23 Oct 2023
Rated 25 Oct 2023
35
21st
This is a mess. Despite the strength of their acting in early scenes, Gladstone and DiCaprio's characters become a serious problem. She's too inert and he's too stupid, too sublimely ambivalent. They're nowhere near credible. The result, for me, was that the hamfisted moralizing of the last two scenes felt completely unearned. Were those seriously tears in Scorsese's eyes? After a success like Silence,this was thoroughly disappointing. Overlong, self-serious, almost unwatchable.
Rated 25 Oct 2023
Rated 22 Oct 2023
40
38th
They could, and should, have cut a FULL 90 minutes from this. There's no reason this needed to be anything longer than 2 hours. So many Leo & De Niro conspiring scenes, so many courtroom scenes, so many jail scenes, so many "sweaty in bed" scenes. Ugh. There's a really good movie in there somewhere.
Rated 22 Oct 2023
Rated 27 Oct 2023
70
42nd
I know I'm going to be largely alone in saying this, but I didn't particularly like this film. A lot of the positive reviews of this film focus very heavily on what this film is about, and I'll say this ... I wholeheartedly agree that this is a compelling narrative. I don't really agree that it's a compelling narrative well told by this film. In many ways, the film plays to me like an adaptation of a book by people too in love with the book to cut it down to a manageable size.
Rated 27 Oct 2023
Rated 27 Oct 2023
70
31st
The length of this movie is not at all justified. Yes, the cinematography and some of the performances are great (they do a lot of the heavy lifting here), but the screenplay and editing definitely could have used a few more passes. The audience learns early on what is going to happen, and then everything just plays out so predictably. Very repetitive and self indulgent with little character development. Not entirely bad, but the whole thing is just overwrought and underwritten.
Rated 27 Oct 2023
Rated 10 Dec 2023
90
92nd
As you can see, I have created a lemon ball so sour, it can only be safely contained in a magnetic field. The candy, known as 77-X-42 is.. -- where the hell is the candy?! Leo and DeNiro :< I paused this 4 hours in to go pee, fight me!!! How Marty can still be making films of this calibre at his age is tremendous, keep working forever. I love looking under the rocks of American history and finding more gross bugs and horrors. Brendan Fraser lawyer needs his own Kentucky fried spinoff immedia
Rated 10 Dec 2023
Rated 22 Oct 2023
100
99th
The best film released since The Irishman. Scorsese already made his case for the title of the greatest filmmaker of all time long ago, and he's spending his elder years doing victory laps. I already want to watch it again and again
Rated 22 Oct 2023
Rated 08 Nov 2023
90
94th
About America's evil and greed in the same way as Wolf of Wall Street or any of Marty's gangster films; but here, as in The Irishman, there is no veil of intelligence or cool over the monsters. They are stupid and somewhat unknowable, so all we are left with is the cold reality of their actions. Beautiful, brutal, austere and complexly emotional.
Rated 08 Nov 2023
Rated 19 Oct 2023
90
91st
White people have always turned a blind eye on the killing of minorities huh
Rated 19 Oct 2023
Rated 21 Oct 2023
75
80th
Despite feeling the length and wondering if it would have worked better as a TV Miniseries, I still feel this is a pretty solid piece of work from Martin Scorsese. Great performances from almost everybody except Brendan Fraser who felt very off in this. Really well shot and a solid story that is a pretty slow burn to get into. It kept me invested almost the whole time and developed well as a interesting piece of history.
Rated 21 Oct 2023
Rated 23 Oct 2023
94
90th
Another Scorsese mammoth, though this one does not soar along like The Irishman or The Wolf of Wall Street. Rather, the pacing is deliberately slow to ensure the subject matter is given its proper treatment. And it's a haunting, gorgeous rumination on the flipside of evil being ignorance. Where evil cannot reach, stupidity will extend its arm. Unsettling parallels to our current day take deep root.
Rated 23 Oct 2023
Rated 24 Oct 2023
97
94th
One of Scorsese’s best in a good while. It’s every bit as expertly made as you’d expect, with tight editing/sound, gritty music and production design that truly immerses you to the time, place and culture of the Osage. It is very long, but it I never once felt like a chore to watch. Great pacing, and the some very good performances, especially Lilly Gladstone. Infuriating in the right places but also well paced, respectful and very entertaining. One of the best, most important movies of the year
Rated 24 Oct 2023
Rated 28 Oct 2023
60
46th
"killers" just can't redeem its 3.5 hour runtime. the scenes drag and falter, editing is tonally inconsistent and there's an eerie feeling that de niro is sort of phoning it in. this story deserved a lot better, but I'm afraid scorsese is a bit too old to handle a period piece nowadays.
