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My Winnipeg

My Winnipeg

2007
Drama
1h 20m
Your probable score
Avg Percentile 69.65% from 608 total ratings

Ratings & Reviews

(608)
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Rated 14 Apr 2009
100
97th
Morbidly funny but unmistakably melancholy, My Winnepeg finds Guy Maddin trying desperately but, inevitably, failing to escape the memories of his youth. It's a movie primarily concerned with the perception of the past, presenting nostalgia as both repellent and attractive, presenting the hazy dreamscape of memory as both minefield and cage. Blurring fact and fiction, it suggests that truth isn't found within those disparate realms but within their molten amalgamation in the psyche.
Rated 26 Jun 2021
87
85th
Maddin crying over his hometown hockey rink getting demolished like Charlton Heston at the end of Planet of the Apes. You know what I love about this dude is he's not actually playing 'hard to get', he's straight up telling you what the point of this experiment is. So it's forgiven that he doesn't actually figure anything out. What's effective is the local mythologizing, casting Winnipeg as an eerie nether-space of sleepwalkers, psychic undercurrents, frozen mares.
Rated 19 May 2009
80
84th
My first expierence with Mad Maddin will for sure not be the last. Far from being flawless, My Winnipeg is constantly compelling, impossible to predict and quite simply unlike ANYTHING I have ever seen or experienced. Poetry meets documentary, German expressionism inspired aesthetics goes post modern, and... well - you gotta see it for yourself!...
Rated 17 Jan 2010
87
87th
A look at Winnipeg through they eyes of Guy Maddin is a unique and mesmerizing experience. He throws out factoids that may or may not be true and weaves around them a history of both the city and his life to create a film unlike any other I've seen.
Rated 20 Sep 2009
53
41st
Guy Maddin is a hit/miss affair for me. He aims high with artistic pretense, and while sometimes he achieves something fresh, something more than the sum of its parts, other times it falls flat despite the bells and whistles. My Winnipeg, as its name suggests a personal portrait of the city of Winnipeg, is mostly the latter kind.
Rated 03 Apr 2011
83
77th
Maddin tries to "escape" his hometown of Winnipeg by filming an absurbist, alternate history of it. Whereas Herzog's documentaries sometimes reach for an "ecstatic truth", Maddin seems to be aiming for a "poetic truth". As he does it with his usual brand of humor. Compared to some of his other work, it's not as visually idiosyncratic, but still unlike anything else out there, with stylistic nods to film noir (casting Detour legend Ann Savage earns some bonus points) and Soviet cinema.
Rated 24 Sep 2008
95
87th
Just plain good cinema, the first avant-garde film that I've ever left completely satisfied. Maddin seems like the friendliest man on earth.
Rated 01 Apr 2008
9
94th
"The forks... the lap... the forks... the lap!"
Rated 26 Jul 2008
60
34th
Strange sort-of-documentary (except Maddin cheerfully makes things up throughout the film) is often funny and sometimes quite nice to look at, but overall there's not enough there to justify the feature length.
Rated 19 Nov 2011
80
77th
I watched this for a Canadian Cinema class and I just about imploded like a dying star trying to write about how it is related to another slice of Canadian bacon My Bloody Valentine
Rated 29 Apr 2016
75
59th
A very personally woven film involving a very relatable sense of lost childhood in a life-long home town.
Rated 17 Nov 2010
70
65th
Accomplished and highly original. I haven't found Maddin's films funny before but his narration in this doc-meets-mockumentary-meets-autobiographical essay film is quite hilarious.
Rated 30 Jul 2013
6
86th
maddin fervently, unsuccessfully tries to escape his winnipeg, the heart of the heart of the continent, a sinister dreamscape suspended in memory by an ever-present drape of snow, populated by psychic mothers, sad architecture, a cadre of dead hockey veterans playing on inside a half-demolished stadium. an ode to home both tongue-in-cheek and implicitly sad, its bizarre, dreamy anecdotes and reconstructions universalise its nostalgia as a waking dream we flee and cling to simultaneously.
Rated 02 Nov 2010
60
40th
I'm sure Maddin had to do this very personal work as a form of unbridled self-expression and artistic release, which I believe is immune to criticism. It's something every artist needs to do. So in order to grade this one, I have to do it arbitrarily based solely on my viewing experience. I found My Winnipeg to be an undoubtedly unique and interesting experience but also a tedious and frustrating one as it felt a little too self-indulgent.
