Never Rarely Sometimes Always (2020)
A pair of teenage girls in rural Pennsylvania travel to New York City to seek out medical help after an unintended pregnancy. (imdb)
Genre: Drama
Directed By: Eliza Hittman
Written By: Eliza Hittman
Starring: Ryan Eggold, Théodore Pellerin, Sharon Van Etten, Sidney Flanigan, Talia Ryder, Drew Seltzer, Kim Rios Lin
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Never Rarely Sometimes Always belongs to 8 collections
1. Female Directors (public: moderated by djross - 83 stars)
2. -On My Radar (public: moderated by KasperL - 1 star)
3. New York Film Critics Circle Award for Best Actress (public: moderated by CCLZA)
4. 2020: Year in Review (private: Mag832801)
5. Dämon 2020 (private: caffe)
6. Best by different standards (private: sesito71)
7. The AV Club's 25 Best Films of 2020 (private: TychoCelchuu)
8. Misty Bisty (private: Russ Bedford)
Browse the full list of collections
| Date | User | Rating | |
| Jan 26 |  |
ÖzcanEfe | 83 91% |
| Jan 26 | caffe | 86 89% |
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| Jan 26 |  |
Luk92 | 75 64% |
| Jan 26 |  |
nforvendetta | 78 86% |
| Jan 26 |  |
joel-w-m | 90 97% |
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The oppressive environment weighs so heavy here: the stream of normalized wounds is endless (see "slut" x2, creep manager) and becomes a flood of pain and tears during the titular scene and the reach around the pillar. Riveting and heartbreaking with its subtle script, intimate cinematography, delicate soundtrack, quietly powerful performances, and absence of a happy or climactic ending. Fuck the patriarchy and fuck any male defensiveness taking the place of empathy in reaction to this film.
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| Jan 25 | umut14441 | 70 0% |
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| Jan 25 |  |
BigMacCombo | 70 24% |
| Jan 24 | wordsdreams | 60 46% |
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| Jan 24 | ilkkut | 84 78% |
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| Jan 24 | overlay | 56 33% |
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| Jan 22 | InnokentiyBu | 72 39% |
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| Jan 20 | HakkaMex | 7 70% |
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| Jan 19 | qaMDaU | 100 0% |
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| Jan 17 |  |
korbenPL | 34 29% |
| Jan 15 | nasstaran | 45 3% |
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| Jan 15 |  |
Sesilya | 85 73% |
| Jan 15 | testaccount5 | 9 88% |
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| Jan 15 |  |
Florin92 | 78 82% |
| Jan 14 | electric | 85 82% |
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| Jan 14 |  |
Corbad | 90 96% |
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A film absolutely powerful in its intimacy. Natural performances and lighting and a soft touch behind the lens give its all-too-real content an almost documentarian quality that simply aches in its subtleties. The touch around the pillar, the shared suitcase on the escalator, the makeup in the bathroom—these quiet scenes and tiny moments overwhelm the heart while the titular scene midway through utterly rends it. Also, this film is *not about men*, so quit complaining.
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| Jan 13 |  |
rklenseth | 80 80% |
| Jan 13 |  |
annie | 75 80% |
| Jan 13 | MRacle | 72 38% |
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| Jan 13 | Gerdium | 80 56% |
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| Jan 13 | Leafs81215 | 84 86% |
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| Jan 12 |  |
hemestnt | 75 29% |
| Jan 12 |  |
PietHeijn | 65 71% |
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Natural & powerful, although sometimes lacking in subtlety in its portrayal of men (understandble but still). Made me feel like shit for most of the running time.
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| Jan 11 |  |
Kurtz | 5 74% |
| Jan 11 |  |
_sem | 86 51% |
| Jan 11 |  |
SpeedlimiT | 53 18% |
| Jan 11 |  |
CCLZA | 80 76% |
| Jan 10 | bones_r | 80 79% |
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| Jan 10 | schedrevka | 94 94% |
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| Jan 09 |  |
biftek | 50 16% |
| Jan 08 | Dr.N0 | 83 74% |
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| Jan 07 | seymasylk | 81 60% |
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| Jan 07 |  |
filmdoc | 65 32% |
| Jan 06 | chengming | 70 62% |
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Solid filmmaking and good acting, but the only way I can understand the excitement this is generating on year-end lists is that the listmakers haven't been paying a lot of attention to the European festival circuit (or even American indies). The questionnaire scene is very powerful.