Rated 28 Oct 2023
Rated 30 Oct 2023
9
95th
As a pure film, Killers of The Flower Moon is technically one of the best movies Scorsese has ever done. The amount of polish and authentication it carries makes the reality of the story that much more interesting and emotionally investing. It tackles a lot of rattle inducing issues amongst history, and it’s never once enduring. This movie is a god damn funeral. However, its ferocious nature and display of dreary horror entrenched in the eyes of indigenous people, is very eye opening.
Rated 30 Oct 2023
Rated 30 Oct 2023
79
80th
Technically brilliant, and while I don't buy Leo as a young veteran for a second if I actually think about it, Lily Gladstone is fantastic enough to make up for it. (Go watch Certain Women.) I do love how easy Scorsese makes it to almost buy the characters' self-deceptive bullshit. Could it have dug deeper? Does the FBI come out smelling of roses? Would an actual Native director have told this story this way? We can speculate. That is the business, after all.
Rated 30 Oct 2023
Rated 20 Oct 2023
83
86th
A large and long movie that certainly doesn't fly by, but that also never felt boring. No punches are pulled, and things are simultaneously shocking and yet completely unsurprising.
Rated 20 Oct 2023
Rated 20 Oct 2023
80
72nd
Incredibly fleshed out portrait of evil. The passion and care that Marty put into this emanates off the screen.
Rated 20 Oct 2023
Rated 22 Oct 2023
10
5th
If I wanted to watch Martin Scorcese jerk off for three and a half hours I'd pay for his Only Fans. At 47, DiCaprio has no business being cast for his role. Possibly the worst last scene of a movie ever.
Rated 22 Oct 2023
Rated 23 Oct 2023
84
90th
Powerful followup to the 'doltish thug suffers the protracted consequences of doing whatever his rich sociopath uncle tells him to' kick Marty established with The Irishman, weaving in the relationship between American racism and crude, bloody financial opportunism.
Rated 23 Oct 2023
Rated 24 Oct 2023
88
60th
Well-acted and handsomely shot (of course). I really felt the length though. There was surely some repetitive scheming and investigation material that could have been cut.
Rated 24 Oct 2023
Rated 30 Oct 2023
50
97th
Maybe my favorite Sorsese movie since Goodfellas. Phenomenal film, felt there was no wasted time, and it fully earned the 3.5 hour runtime.
Rated 30 Oct 2023
Rated 03 Nov 2023
95
94th
A stirring apotheosis of Scorcese's vision of America and the craven, greedy psychopaths who inhabit it. For a 3.5 hour long movie, never felt too overwrought. Well paced, beautifully shot even as the camera lingers on casual acts of immense evil. One of the finest performances of DiCaprio's career playing one of the dumbest motherfuckers who ever lived.
Rated 03 Nov 2023
Rated 08 Nov 2023
4
74th
Perhaps there's much more to be said about this film's perspective, which is undoubtedly white, but it is a measured and tasteful reckoning on the remnants of manifest destiny, of the entitlement of colonizers.
Rated 08 Nov 2023
Rated 13 Nov 2023
40
28th
Holy cow. Three hours of mundane, repetitive mess. The first hour could easily have been cut out. I loved The Irishman, but this is just too much too stretched out.
Rated 13 Nov 2023
Rated 30 Nov 2023
68
32nd
Some of that usual Scorsese greatness can be felt here, but there's a stronger feeling of the film never finding its footing. This becomes quite repetitive, devoid of any tension, making the elongated run-time most unwelcome (unlike The Irishman, which had a less uniform structure of scenes). The final sequence is quite neat, but also makes you wonder what thematic purpose it has.
Rated 30 Nov 2023
Rated 11 Mar 2024
75
58th
Surprisingly mediocre all in all. The cinematography, the acting,set design and overall production values are top notch, and the story deserves to be told. However, the narrative feels weirdly inconsistent and incoherent. At no point can I really pinpoint what this movie is really about, not because it does a great job at covering a number of themes but rather because it feels it's not focusing on anything. Also, you could cut 30-60 minutes and have the same film - if not even better.
