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Nobody Walks

Nobody Walks

2012
Drama
1h 23m
Martine, a 23-year-old artist from New York, arrives in Los Angeles to stay in the pool house of a family living in the hip and hilly community of Silver Lake. Peter, the father, has agreed to help Martine complete sound design on her art film as a favor to his wife. Martine innocently enters the seemingly idyllic life of this open-minded family with two kids and a relaxed Southern California vibe. (mubi.com)
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Nobody Walks

2012
Drama
1h 23m
Your probable score
Avg Percentile 21.31% from 99 total ratings

Ratings & Reviews

(99)
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Rated 24 Sep 2012
15
5th
Nobody cares. A slow-paced observation that manages to be overlong running in at under 80 mins; it never gets invovling or interesting, just irritating. *Preview*: #12#, exp-3*, story, Olivia.T/7-3, Jane.L/6-3, R1.
Rated 12 Jan 2013
34
6th
-.-'
Rated 30 Jan 2013
74
33rd
Russo-Young and Dunham's collaboration collects the usual elements of a modern American indie drama: analysis of the family; attractive cast and locations; sensitive music; nice cinematography. But something is amiss with the pacing, and it's frustrating watching so many things about to happen but never really doing so, in a spatially and temporally dislocated world. The character of Martine feels so incomplete; she has vulnerability, and chemistry with men, but surely there must be more to add?
Rated 24 Jun 2013
45
11th
Competently made, but lacks any driving force. The characters just sort of exist and the events just sort of happen. It's like the movie version of a story written entirely in the passive voice.
Rated 10 Aug 2013
1
9th
Boring with about 12 capital R's. BoRRRRRRRRRRRRing! I love John Krasinski's character Jim Halpert from The Office, John Krasinski was even pretty good in as Ben Murphy in License to Wed, but his career's about to run aground unless his manager realizes The Script needs to have good stuff in it for the film to turn out good!
Rated 24 Nov 2013
15
5th
Pain to watch
Rated 19 Mar 2014
52
49th
This actually isn't that bad, even though the glossiness really doesn't do Russo-Young's continual focus on unlikable characters any favors. At best it's the sort of melodrama Susanne Bier tends to make. At worst it's, well, pretty much the whitest movie ever. If it's a subtle east coast critique of (perceived) west coast vacuousness it might be slier than i can give it credit for. Bonus points for Margo Guryon and Small Black on the soundtrack. Also, nice Nord, John...

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