My Name Is Oona

Far less critical of gender roles than her other work (that which I've seen at any rate), Gunvor Nelson's My Name is Oona emerged as one of the loveliest works in American cinema of the late 1960s (a time when you could use such terms as 'poetic' and 'cinema' in the same sentence and still maintain a straight face), and remains so to this minute. (blog.brightlightsfilm.com)