Rated 11 Mar 2024
Rated 09 Feb 2024
5
24th
It's technically engaging (the cinematography is lovely, the score effectively moody and momentum-building), and it's a compelling, important story that Marty obviously cares about (see the strange but pointed epilogue), but the telling feels off, with sharp Mollie quickly losing agency and screen time, leaving us confused as to her grace for and with nary a voice of rage (just the one tribal council scene) to counter lead Earnest, who while a patsy, is still portrayed way too sympathetically.
Rated 09 Feb 2024
Rated 21 Oct 2023
50
42nd
Tonally weird. Funny one moment, then sinister then next. Slightly jumbled with flashbacks a bit sporadic. Definitely drags in the middle. Good acting, great sets. Gladstone is great
Rated 21 Oct 2023
Rated 21 Oct 2023
85
90th
Collossal and beautiful. De Niro’s King Hale is as nasty of a movie villain as you’ll ever come across, but this is DiCaprio and Gladstones film, who are both superb. Some bits occasionally detached me from a world otherwise so carefully constructed - a miscast and terrible Brendan Fraser, some obviously constructed dramatic scenes of convenience and some slight lags in pacing. Still a fantastic achievement.
Rated 21 Oct 2023
Rated 21 Oct 2023
80
85th
Gladstone is just bigger than life in this intriguing, tragic, often shocking slow-burning portrait of genocide and greed. And the Resnais-ish finale is just brilliant by Scorsese. The old man does it again.
Rated 21 Oct 2023
Rated 23 Oct 2023
65
63rd
Style over substance and way too long for the plot that unfolded.
Rated 23 Oct 2023
Rated 23 Oct 2023
80
42nd
Great story, great acting. Will likely win many awards. But way too long and slow. All my points off are due to how long/slow it is. 45 minutes in and I was looking at the time hoping it was further in than it was.
Rated 23 Oct 2023
Rated 28 Jan 2024
70
45th
Amidst the crookery lies a Greek tragedy in how the Indian women endure their fate: they keep smiling and believing even as the corpses pile up around them. Why? It's this unanswered question that becomes the intriguing part of this history. Why do they keep marrying them? Why do they keep smiling? Why don't they stick to their own men? Why, why, why? To keep aswering this question made me feel just as I'm supposed to I guess: a negotiating, calculating Westerner.
Rated 28 Jan 2024
Rated 24 Oct 2023
98
98th
-2 points because I’ll probably never watch it again. It’s not pleasant. But it is 100% on point & pretty much a spot on portrait of Southern justice today. Excruciatingly real. Have lived a lot of this firsthand & never seen the banality of evil so well depicted.
Rated 24 Oct 2023
Rated 24 Jan 2024
65
62nd
Very “they don’t make movies like that anymore” but then they did!
Rated 24 Jan 2024
Rated 27 Oct 2023
95
96th
Roger Ebert saying, "no good movie is long enough and no bad movie is short enough" applies here. Yes, it's 206 minutes, but I could have easily sat there was and watched another 206. Scorsese has created another masterpiece.
Rated 27 Oct 2023
Rated 31 Oct 2023
70
69th
It suffers from Scorsese's typical overindulgence, but it's a stark study on evil and casual hatred and bigotry as anyone could make it.
Rated 31 Oct 2023
Rated 01 Nov 2023
66
64th
Recently Scorsese’s protagonists are too stupid to know the difference between right and wrong – which makes for diluted tragedy, and rather describes a general depressed, removed feeling that the director has grown into. He filters a story of colonialism through the mechanisms of the mafia, and while he’s at it, takes this greedy world to the grave. Here is a staid replica of hell for people who are still alive.
Rated 01 Nov 2023
Rated 06 Mar 2024
90
66th
Extremely well made, with extraordinary nuance and care at every level. I would have preferred it were shorter, because the runtime is hard to justify.
Rated 06 Mar 2024
Rated 30 Dec 2023
93
94th
An astounding filmmaking achievement that shines light on an important story. Every aspect of the film is crafted masterfully, from the sets, to the cinematography, to the pacing, & the acting. I wasn't sure about the radio drama ending at first, but the more I sat with it, the more I realized what was being done. This is a slow & purposeful film showcasing how casual these horrors were for the perpetrators & general populace. There are layers to this film to be revealed on multiple watches.