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| Jan 06 | besteyild | 73 38% |
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| Jan 06 |  |
Antunder | 71 75% |
| Jan 06 |  |
greekgrits | 87 81% |
| Jan 04 | Burak Yaşar | 70 22% |
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| Jan 03 |  |
ehk2 | 51 69% |
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some very disturbing situations "some/"many" women rarely/sometimes/always have to face. Yet, are we the men, really categorically all brutes/creatures trying to exploit women on every occasion? I saw this sisterhood thing in this year's Russian film "Beanpole", too. Are we all savages?
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| Jan 03 |  |
SpaceSpiff | 86 44% |
| Jan 03 |  |
istpielbergg | 85 58% |
| Jan 03 | dzacharyt | 17 81% |
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| Jan 03 | jeremyjacob | 64 60% |
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| Jan 03 |  |
cancezayirli | 70 49% |
| Jan 03 |  |
Aron Ericson | 82 93% |
| Jan 03 |  |
matty5190 | 64 9% |
| Jan 02 |  |
selinozcelik | 85 82% |
| Jan 02 |  |
REDO1 | 75 46% |
| Jan 01 | nunobar | 50 26% |
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| Dec 31, 2020 | wizard81 | 68 31% |
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| Dec 31, 2020 |  |
Eastwood | 85 67% |
| Dec 31, 2020 | CesarCastag (CinePlayers.com) | 70 50% |
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| Dec 30, 2020 |  |
EricDSnider2 | 88 83% |
| Dec 30, 2020 |  |
kubrickvari | 57 32% |
| Dec 30, 2020 |  |
hamidallen | 2 0% |
| Dec 29, 2020 | Tiffler | 83 54% |
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| Dec 29, 2020 |  |
focak248 | 27 1% |
| Dec 29, 2020 |  |
muratkrks | 70 59% |
| Dec 29, 2020 |  |
CStuckmann | 92 76% |
| Dec 29, 2020 |  |
selingoknar | 75 65% |
| Dec 29, 2020 |  |
REdotcom | 35 84% |
| Dec 29, 2020 | wuigee | 70 46% |
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| Dec 29, 2020 |  |
wetwillies | 85 57% |
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Viewed December 28, 2020.
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| Dec 28, 2020 | izideve | 85 90% |
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| Dec 27, 2020 |  |
bof | 81 86% |
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What strikes me about this is how little is ever *said* in this film. She follows the social contract, which requires that this is something girls simply have to deal with themselves, and everyone already knows how it goes. Only when an actual, printed script is introduced is she forced to put words on it for a few minutes before slipping back into low-key survival mode - no great resolution, no riding off into new life, just a dodged bullet.