Rated 03 May 2017
100
99th
This makes me feel really sad. Maybe I don't know if I share his nostalgia for place, but the agony and the absurdity of it still resonates really deeply. A hypnotising portrayal of Maddin's futile struggle to rationally separate himself from his hazy, distorted attachment to Winnipeg. It's the little, forgettable things that somehow seem to eat away at us, whether they're smells, idiosyncrasies or stupid folklores, and he really captures the way our minds contort them, but won't let go.
Rated 23 Mar 2020
90
93rd
A beautiful love letter. As Maddin tries to rid himself from memories of home he in turn hyper-realizes the wonders and terrors of his childhood. Regardless of how far out he takes his viewers into these wacky subconscious constructs of his hometown, a core truth keeps the film lucid and heartfelt. A tribute to the grounds that raised us.
Rated 10 Sep 2010
100
97th
Whether what is shown in Guy Maddin's film about his home town is true or false is not the main concern, but instead it's a docu-fantasia (on the DVD box) which expresses his concerns and memories of his home with far more sincerity and depth than a straight forward documentary, almost always charming or hilarious because of his narration, and a smorgasbord of visual images. This avoids self-ego completely, which could have easily happened, and is completely heartfelt.
Rated 24 Dec 2013
70
15th
so self-indulgent. so canadian. interesting in terms of style, but style quickly becomes trite when there is no substance to back it up. this is probably my least favourite type of filmmaking. when the filmmaker doesn't acknowledge the audience and makes a film for the purpose of self-expression. the truth is though, nobody else gives a shit about one person's self-expression unless it rings true on a universal level. and this film most certainly didn't.
Rated 04 Nov 2009
85
68th
A bizarre, and tedious exercise.
Rated 01 Feb 2012
77
62nd
I wasn't entirely enthused by the story of the film, but the technical prowess on display made it enjoyable. Many different techniques of trick photography are on display here, even including Indian shadow puppets.
Rated 20 Feb 2016
17
93rd
Star Rating: ★★★★1/2
Rated 12 Aug 2017
95
75th
Guy Maddin's journey into the depths of Canadian madness, which is a pretty hilarious place to be, if you get Guy Maddin. My fave of his
Rated 25 Aug 2009
70
66th
I'm a proud Winnipegger and I enjoyed this movie adding some nice mythology to my home town, but outside of a couple scenes there doesn't seem to be much going on. For the most part the film tries to get by on humour.
Rated 12 Oct 2010
6
95th
I've been hesitant with Maddin, but this was pretty darn special.
Rated 05 Jul 2009
85
80th
For sure it's very very interesting and original. The narration becomes a bit much and sometimes seems forced, like it has to be more poetic than it should be, but then other times he's right on, mixing fact and fiction to create a work that explores memory, nostalgia and ultimately, the difficulty to truly leave your town/city (who you are) and the oppressive nature of this. Really liked the images and the cinematography as well. Also enjoyed his stuff about hockey rinks when he gets angry.
Rated 01 Aug 2016
85
60th
Need to rewatch.
Rated 18 Dec 2011
67
20th
This is a weird film that I only enjoyed parts of it. I assume I would enjoy the movie more if I had ever been to Winnipeg.
Rated 29 Jul 2009
75
32nd
Not bad, not great. I don't know if the color shots work within the context of what Maddin establishes, and I find that Maddin's style can quickly become too repetitive. The two scenes where there was almost no voice-over narration (The seance, deer hitting the car) work the best. This would be a great companion piece with Sans Soleil, which I would bet money Maddin had seen and drew inspiration from. Worth a look.
Rated 16 Feb 2011
35
90th
"The dominant Maddin is the narrating filmmaker, more palpably present than usual in the sound of his voice, bemoaning a lost golden age of his hometown faced absurdities of the tall tale." - Bill Weber
Rated 07 Mar 2011
97
95th
A shining example of film as poetry. Once you're fully drawn in, you're swept along in the film's dreamy current.
Rated 18 Jan 2013
90
90th
The poetic equivalent of a documentary as Guy Maddin presents his feverish dream-like look at what is Winnipeg. We believe every word from Maddin's mouth not because they're true but because Maddin makes them sound true. His narration is so full of passion, kindness, humour, anger, that by the end we are in love with this strange, wonderful town at the heart of the heart of Canada.