Rated 30 Dec 2023
Rated 05 Nov 2023
62
11th
Too long, slow, grim, and worst of it, unrewarding in its conclusion.
Rated 05 Nov 2023
Rated 11 Nov 2023
81
86th
This was very well acted and told. It's a tough subject and isn't a joy to watch, but taken as a piece of art it's quite compelling. Second half seemed to zoom by whereas the first half took awhile to get its footing. Scorsese has a story here he can be proud he was able to tell. 8.1
Rated 11 Nov 2023
Rated 12 Nov 2023
65
44th
Somewhat out of focus. It's very interesting to see this strange native american society and the vultures flying over it; Glandstone shines, her character always remaining enigmatic; De Niro plays the evil majestically; but most of the screentime goes to Di Caprio dumb character. They chose to focus on the love story more than the FBI investigation, but there is so much you can do to give depth to a dull character, while Gladstone is stuck in bed. There is little development after a while.
Rated 12 Nov 2023
Rated 12 Nov 2023
71
25th
Dull characters that exhibit no reflection on the actions they commit make for absolutely dreadful cinema, often leaving you feeling ambiguous and uninterested in the end. KotFM falls into this trap. I understand the premise that evil usually comes from outside sources, and the victims are not just those directly affected by their actions... But how does a murder not think about the acts he's doing? This movie could have been cut by 45 minutes
Rated 12 Nov 2023
Rated 19 Nov 2023
75
83rd
I wanted to give this a higher rating, but the pacing was just to slow for me. Otherwise great
Rated 19 Nov 2023
Rated 25 Nov 2023
80
70th
This would have benefited from a second viewing; there's so much material here to absorb, even though obviously they don't rush because look at the run time. Production-wise, it's a master class, including great performances; this might be Leo's best since The Revenant, and Lily Gladstone shines. And yet, I can't proclaim love for it. I like it, and recognize its areas of unquestionable brilliance, but I'm left indifferent to the perspective it takes and the story as it chooses to tell it.
Rated 25 Nov 2023
Rated 06 Dec 2023
55
34th
All filmmaking accomplishments aside and of course there are plenty since it's Scorsese, it's exhausting and simply an annoying chore to experience the great director running a never-ending, 3.5 hour train of White Guilt into the viewer no matter how deserved. Where's the movie? The script is so monotone and repetitive, the characters so shallow, it becomes a predictable drag that feels as complacent as the Irishman did. Music 10x as loud as the dialog so the remote control never left my hand
Rated 06 Dec 2023
Rated 14 Mar 2024
90
81st
My best movie of 2023. Scorcese shines a harsh light on (yet another) little known black mark of American history: the systematic murder/financial pillaging of the newly rich Osage Indians in Oklahoma. Every actor provides a tour-de-force performance and the 3 1/2 hours truly fly by as Scorcese dives deep into the terrible schemes. The third act arrival & justice of the nascent FBI feels rushed rushed following the care shown to the previous 2/3rds but still, a modern American classic. PSI: 86
Rated 14 Mar 2024
Rated 18 Jan 2024
68
31st
Nice start, way too long, lousy finish...
Rated 18 Jan 2024
Rated 17 Jan 2024
60
40th
So, if you have a story that you want to tell reaaalllllly badly, do a limited series my man, we are not in the 90’s. Although Scorsese doesn’t seem to age as a film maker, and this one is no exception, why did watch a 3.5 hour movie man? And why oh why, while you’re telling the story of a tribe, the focus is the white man? Really? Is his pain the real story here?
Rated 17 Jan 2024
Rated 08 Jun 2023
8
75th
"Killers Of The Flower Moon" is a visually stunning western epic by Scorsese, with remarkable performances and captivating exploration of greed and power in American history. DiCaprio, Lily Gladstone, and Robert De Niro deliver immersive and authentic portrayals. The production design and score enhance the visuals and narrative. However, the film's lengthy runtime occasionally hinders pacing and momentum. Tighter editing could have better balanced character development and story progression.
Rated 08 Jun 2023
Rated 21 Oct 2023
84
73rd
Almost like a gangster movie on a much higher level. It’s long but it’s never dull. A great crime drama telling the story of some terrible people. A story that needs to be told. And who better to tell it than the master himself.