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| Dec 27, 2020 |  |
egehany | 75 38% |
| Dec 26, 2020 |  |
SedaB | 85 78% |
| Dec 26, 2020 |  |
fkaraman | 75 61% |
| Dec 26, 2020 |  |
jagarnyfiken | 74 65% |
| Dec 26, 2020 |  |
SageSledge | 100 91% |
| Dec 25, 2020 |  |
Melhouse | 80 56% |
| Dec 25, 2020 | tde | 80 79% |
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| Dec 25, 2020 | aaytekin | 79 88% |
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| Dec 25, 2020 |  |
meIih | 75 40% |
| Dec 25, 2020 | strangelime | 90 82% |
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| Dec 24, 2020 |  |
me7ecnt | 8 74% |
| Dec 23, 2020 |  |
brkshn | 75 60% |
| Dec 23, 2020 | palfi | 65 28% |
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| Dec 22, 2020 |  |
yigityilmaz | 8 82% |
| Dec 22, 2020 |  |
KenarZencisi | 80 63% |
| Dec 21, 2020 |  |
tehmarvelman | 82 35% |
| Dec 20, 2020 | btanrikulu | 60 47% |
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| Dec 20, 2020 | bilgesucakir | 75 47% |
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| Dec 20, 2020 | mesqueunclup | 75 40% |
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| Dec 20, 2020 | anial | 81 69% |
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| Dec 19, 2020 |  |
Taha Durmuş | 75 53% |
| Dec 19, 2020 | debaser1985 | 74 77% |
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| Dec 19, 2020 |  |
cryteno | 7 60% |
| Dec 19, 2020 |  |
serenadsiir | 70 26% |
| Dec 19, 2020 |  |
asperastrum () | 84 78% |
| Dec 18, 2020 |  |
hsncomert | 75 79% |
| Dec 18, 2020 | shahin19 | 78 64% |
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| Dec 18, 2020 | Ian Asia | 30 72% |
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| Dec 17, 2020 |  |
feritdgn | 80 75% |
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Never Rarely Sometimes Always, sadece bu yılın değil, son zamanların da en güçlü dramalarından biri. Sert gerçekçi yapısıyla tanık olduğumuz bu küçük yolculuk, hayatın karanlık, rahatsız edici ve zorlayıcı yönlerini, duygusal bağlamda yoğun ve başarılı bir şekilde aktarıyor, dinginliğiyle etkiliyor. Çok sevdim.
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| Dec 17, 2020 |  |
norval_jones | 81 72% |
| Dec 16, 2020 |  |
TrixRabbi | 80 69% |
| Dec 16, 2020 | Tortuga | 80 64% |
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| Dec 16, 2020 |  |
natebarrios | 70 54% |
| Dec 16, 2020 |  |
RTAudience | 20 7% |
| Dec 15, 2020 |  |
gunay | 91 47% |
| Dec 15, 2020 |  |
capodelnulla | 60 41% |
| Dec 15, 2020 |  |
seroş | 82 10% |
| Dec 14, 2020 | cinatic | 99 91% |
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| Dec 13, 2020 | spoiledff7 | 84 74% |
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| Dec 12, 2020 |  |
Methouse | 80 72% |
| Dec 12, 2020 | elhenzo | 85 78% |
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| Dec 12, 2020 |  |
90sCoffee | 75 59% |
| Dec 10, 2020 | sspiegel | 73 53% |
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| Dec 08, 2020 |  |
clowngirl | 68 54% |
| Dec 08, 2020 | jsmith2585 | 45 87% |
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| Dec 07, 2020 |  |
Shadrik | 80 83% |
| Dec 07, 2020 |  |
TraverseTown | 70 67% |
| Dec 06, 2020 | shanebarlow3 | 86 88% |
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| Dec 04, 2020 |  |
mddthedoc | 80 80% |
| Dec 03, 2020 |  |
furyslefteye | 86 85% |
| Nov 30, 2020 | seantaylxr | 76 66% |
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| Nov 26, 2020 |  |
glumpy_99 | 68 27% |
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Meandering, fly-on-the-wall character portrait; at its best following Flanigan's navigation of the sometimes subtle, rarely overt interrogatory barriers present in seeking a safe abortion - unfortunately a blunt portrait of a society full of irredeemable men lacks the subtlety and finesse of the telling of the abortion odyssey and drags things down from time to time. Fine, naturalistic performances from Flanigan and Ryder create a genuine verisimilitude, even when the screenplay lets them down.
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| Nov 22, 2020 | ethsings72 | 70 47% |
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| Nov 22, 2020 |  |
uarrecep | 90 78% |
| Nov 22, 2020 |  |
Nathan | 80 79% |
| Nov 17, 2020 | thatgreatwar | 79 77% |
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| Nov 16, 2020 | sergiosp | 85 78% |
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| Nov 14, 2020 |  |
PrestoBix | 78 50% |
| Nov 13, 2020 | eattherude | 75 56% |
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| Nov 13, 2020 |  |
kadikoy | 80 88% |
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17 yaşında genç kız, hamile olduğunu öğrenir. Kürtaj olmak için New York'a gider. Riskli konusu, abartısız oyunculukları ve tedirgin edici kurgusuyla film izletiyor. Soğukkanlı 1 film. Ama yavan olduğu da söylenemez. Genç çocukların dikkat etmesi gerektiğini zamanında çekilmiş 1 film. Filmin sonunda, kurtuluş var. Özgürlüğe giden yolda Asla Nadiren Bazen Daima. Tavuk kazandı.
