L'argent (1983)
A forged 500-franc note is cynically passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is (imdb)
Country: France, Switzerland
Directed By: Robert Bresson
Written By: Robert Bresson, Leo Tolstoy
Starring: Sylvie Van den Elsen, Christian Patey, Vincent Risterucci, Caroline Lang, Béatrice Tabourin, Didier Baussy
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L'argent belongs to 59 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 211 stars)
2. Criterion Collection (public: moderated by caffe - 152 stars)
3. Features under 91 minutes (public: moderated by epiphany - 50 stars)
4. They Shoot Pictures 1,000 Greatest Films (2008 revision) (public: moderated by Scottathon - 38 stars)
5. Jonathan Rosenbaum's Top 1000 Movies (public: moderated by PeaceAnarchy - 36 stars)
6. They Shoot Pictures 1,000 Greatest Films (2010 revision) (public: moderated by MMAlpha - 32 stars)
7. New York Times' The Best 1,000 Movies Ever Made (public: moderated by theficionado - 29 stars)
8. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
9. They Shoot Pictures 1,000 Greatest Films (2012 revision) (public: moderated by PeaceAnarchy - 25 stars)
10. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by iconogassed - 20 stars)
11. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 17 stars)
12. They Shoot Pictures 1,000 Greatest Films (2013 revision) (public: moderated by rant1229 - 16 stars)
13. They Shoot Pictures 1,000 Greatest Films (2011 revision) (public: moderated by PeaceAnarchy - 14 stars)
14. Best of criticker: Drama (public: moderated by avgcrtckr - 14 stars)
15. Sight and Sound 2012 (public: moderated by DavidB - 13 stars)
16. Films available in HD (public: moderated by kubricksucks - 12 stars)
17. Cahiers du Cinema: Best Film (public: moderated by CCLZA - 10 stars)
18. Sight and Sound 2002 (public: moderated by PeaceAnarchy - 9 stars)
19. Top 100 Spiritually Significant Films (public - 8 stars)
20. Best of criticker: Crime (public: moderated by avgcrtckr - 8 stars)
21. BFI Film Classics (public: moderated by MMAlpha - 7 stars)
22. Cannes Film Festival: Best Director (public: moderated by MMAlpha - 6 stars)
23. Directors' final films (public: moderated by iconogassed - 4 stars)
24. They Shoot Pictures 1,000 Greatest Films (2007 revision) (public: moderated by Scottathon - 4 stars)
25. Old directors (70+) (public: moderated by von krogh - 3 stars)
26. Director at least 80 years old (public: moderated by djross - 3 stars)
27. Booed at Cannes (public: moderated by Ag0stoMesmer - 3 stars)
28. A Year of Essential Cinema (public: moderated by Ibetolis1 - 1 star)
29. The Criterion Channel (public: moderated by caffe - 1 star)
30. Cannes 1983 Official Selection (public)
31. close-up (public: moderated by juandr)
32. Journey of an object (public: moderated by iconogassed)
33. Cinema Discusso Yearly Consensus (2008) (private: PeaceAnarchy - 10 stars)
34. The Village Voice: 150 Groundbreaking Films (private: kevinjoseph - 8 stars)
35. They Shoot Pictures 1,000 Greatest Films (2020 revision) (private: djross - 6 stars)
36. Sight & Sound 2012 Directors' Top 100 Greatest Films of All Time (private: Whyte Nite - 5 stars)
37. Djross movie of the year (private: djross - 3 stars)
38. edkrak films to see (private: edkrak - 2 stars)
39. Djross 1980s top twenty (private: djross - 2 stars)
40. Djross feature film of the year (private: djross - 2 stars)
41. Djross film as art (private: djross - 2 stars)
42. Djross movies worth having on Blu-ray (private: djross - 1 star)
43. Criterion Collection (Blu-ray) (private: PepeCamello - 1 star)
44. Djross 1983 top ten (private: djross)
45. Lesinrocks - top 100 french movies (private: Thegoodboy)
46. Kerc's Top 25 (private: Kerc)
47. My collection (private: pitkju2)
48. Filmspotting Ratings Project: Week 13 (private: PeaceAnarchy)
49. Cinetheque (private: allegreller)
50. Films I watched in 2012 (private: jal90)
51. Lucbapt (private: lucbapt)
52. Top 101 (private: losrasputin)
53. Rated (private)
54. Forrest Watch List (private: ForrestQ)
55. Djross French feature films I've seen (private: djross)
56. Sight and Sound 2012 - Combined list - Part II (private: Ariaz)
57. Djross non-English-language feature film of the year (private: djross)
58. To rewatch, one day... (private: Malcym)
59. 1980's (private: cantahta)
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| Oct 22 | jamienelson | 60 22% |
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| Oct 16 | rospo | 43 16% |
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| Oct 07 | helberg | 95 94% |
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| Oct 05 |  |
Thegoodboy | 86 97% |
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sepid | 88 80% |
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AmirAbasi | 90 86% |
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talat | 70 40% |
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| Jul 28 | sebarivas | 98 89% |
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| Jul 08 | empire434 | 85 89% |
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| Jun 13 | D Lightman | 20 0% |
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CCLZA | 95 98% |
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DMCrimson | 74 24% |
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Are the actors allergic to acting?