Rated 21 Oct 2023
Rated 21 Oct 2023
80
82nd
Some of the greatest movies are over 3 hours, but in this case the runtime and pacing are unforgivable. The script was also a little bland, but the cast really shines. Even in the bloated runtime they still managed to not give Lily Gladstone enough screentime.
Rated 21 Oct 2023
Rated 15 Apr 2024
83
77th
Killers of the Flower Moon uses every minute of its lengthy runtime to tell the complete story of the Osage murders in a captivating manner, especially in the second half. Excellent performances all around
Rated 15 Apr 2024
Rated 24 Oct 2023
96
90th
One of Scorsese's best, with Lily Gladstone taking over the movie. Leo and De Niro are great too, and sadly the exploitation of the Osage continues to this day.
Rated 24 Oct 2023
Rated 24 Oct 2023
95
99th
This is filmmaking. And I was so caught up in it that the 206 minutes flew by. Both De Niro's character and his performance are up there with his very best, and I think this may actually even be my new favorite Scorsese movie!
Rated 24 Oct 2023
Rated 12 Sep 2024
51
9th
Really couldn't stand this. I thought it was so long, so boring, and that all of the performances were awful. I have no idea what others saw in this.
Rated 12 Sep 2024
Rated 07 Jan 2024
97
99th
I am hoping for at least one masterpiece every year. Count on Scorsese to land it. The setup is so good, the middle act(s) keep the water boiling, and the last hour erupts with surprises, consequences, and absurdities. And I am fully on board with every absurdity. Would you believe me if I told you, apart from Wolf, that it's perhaps Scorsese's funniest movie? I was watching alone hooting, hollering, laughing, and scoffing. It hits every theme and emotion under the sun. It's a monumental epic.
Rated 07 Jan 2024
Rated 25 Oct 2023
85
88th
It's very good, but my word it's long. I'm not sure what could be cut out, I don't think it can be cut into two films, ideally there would be an intermission. All three leads should be in the running for Oscars, in fact the only sour note note among the cast is Brendan Fraser overdone, over loud lawyer near the end. Another masterpiece from the maestro.
Rated 25 Oct 2023
Rated 26 Oct 2023
7
73rd
Long but well paced-expectations were high and it didn’t disappoint but neither did it blow me away. Wasn’t convinced by DiCaprio and would have liked more time given over to getting in an Osage headspace.
Rated 26 Oct 2023
Rated 26 Oct 2023
85
89th
The cast does an amazing job in this film, especially Lily Gladstone who knocks her role out of the park. The script keeps things interesting the entire way through the film. Overall I would highly recommend this film.
Rated 26 Oct 2023
Rated 26 Oct 2023
75
45th
The road of a man who wants to be the best son for the best and most evil father, and who's in the end too wild and laden with guilt to be truly faithful even once to his wife, a lady embodiment of shame and justice. Maybe we are seeing here an "old-aged" Scorsese, focusing more on guilt and struggles of conscience than the pleasure of violence, which is no less genuine or affective, but might indeed mean the characters lose some of their purely impure irresistibility. Flawless filming still.
Rated 26 Oct 2023
Rated 28 Oct 2023
75
75th
Good, but a bit long-winded, and ends in a bit of an abrupt and odd, though sobering, way. I still haven't decided if I like the ending or not, because it almost feels like an ending to a documentary, rather than a movie - but the movie on a whole sort of toes that line. Still, really well-done and acted by everyone involved (the Brendan Fraser appearance did take me out of it a bit). I could've done with showing more of characters other than DiCaprio's, but it seems that was the focus.
Rated 28 Oct 2023
Rated 28 Oct 2023
94
80th
Impressive and well-directed, but it's a brutal depression fest from start to finish. Not that you should go in expecting anything else from a movie about the heartless and sociopathic desecration of Native American people.
Rated 28 Oct 2023
Rated 29 Oct 2023
73
71st
Not everything that Scorsese puts into this film works for me in equal measure but it is undoubtedly a beautiful film about a tragedy whose story needs to be told
Rated 29 Oct 2023
Rated 07 Sep 2024
53
51st
there was this flower moon, then leo and de niro went and done killed it
Rated 07 Sep 2024
Rated 31 Oct 2023
84
97th
The first 2/3rds is good. The last 1/3rd is some of Scorcese's best work. Yes, it's long, but I'm never bored. Everyone is operating at a high level here.