Rated 03 Jan 2016
80
81st
watched: 2015, 2018
Rated 08 Sep 2009
100
96th
It's a visual poem more than anything else. I've never seen anything like it before, it's great. At one point Maddin says that he's inventing a new genre of film, which is clearly true. On the whole it's a completely new and invigorating movie experience.
Rated 14 Oct 2010
81
66th
Maddin's dream-like fantasy documentary on his hometown of Winnipeg is one of the more compelling essay-ish films I've ever seen. The film's poetry, visual inventiveness, and ambiguous affection on the part of Maddin for his hometown are its strong suits. Though we may desire it, the film suggests, we cannot escape our past--it helps to define who we are, placing certain limits while making other things possible.
Rated 12 Apr 2009
95
88th
O Canada
Rated 12 Dec 2010
79
65th
killer pug
Rated 21 Feb 2008
85
77th
19 Subat 08,19:30,ifistanbul08 fest. afm salon 1 & Yer yer guldurse de cogunlukla sikici bir belgesel-vari film olmus.Guy Maddin yasadigi yeri anlatmis kendi uslubuyla.Tamam, Guy Maddin'nin uslubunu seviyorum.Fakat bu sefer baskasinin bebeklik fotograflarina bakmak gibi olmus, bizi pek alakadar etmiyor.Cunku onlari yasayanlar biz degiliz ve yasananlar da ogrenilecek kadar ilginc degil.Sonucta ortaya kisisel bir film cikmis. (10 ocak 09: simdi dusunuyorumda oldukce farkli ve etkili bir yapim)
Rated 03 Nov 2011
85
86th
This was just all around brilliant.
Rated 19 Feb 2024
60
39th
Not dissimilar at times to David Blair's enigmatic WAX in concocting strange solipsistic fantasies in a pseudo-documentary mode. Maddin's imagery is hypnotic, and employs a talented editor, but it feels interrupted perpetually by his narration, which I find mildly exasperating. I like the tone of this film, but, as I've said before, I don't find Maddin amusing at all, and kind of wish he'd retain the 'silent' element of his greatest aesthetic influences.
Rated 15 May 2015
60
39th
I think what makes Maddin's movies worthy is their dreamlike scheme which owes a lot to their silence. Through that archaic silence they have a timeless and chaotic poetry. But when he "speaks" like in this movie suddenly all the dream disappears, in that sense "Saddest Music in the World" tells much more about him and his Winnipeg than this too overt movie. I prefer classic Maddin.
Rated 17 Mar 2013
92
90th
an exercise in semiotics, onirism, memories and ghosts that lie within it beautifully crafted into a piece of art
Rated 11 Dec 2015
84
88th
Salt Galata.
Rated 19 Oct 2018
66
59th
Whatever it is Guy Maddin does in these movies I just know I love the hell out of it.
Rated 04 Mar 2019
75
83rd
What an experience. Surrealist memories from the filmmaker's POV beats by-the-numbers fact telling. I was confused at first until I became okay with the idea that this was storytelling. Fav scene: the sheer absurdity but believability of the stuck horses.
Rated 17 Jun 2020
85
87th
teeming with homosexual subtext and all the better for it?!
Rated 22 Nov 2020
85
74th
The intimacy of a memory reel is unmatched, more so with the melancholic narration of it's beholder. Painted how I'd imagine my own portraits streamed together, this is wonderful.
Rated 20 Feb 2021
80
64th
Em honra do centenário de Ann Savage. Melhor que um bom documentário, apenas um excelente mockumentário, o que é caso desse aqui que não traça uma linha entre a realidade e fantasia em termos de filmes autobiográficos e que torna tudo muito mais interessante. BlurayRip no MakingOff.
Rated 02 Mar 2021
8
72nd
I first saw The Forbidden Room and hated it, but this was excellent. I'll have to check out his other stuff. *update*: I did not like his other stuff lol.
Rated 05 Jul 2021
70
24th
Another personal documentary-ish film from a Canadian filmmaker in the same lineage as Polley's "Stories We Tell", it's a creative, haunting saunter through Winnipeg and Maddin's life in it. Equal parts self-expressive and self-indulgent, while it's certainly a notable piece of cinema, how much it held my interest is another matter.
Rated 26 Jul 2021
75
44th
I think the best way to experience this is to just mute it and put on some ambient music. Maddin's narration is insufferable.
Rated 27 Oct 2022
86
80th
One of the most utterly unique films I’ve ever seen, a hilarious and poignant mixture of video essay, history lesson, Tim Rogers story, magical realism, and pure absurdism.
Rated 27 Apr 2023
80
68th
It's really fitting that Maddin's version of Winnipeg gets blended with and somewhat lost in my own. The way he depicts the hazy, dreamy nature of snowy winter streets at night is so dead on.

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