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| May 19 |  |
Omid Ranjbar | 70 89% |
| May 16 | jeffsul | 90 49% |
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| Apr 19 | Minutemen | 83 69% |
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| Apr 08 | sarahsm | 75 29% |
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| Apr 04 |  |
amirtocha | 70 48% |
| Apr 02 | Coheed | 90 90% |
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| Apr 01 |  |
cankutozturk | 79 89% |
| Mar 31 | georgew | 84 72% |
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| Mar 30 | Pleveen | 95 87% |
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ilker | 80 67% |
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Hayta | 95 94% |
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| Jan 15 |  |
bhalac | 85 85% |
| Jan 11 |  |
Lemonya | 98 98% |
| Jan 07 |  |
larmor | 52 45% |
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Ok, Bresson ended up completely cynical about the world. And it shows. But I feel this movie had really little to offer in spite of all the recurring themes: hands, doors, letters, etc... I also didn't like the overly mechanical dialogues (like in Mouchette) compared to most of his other films.
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| Dec 26, 2019 |  |
Akınz | 60 16% |
| Dec 19, 2019 | OlivVerdys | 85 95% |
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mycollection | 100 0% |
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Ericmss | 80 65% |
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porzano | 48 41% |
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dcatcher | 70 73% |
| Nov 03, 2019 | babil7 | 90 81% |
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Hadzibegovic | 81 81% |
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cantahta | 82 74% |
| Oct 14, 2019 | prixcn | 85 73% |
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| Sep 29, 2019 | Truffaut16 | 73 59% |
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omeremre | 65 38% |
| Aug 22, 2019 | gurkov | 80 84% |
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unaga | 90 76% |
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ozgurrt | 85 87% |
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bal3x | 60 42% |
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biftek | 90 94% |
| Jul 20, 2019 |  |
ForrestQ | 65 28% |
| Jul 18, 2019 |  |
pyrosexual | 70 29% |
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I'm not really buying this guys descent into criminality, sorry Bresson. Better luck next time, oh right...
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| Jul 08, 2019 |  |
Danilolopes | 75 44% |
| Jun 27, 2019 | mbramhald13 | 80 70% |
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kendell | 7 58% |
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MoonLoop | 86 77% |
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anelesecene | 40 26% |
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wunderboyxD | 97 94% |
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calinki | 65 24% |
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lucius | 40 23% |
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95.00
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| Mar 05, 2019 | mate_cosido | 70 40% |
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| Feb 22, 2019 | sandman248 | 80 63% |
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| Feb 21, 2019 | MortSahlFan | 80 78% |
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twijfel | 71 74% |
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Modaal | 96 81% |
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Little-Fleck | 32 9% |
| Feb 08, 2019 | trevor1992 | 100 90% |
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finchereznor | 80 65% |
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tsumanne | 87 94% |
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verified | 100 90% |
| Jan 28, 2019 | bestestuary | 90 86% |
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alexlma | 9 90% |
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dead man | 88 83% |
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| Dec 28, 2018 | atlasakin | 80 39% |
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sonya semyon | 94 86% |
| Dec 23, 2018 | steve111 | 90 70% |
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balseiros | 76 61% |
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| Dec 16, 2018 | TheMarkle | 80 87% |
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Dennis Li | 3 61% |
| Nov 19, 2018 | spacemanmoth | 8 61% |
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arrow-s | 69 45% |
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hamedgolsha | 85 81% |
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Apovoncrier | 85 90% |
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norval_jones | 95 97% |
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Cinemicrobic | 80 67% |
| Aug 21, 2018 | userr | 100 98% |
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M_A | 70 58% |
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IDYmilkshake | 80 83% |
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CMQuinn | 40 12% |
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themadelf66 | 79 71% |
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FreddieQuell | 75 65% |
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karamazov. | 28 34% |
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dude you ever think about how, like... money isnt even real
