La tierra y la sombra

That kind of cinema came to be a prototype who wants to seem artsy and poetic or whatever people expect from an arthouse movie. Its too calculated story and frames kill the feeling of a way-of-life becoming extinct. The style contradicts the pastoral country life and its authenticity; it's as if an agricultural machine went there and shot those images according to a software. Finally, why do actors are so stiff and deadpan, even that child? Why all that mess? Really, we should be more demanding.