Rated 31 Oct 2023
Rated 24 Jan 2024
80
77th
Good movie, but I wish it would have been more about the Osage and Osage characters. The strong cast did a great job, but sometimes I felt a lot of characters fell flat.
Rated 24 Jan 2024
Rated 07 Nov 2023
80
86th
It takes some while to get immersed in the story, but the masterful directing combined with the horrifying history made this 3h+ movie still very intriguing.
Rated 07 Nov 2023
Rated 03 Mar 2024
92
89th
Truly an epic. Scorcese's recent trend of discussing the sins of the past and their ability to be redeemed hits a high point and a grander scale with this film's discussing of indigenous American peoples and their suffering at the hands of capitalism and manifest destiny...and even our recounting of these stories in the media and art.
Rated 03 Mar 2024
Rated 23 Jan 2024
69
68th
Scorsese is officially washed; this film is long and boring but it’s a good story about important topics. Acting is great, production and photography is flawless. Leo is a total mug to be getting played by Deniro, who is a cartoon caricature of evil. And yet, it’s so long and boring, but even with all the cgi owl scenes and extended ending it’s still watchable.
Rated 23 Jan 2024
Rated 19 Nov 2023
73
80th
It justifies its length well enough but I ended up finding the framing kind of limited. The movie does a brilliant job of encapsulating the general heinousness of these murders and the film language is fantastic. But the story does not want to engage with anything outside of the scheme of the two lead characters and the supporting cast; particularly the Osage, are left a bit hollow in terms of how they relate to the grand scheme of what is something much grander than these two men.
Rated 19 Nov 2023
Rated 21 Jan 2024
79
67th
Not really boring but I didn't find a single character to like, or to care about, and that's a bigger problem than any runtime. Those Indians were apparently too dumb to live. It was like watching a true crime slasher turning into a courtroom drama with The Whale cameo.
Rated 21 Jan 2024
Rated 29 Dec 2023
83
82nd
It's a Scorsese movie. You have corruption, banality of evil, strained romantic and fraternal relationships, great cinematography and Robert de Niro. You get what you paid for.
Rated 29 Dec 2023
Rated 03 Dec 2023
85
80th
Scorsese turns to camera to shed an 'Iron Eyes Cody' tear and Wilford Brimley salutes from the diabetus ranch in the sky. It's a long 'un but the quality of storytelling is fixating, a confidently executed production that crucially nails the 'transport me to the past' aspect of period piecing (shout out to all the great character actors & old-timey-face extras) and fully indulges a story that deserved to be told.
Rated 03 Dec 2023
Rated 05 Dec 2023
50
41st
I'm generally a fan of longer movies (my all-time favorite film is 7.5 hrs. long), but boy, did I feel the runtime with this one. The production quality is imposing and the directing is excellent, usual Scorsese. Perhaps the subject matter was not very similar to my taste (I loved The Irishman despite it being even longer).
Rated 05 Dec 2023
Rated 19 Jan 2024
72
92nd
Another Great Work from famous Expert Director!!! and 2 Brilliant Performance by: Robert De Nero as a one of the most hated Character! and Leonardo DiCaprio as a one of the most stupid Character in Cinema history!
Rated 19 Jan 2024
Rated 26 Dec 2023
87
86th
Who had Scorsese turning into the coolest Bertold Brecht at the end of cinema serving life on his bingo card? What a legend of constant renewal! I love him. More than I like this movie but who cares…
Rated 26 Dec 2023
Rated 08 Dec 2023
94
93rd
My ★★★★½ review of Killers of the Flower Moon on Letterboxd https://boxd.it/5hUYaP
Rated 08 Dec 2023
Rated 08 Dec 2023
1
0th
overextended piece of shit. you have to be an obnoxious idiot to enjoy this junk in 2023, while being absolutely clueless on what's happening in the world. How can you even like this 3.5 hours of rage, injustice, betrayal and incredible stupidity multiplied by cruelness and lust for filthy money? disgusting garbage
Rated 08 Dec 2023
Rated 09 Dec 2023
79
45th
Bad narrative. It shouldn't have been a gangsta movie goddamn it
Rated 09 Dec 2023
Rated 09 Dec 2023
70
75th
Though it could have been shorter, I cannot fault its length because it's so consistently good. Aside from the stellar leads, there are interesting choices in supporting roles including Barry Corbin of Northern Exposure fame, who is older than Scorsese. A lazy soundtrack, the late Robbie Robertson's last, is the film's weakest link.