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| Jun 12, 2018 | zkas1225 | 80 80% |
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İmgelemlerle dolu
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| May 05, 2018 | ab_iiserk | 92 93% |
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dumbjaw | 74 83% |
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gunay | 93 58% |
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deleuze | 71 20% |
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edw | 92 83% |
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solipsist | 70 52% |
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scott.mcc | 90 97% |
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Kobaruon | 40 19% |
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mnzeric | 8 84% |
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derzulya | 7 76% |
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RavynLoony | 81 93% |
| Feb 17, 2018 | coldesser | 70 43% |
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| Feb 16, 2018 |  |
deaddilly | 70 52% |
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A film that starts with a distinct structure: Follow a counterfeit bill as it circulates and progressively becomes more vicious in its consequences. Right as you buy into that and the transitory rhythm of this film, Bresson does a COMPLETE 180 and decides to latch on to one single subject for an entire half of the runtime. Its truly a jarring shift in pace that I'm not sure many directors have ever been willing to take. Its a tough, manipulating watch.
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| Feb 13, 2018 |  |
Suda Balık | 95 91% |
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dundjay | 64 51% |
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ps_ | 99 98% |
| Jan 24, 2018 |  |
oskarhu | 80 72% |
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Bresson's minimalism goes stale after a strong start that is unfortunately followed by dragging scenes without optimal plot development. Not convinced about the unconventional use of camera angles either. However, the total amount of screen time given to doors and other openings is noteworthy.
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| Jan 19, 2018 |  |
Komiyela | 85 79% |
| Jan 17, 2018 |  |
hulot | 80 79% |
| Jan 06, 2018 |  |
NathanBates | 40 6% |
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This is the evil version of "If You Give A Mouse A Cookie." Somehow passing a counterfeit bill turns one of Bresson's robotic actors into a violent person. While money certainly can corrupt, the lack of logical progression totally derails the movie. I was also distracted by the camera staying on each scene some five seconds after all the characters had exited.
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| Jan 05, 2018 | iamaspy | 99 94% |
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| Jan 02, 2018 | rafalko6 | 60 30% |
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| Dec 16, 2017 | daystron7 | 39 22% |
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| Nov 29, 2017 | Cocoa | 50 26% |
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teaty666 | 80 95% |
| Nov 03, 2017 | NevinLiu | 79 63% |
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sfpeterm | 85 84% |
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djross | 86 95% |
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Money itself is somehow counterfeit: in some way the only thing that exists but equally a fiction, an artifice, founded on a belief but ultimately crediting only nothingness, found nowhere yet behind everything, a ghost in the machine but also, today, the deus ex machina itself. Counteracting that excess, Bresson's style here reaches a pinnacle of austerity (yet every moment also looks beautiful), which, from a certain perspective, may make it his best attempt to control the viewer's perception.
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| Oct 16, 2017 |  |
jgreenwood | 65 52% |
| Oct 11, 2017 | JohnPaul821 | 30 5% |
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| Oct 01, 2017 | sandrikoti | 100 83% |
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| Sep 16, 2017 | izwt936g | 61 50% |
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| Sep 02, 2017 | secludix | 50 24% |
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joxnq | 80 79% |
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kastenm | 74 69% |
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ldpfilm | 76 53% |
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| Aug 02, 2017 | whataboutit | 90 74% |
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mentosibo | 75 64% |
| Jul 25, 2017 | bidola | 81 59% |
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| Jul 24, 2017 | mmb888 | 95 95% |
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| Jul 23, 2017 |  |
Archeologian | 60 40% |
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An accomplished film that seems to make a bit of a thing out of how the style reflects and corresponds to its main thematic concern of the apathy and deadness of culture-as-economy (I could make a sly little dig at Bresson here, if I so desired). Still, this coherency may be adequate to make a good art film, but I can't imagine it having any sort of real efficacy. So what's the point of having a point to make? A good excuse to blow bottles of wine with the culturally elite? Okay, I can dig that.