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| Nov 13, 2020 |  |
acrolyne | 82 55% |
| Nov 10, 2020 |  |
Moribunny | 68 69% |
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Restrained considering the subject, and narrowly escapes the shadow of Cristian Mungiu. It's no masterpiece - having but one truly great scene - but otherwise it's a fine American indie with very few missteps, portraying the real life of young women in the U.S.
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| Nov 06, 2020 |  |
Thegoodboy | 52 36% |
| Nov 05, 2020 |  |
pluviophile | 40 3% |
| Nov 03, 2020 |  |
LB94 | 84 84% |
| Oct 29, 2020 | flipperrbm | 6 74% |
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| Oct 24, 2020 | Liquefied | 66 48% |
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| Oct 24, 2020 |  |
brianstorm | 69 61% |
| Oct 23, 2020 |  |
alexlma | 8 75% |
| Oct 23, 2020 | fivetricks | 60 20% |
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| Oct 22, 2020 |  |
thesuburbs | 85 85% |
| Oct 21, 2020 |  |
TheRealJ-Ro | 65 31% |
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Themes and events in this movie will resonate personally with a lot of viewers. For me, there are a few minor annoyances that keep me from liking this as much as I could, which is a shame because some scenes in this are rather good, especially the titular scene that many have pointed out. They *almost* had a redeemable male character in there; so close, yet so far. I guess I'll settle for the bus driver. This has relevant things to say; I just wish it didn't always choose caricature to say them.
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| Oct 19, 2020 |  |
CoinQuatro | 70 74% |
| Oct 15, 2020 | rr30 | 8 51% |
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| Oct 10, 2020 |  |
daffodil907 | 72 69% |
| Oct 02, 2020 | tcclemson | 80 77% |
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| Sep 28, 2020 |  |
moviepoop | 81 85% |
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Neyse o olan, olduğundan daha fazlası olmak için çabalamayıp sadeliği ile başarılı bir anlatı ortaya koyan yapım.
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| Sep 28, 2020 |  |
Dthepyek | 48 50% |
| Sep 24, 2020 |  |
sepid | 74 35% |
| Sep 23, 2020 | JZ17 | 69 45% |
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| Sep 23, 2020 |  |
FoxyRussian () | 95 90% |
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A quiet touching movie. The scene the title comes from is easily my favorite scene of the year and of recent memory. It's hard to not be touched and feel what the characters are feeling in the moment. Being scared at strangers, fearful of who to trust in the abortion process, not knowing where they'll sleep. It's crazy the power of "Show Don't Tell" and how much this movie succeeds at using it.
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| Sep 19, 2020 | mvsilva | 81 63% |
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| Sep 18, 2020 | EmiGrecco | 70 0% |
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| Sep 17, 2020 | leemarvins | 82 75% |
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| Sep 17, 2020 | hairchow | 75 68% |
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| Sep 17, 2020 | kode | 86 80% |
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| Sep 16, 2020 | invention | 5 87% |
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| Sep 12, 2020 | toro913 | 70 76% |
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| Sep 09, 2020 | jbourgard | 97 0% |
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A story beautifully filmed of a reality that seems to be more common than it should. Everyone should watch this movie before forming an opinion about abortion.
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| Sep 08, 2020 |  |
sergebarber | 40 35% |
| Sep 07, 2020 | Pleveen | 97 97% |
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| Sep 07, 2020 |  |
WWallce4prez | 78 65% |
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An incredibly powerful story that is small in scope but soars with its small moments. Eliza Hittman tackles each mundane step in Autumn's plight with the utmost care with result being a completely immersive experience. Everything is gritty and removed until a scene halfway through that is heartbreaking. Sidney Flanigan has all of thirty lines of dialogue but her eyes give away plenty in a very impressive debut.