Rated 09 Dec 2023
Rated 09 Feb 2024
80
35th
This is of course a great quality film, it is Scorsese after all. But way too long, as it tends to be the case lately with many films that seem to want to become "epic films". Loved the story and Lily Gladstone's performance, but DiCaprio was often overacting the role.
Rated 09 Feb 2024
Rated 12 Dec 2023
60
35th
Scorsese's not really capable of making a truly bad film but this is decidedly mediocre especially when measured against his best work. I found it mostly dull, narratively frustrating and wildly overlong, but what irked me the most were the three main performances: DiCaprio's ape-like mugging was distracting, DeNiro's villain was too mustache-twirly, and Gladstone's wooden, monotone performance made my eyes glaze over, so even with some serious trimming I doubt I'd ever find this enjoyable
Rated 12 Dec 2023
Rated 13 Dec 2023
5
81st
A bit distracting when Leo is making his face look like an ape for 80% of the movie. I some reservations on what this movie is really getting at, but it is just stellar filmmaking.
Rated 13 Dec 2023
Rated 13 Dec 2023
85
88th
A very long movie with well known actors playing despicable people from history. The movie was very engaging and shocking. It was quite riveting at times. The characters were complicated and nuanced. Worth watching. The story was based on true events.
Rated 13 Dec 2023
Rated 14 Dec 2023
61
29th
I guess choosing Ernest's angle to narrate the story didn't do well. The audience knows everything from the head start and nothing challenges that notion. The first trailer of the film had such a good rhythm, soundtrack and visuals that got me excited for a masterpiece. Such a shame, that trailer contained everything good about the film and left nothing for the 200 minutes drag!
Rated 14 Dec 2023
Rated 30 Apr 2024
70
12th
I don't know what happened here, but this movie is unnecessary long and has no focus. Nothing is happening. No character development. Or story. Or mystery. Nothing. My advice would be: watch the first 10-30 minutes. Skip the next 2 hours. Watch the final 1h30m. The whole middle part (2 hours) is the same thing over and over again, so you can just pick up when the movie actually starts (the last 1h30m).
Rated 30 Apr 2024
Rated 14 Feb 2024
80
63rd
I find most of Scorsese’s work whelming but by no means bad. In fact, I can’t really fault this movie for anything. It is over three hours long but never drags, it’s got great leading men and woman, a sprawling cast with no weak links and a marvelously insidious score; Scorsese knows how to make em. It just doesn’t sit with me. What does sit is the portrayal of American evil as cold, ruthless pragmatism, so insipid as to be invisible to the perpetrators and fully enclosing for the victims.
Rated 14 Feb 2024
Rated 09 Feb 2024
82
55th
It's an epic movie that reveals its epicness character at the beginning and then doesn't really bloom apart from amazing cinematography. But the whole thing it's just so sad it's hard to watch, which is presumably the intention. It drags a lot, there is no joy in more than 3 hours of this and would think very much before seeing it again. But definitely an interesting topic of the history and exploitation which I knew very little about.
Rated 09 Feb 2024
Rated 18 Dec 2023
70
54th
Difficult one to rate because it has so many amazing actors and the 3 1/2 hours just flies by (it felt like just 2 1/2 hours for sure), also Leo is just amazing, no question. On the flipside, you find out what is really going on pretty quickly and then it just keeps happening again and again and again. We got the message, but maybe that is also what the movie is meant to do. Not only give the message, but also tell us again and again.
Rated 18 Dec 2023
Rated 18 Dec 2023
87
92nd
A laconic, unromantic portrait of the American frontier and the lengths that some white men traveled to help eradicate it. Like the Tulsa Massacre of 1921, the Reign of Terror in Osage country deserves more space in our cultural ledger. It starts in corruption and sickness and greed, and kind of ends there too, except for a coda driving home the dangers that await after the violence is done: erasure, sensationalism, mass ignorance.
Rated 18 Dec 2023
Rated 20 Dec 2023
80
78th
i wish every movie would save the last minute for a marty send-off
Rated 20 Dec 2023
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