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| Jul 23, 2017 |  |
Yiannos | 83 94% |
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Bresson certainly didn't soften with age. His late works are his most grim, depicting a cold unforgiving world that traps its characters like rats in its bleak oppressive maze. L'argent is ostensibly a critique of capitalism, where a forged note sets a chain of events in motion that leaves complete devastation in its wake. Bresson directs with astonishing technical precision; his economy of gesture is unmatched in cinema, and L'argent is a chilling confirmation of his supreme formal mastery.
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| Jul 17, 2017 |  |
Blair | 85 63% |
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emreyuksel | 65 31% |
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cancezayirli | 70 50% |
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mjh0811 | 95 94% |
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izlandik | 85 89% |
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Zoltan | 70 72% |
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anaskvit | 50 4% |
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| Apr 10, 2017 | CinemaLover7 | 95 93% |
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| Apr 05, 2017 | 92filmgeek | 64 61% |
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lineuphere | 82 69% |
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| Mar 19, 2017 | Andras | 95 91% |
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| Mar 04, 2017 |  |
loc42 | 60 39% |
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Very depressing and pessimistic lacking the transcendental qualities of his early works like "A Man..." and "Pickpocket". He underlines that in a totally reified world where money became "a God" (a line from the film) there is no human emotion or ethical act to be excepted. What we are doomed to is a violent and materialist world to suffer. No matter how strong it is narrated, I won't agree with that. If our doom is set, why bother anyways? Why did you make this film at the first hand? Decent.
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| Mar 03, 2017 |  |
RYM-byrates | 74 91% |
| Feb 25, 2017 |  |
mCihhh | 70 60% |
| Feb 12, 2017 |  |
Mochard | 63 64% |
| Jan 16, 2017 |  |
Darren | 79 70% |
| Jan 15, 2017 | cshadows2887 | 87 14% |
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| Jan 14, 2017 | mjbreuer | 47 19% |
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| Jan 13, 2017 |  |
Seethruskin | 4 52% |
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Kind of went of the rails at the end in a very laughable way. I feel like if this didn't have Bresson's name on it it wouldn't be held in such regard, since there's been so many films like this that don't get the same love. Still, it's enjoyable and is a nice looking film.
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| Jan 11, 2017 |  |
joewkeh | 68 44% |
| Jan 09, 2017 | fre | 50 28% |
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| Jan 02, 2017 | Tarris1 | 75 60% |
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| Dec 29, 2016 | smellyjoe | 40 19% |
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| Dec 29, 2016 |  |
Nathan | 61 31% |
| Dec 23, 2016 | robochaa | 90 91% |
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| Dec 16, 2016 | jpmarchant | 88 35% |
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| Nov 22, 2016 | jerrywarton | 78 90% |
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| Nov 15, 2016 | Ronin22 | 73 92% |
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| Nov 10, 2016 | doe | 65 74% |
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| Nov 07, 2016 | Malcym | 5 32% |
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| Oct 26, 2016 |  |
??? | 70 56% |
| Oct 02, 2016 | Kadaise | 80 39% |
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| Sep 30, 2016 | kupfertj | 82 80% |
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| Aug 27, 2016 | NickP | 80 85% |
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| Aug 12, 2016 |  |
KasperL | 50 31% |
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Well, it started out promisingly enough... But at some point Bresson's last film grinds to a halt and never recovers.
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| Aug 12, 2016 |  |
gert | 40 17% |
| Aug 05, 2016 | creosote | 8 89% |
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| Jul 28, 2016 |  |
Ali_bageri | 92 90% |
| Jul 22, 2016 | Dark_Ryder14 | 77 55% |
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| Jul 10, 2016 |  |
Walterpoa | 67 37% |
| Jul 04, 2016 | MrWhiplash | 80 55% |
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| Jun 17, 2016 | Heisenburger | 70 31% |
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| Jun 07, 2016 | miguelyllo | 90 51% |
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letterboxdvo | 39 85% |
| Jun 06, 2016 | Desassossego | 75 74% |
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ghorbanzade | 89 94% |
| May 31, 2016 | ΚÏοÏσα | 93 96% |
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| May 23, 2016 | bludgeon | 90 77% |
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| May 11, 2016 |  |
TraverseTown | 60 46% |
| May 02, 2016 |  |
Badering | 80 59% |
Displaying 1 to 250 of 674 total ratings: Prev | Next
| Average Percentile 67.03% from 674 Ratings |  |