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| Sep 05, 2020 | terrylaire | 60 48% |
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| Sep 04, 2020 |  |
Teproc | 64 58% |
| Aug 31, 2020 | worleyjamers | 75 78% |
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| Aug 29, 2020 | diiren | 75 42% |
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| Aug 29, 2020 | rydmcalboy | 87 76% |
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| Aug 28, 2020 | Edsep | 90 91% |
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| Aug 27, 2020 | cheemsburger | 8 69% |
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| Aug 26, 2020 | ericambler | 79 74% |
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| Aug 17, 2020 |  |
nealaka | 70 25% |
| Aug 12, 2020 |  |
aalp | 9 94% |
| Aug 10, 2020 | kissgyozi | 80 71% |
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| Aug 08, 2020 |  |
tramploo | 82 67% |
| Aug 08, 2020 | mzonder | 60 47% |
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| Aug 03, 2020 |  |
Leffingwell | 80 81% |
| Aug 03, 2020 | biff | 80 70% |
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| Aug 02, 2020 | NevinLiu | 81 73% |
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| Jul 30, 2020 |  |
Hofschneider | 92 94% |
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When the questionnaire forces her so see the abuse through the eyes of a healthy soul and how her environment taught her to internalize and normalize it. Heartbreaking.
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| Jul 29, 2020 |  |
Laddie Bird | 60 47% |
| Jul 28, 2020 | blucthulhu | 80 80% |
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| Jul 27, 2020 | Reavic | 70 82% |
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| Jul 21, 2020 |  |
SPM_Liam | 80 72% |
| Jul 20, 2020 | tiduraes | 80 50% |
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| Jul 20, 2020 | Geniasis | 91 76% |
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| Jul 19, 2020 |  |
Mekka | 90 94% |
| Jul 18, 2020 |  |
thewire | 85 82% |
| Jul 16, 2020 | sprfede | 45 18% |
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I like the concept, the acting and there are a few great scenes, but overall the film is extremely one-dimensioned, and has a lot of dead time. Not gonna blame it entirely on the editing, but the cutting did seem to lack purpose and stay overly long on irrelevant shots. Seemed a little indulgent a project.
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| Jul 15, 2020 | baranc | 80 77% |
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| Jul 13, 2020 |  |
doyone | 80 70% |
| Jul 07, 2020 |  |
zehra | 70 32% |
| Jul 05, 2020 | jpotII | 6 4% |
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| Jul 03, 2020 |  |
Omid Ranjbar | 29 17% |
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به هیچ عنوان موضوعاتی همچون شک در بارداری. سقطجنین. بررسی تعارض و باکرگی. ترنسسکسوالیتی. بلوغ زودرس جنسی که همراه با رویکردهای فمنیستی باشد را نمیپسندم. این نوع نگرشها بیشتر خوراک فستیوالها هستند تا میل مخاطب. فیلم الیزا هیتمن شاید مسئله قابل تاملی را دنبال کند اما...
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| Jul 01, 2020 |  |
numan | 76 66% |
| Jun 28, 2020 | Nacho353 | 40 37% |
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| Jun 28, 2020 |  |
TAYLOR-MANIA | 80 51% |
| Jun 22, 2020 |  |
moss piglet | 7 79% |
| Jun 20, 2020 |  |
vishal8492 | 55 58% |
| Jun 18, 2020 |  |
jeff_v | 68 53% |
| Jun 17, 2020 |  |
ShadiAfarin | 80 41% |
| Jun 15, 2020 |  |
kk3thess | 75 75% |
| Jun 14, 2020 |  |
sacmersault | 78 75% |
| Jun 14, 2020 |  |
clayj41 | 60 30% |
| Jun 13, 2020 | D Lightman | 70 70% |
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| Jun 13, 2020 |  |
HobbesZ | 75 52% |
| Jun 13, 2020 |  |
Litigator | 70 75% |
| Jun 12, 2020 | Natflix | 90 76% |
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| Jun 12, 2020 | qwertyes | 60 48% |
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| Jun 10, 2020 | andycarhart | 83 92% |
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| Jun 09, 2020 |  |
snogs | 50 17% |
| Jun 08, 2020 | kathi | 90 91% |
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| Jun 07, 2020 |  |
FreddieQuell | 78 72% |
| Jun 06, 2020 |  |
DBibby | 80 66% |
| Jun 04, 2020 |  |
ilkyaz | 75 60% |
| Jun 02, 2020 |  |
ZephSilver | 60 53% |
| Jun 01, 2020 | cembo | 85 83% |
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| May 31, 2020 |  |
emreco | 75 79% |
| May 31, 2020 |  |
Licio | 82 57% |
| May 29, 2020 | EllenMarie79 | 86 30% |
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| May 25, 2020 | danialinho | 71 77% |
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| May 24, 2020 |  |
esraylmz | 80 16% |
| May 24, 2020 |  |
scott.mcc | 70 63% |
| May 21, 2020 |  |
El99can | 68 37% |
| May 20, 2020 |  |
YigitAta | 4 74% |
| May 18, 2020 |  |
P u l p | 69 63% |
| May 18, 2020 | zwyk | 60 34% |
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The interview with the counselor is a great scene; other than that is just an average work. The movie tries to look realistic, and to a certain extent it is, but part of the social portrait is closer to caricature than reality.
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| May 16, 2020 |  |
dequinix | 70 73% |
| May 14, 2020 |  |
TheShiznit | 60 78% |
| May 13, 2020 |  |
DarrenCB | 90 85% |
| May 10, 2020 |  |
mert2707 | 61 41% |
| May 10, 2020 |  |
Marielou | 78 50% |
| May 08, 2020 |  |
arrow-s | 71 54% |
| May 07, 2020 |  |
bobyang | 80 72% |
| May 07, 2020 |  |
Asm Nabil | 75 61% |
| May 06, 2020 |  |
meliorism | 70 50% |
| May 05, 2020 |  |
Mist600 | 55 16% |
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Dry, grim, sterile watch | Feels more quasi-mentary than cinema: Shaky closeup, bare camera. Noises LOUD & no music: Willfully ‘real’ to point of artifice! (The Office minus jokes) | V valid agenda but didn’t need ONLY it, ground in face for 2hrs | (BTW, as a man: Is that how U see us ALL? | Still, U cannot deny the acting (esp in Manhattan interview) - Title is awkward yet smart || Least cinematic film I’ve seen - would actually suffer from the big screen
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| May 04, 2020 |  |
psim | 80 73% |
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A sobering portrayal of the lengths that a young woman must go to in order to exert even a tiny amount of control over her own life. It reminded me of the great 4 Months, 3 Weeks, 2 Days, but with the added horror of taking place now (and in a supposedly progressive country).
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| May 04, 2020 | frazzydee | 78 49% |
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| May 03, 2020 | sandman248 | 80 63% |
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| Apr 30, 2020 |  |
jacqueskit | 70 59% |
| Apr 30, 2020 |  |
LuxNatalis | 81 92% |
| Apr 29, 2020 |  |
buttercup | 7 57% |
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this might be as good as a teenage pregnancy movie can get.
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| Apr 29, 2020 |  |
Giselly | 65 11% |
| Apr 29, 2020 | account2 | 44 20% |
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| Apr 29, 2020 |  |
felipelahm | 75 80% |
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Not quite the Dardenne's feminine drama some painted, but pretty solid in its own terms. This is of course a world of pain for women, and hideous men are all over -- dad, boss, dude they meet on the road, pervert on the NYC sub --, but this plays as sharp as a knife, more interested in scary, brave eyes facing big decisions -- go to NY, have an abortion, hide it from mom, who also struggles with a lot (drunk husband, other kids) -- than straightforward, talky teen drama. Flanigan is a blast.
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| Apr 29, 2020 |  |
ludymylla | 72 50% |
| Apr 29, 2020 |  |
NhanLa | 60 38% |
| Apr 27, 2020 |  |
lessismore | 65 20% |
| Apr 25, 2020 | Fryter | 69 30% |
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| Apr 24, 2020 |  |
alidwd | 75 59% |
| Apr 23, 2020 |  |
ibrahimbars | 69 58% |
Displaying 1 to 250 of 317 total ratings: Prev | Next
| Average Percentile 60.75% from 317 Ratings |  |
