One Night in Miami (2020)
One Night in Miami is a fictional account of one incredible night where icons Muhammad Ali, Malcolm X, Sam Cooke, and Jim Brown gathered discussing their roles in the civil rights movement and cultural upheaval of the 60s. (imdb)
Genre: Drama
Country: USA
Directed By: Regina King
Written By: Kemp Powers
Starring: Michael Imperioli, Randall Newsome, Beau Bridges, Aldis Hodge, Lance Reddick, Eli Goree, Leslie Odom Jr., Kingsley Ben-Adir, Nicolette Robinson, Emily Bridges, Hunter Burke, Robert Stevens Wayne
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One Night in Miami belongs to 8 collections
1. Female Directors (public: moderated by djross - 83 stars)
2. Academy Award - Oscar - ALL Best Picture, Directing, Acting & Screenplay Nominees (public - 23 stars)
3. List: Empire's five star movies (public: moderated by KasperL - 20 stars)
4. 2021 Academy Awards: Nominated Feature Films (public: moderated by joel-w-m - 2 stars)
5. 78th Golden Globe Awards: Nominated (2021) ☐ (public: moderated by 5Z5qjRCfM2)
6. Amazon Studios (public: moderated by ramynoodle)
7. 2021 Films Seen (private: seals)
8. 2021 Oscar (private: Ozancan)
Browse the full list of collections
| Date | User | Rating | |
| May 09 | crtsjffrsn | 50 35% |
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| May 09 | rateesh | 58 9% |
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| May 07 |  |
pileofzack | 76 44% |
| May 05 | Berni89 | 79 39% |
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| May 05 |  |
Kortee | 55 22% |
| May 02 |  |
Grouchy | 74 35% |
| May 01 |  |
Sweet Leaf | 70 47% |
| May 01 | mjoc0723 | 50 41% |
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Too long and quite boring after the first 30 minutes.
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| Apr 29 |  |
twernt | 8 85% |
| Apr 29 | Rafael Gluz | 60 30% |
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| Apr 28 | nunobar | 52 31% |
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| Apr 28 | TestTest2 | 60 50% |
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| Apr 28 |  |
psim | 68 22% |
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I don't think every film about history needs to be a history lesson, but if you're not already sold on it by the premise of these four famous people meeting for a group discussion (or might not even know anything about them), this movie is probably not for you. The cast is great and the discussions get more interesting as you get deeper into the movie, but it takes a good long while to get going.
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| Apr 26 | boysanilar | 75 41% |
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| Apr 25 |  |
selinozcelik | 73 40% |
| Apr 25 | Rafael Reis | 72 24% |
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| Apr 25 |  |
isleyenelif | 67 13% |
| Apr 24 |  |
Pats_London | 75 39% |
| Apr 24 |  |
erkayama | 75 64% |
| Apr 24 | xibalba0 | 70 38% |
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| Apr 24 |  |
hellonearth | 70 57% |
| Apr 24 | merve73 | 75 27% |
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| Apr 23 |  |
murtyrock | 70 56% |
| Apr 22 |  |
monclaro | 70 65% |
| Apr 21 |  |
kadikoy | 70 74% |
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1 boksör, 1 şarkıcı, 1 sporcu ve 1 aktivist buluşursa. 4 ünlü siyahi arkadaş, Muhammed Ali'nin başarısı için otelde buluşurlar. Kendi içlerinde 1 hesaplaşma başlayacaktır. Oyuncu performans filmi olarak izlediğimiz yapım, farklı olduğu kadar, aşırılıktan kaçmamış. Sistem eleştirisi başarılı. Tek mekanda geçen film, ilk 20 dakikasını karakterler ile tanıştırıyor. Filmin sonunda, hepimiz kardeşiz. Ben pastadan pay istemem. Pastanın tarifini yaparım
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| Apr 21 |  |
mattorama12 | 60 35% |
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I sort of feel like I saw a different film than everybody else. Everything just screamed stage play and I thought even the performances were a little ham fisted, with the exception of Leslie Odom Jr's Cooke. Nonetheless, it was interesting to really think about these four icons getting together and the impact it had on them, and by extension, the civil rights movement.
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| Apr 20 |  |
hsncomert | 35 21% |
| Apr 20 | aaytekin | 74 41% |
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| Apr 19 | tde | 76 32% |
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| Apr 19 |  |
SPM_Liam | 70 42% |
| Apr 19 |  |
sproost | 60 44% |
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Circumstances surrounding my physical and mental exhaustion dictated that I’ve experienced 50% of this movie with my eyes closed (unasleep), and I must say that the dialog, at no point, felt real at all. No matter how hard the handsome cast (I noticed during the other 50%) tries. This is a pretty disappointing feat for a movie that takes place in a hotel room and is all about the dialog? Maybe a better script could have convinced me that this was an interesting or important meeting.
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| Apr 19 | DennisJ1976 | 44 17% |
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| Apr 19 |  |
1903 | 60 37% |
| Apr 19 | crmassari | 71 72% |
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| Apr 19 | seantaylxr | 60 30% |
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| Apr 18 | bones_r | 70 55% |
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| Apr 17 |  |
Laddie Bird | 75 72% |
| Apr 17 | cayh | 75 60% |
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| Apr 16 | Ram0n | 77 72% |
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| Apr 14 |  |
KasperL | 60 50% |
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Assured direction and well-crafted performances. It's a good film.
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| Apr 14 | FinedPrint | 40 83% |
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| Apr 14 | sabito | 35 40% |
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| Apr 13 |  |
sellos | 69 43% |
| Apr 13 | mamaska | 65 25% |
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| Apr 11 |  |
War Machine | 62 24% |
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XthinksSnotdoinpart-correctshim/youdontbelonglol+Sdontwantapieceofthepiewantstherecipe+XwantedMinownnewgroup+ChangeGon'Come
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| Apr 10 |  |
numan | 73 58% |
| Apr 10 |  |
cankutozturk | 74 37% |
| Apr 10 | truyc | 70 44% |
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| Apr 08 | Teacher | 60 39% |
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| Apr 08 |  |
kk3thess | 65 49% |
| Apr 07 |  |
FoxyRussian () | 86 62% |
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Seriously this movie only got one acting nomination? Shocked all 4 main leads didn't get respective nods. One night in Miami suffers from the classic "based on a play" syndrome, but the script is so well written it's a play I now desperately want to see. The lives of these 4 men are all deserving of movies in there own right (some already had), so it's refreshing to get a smaller scope, mostly one location take of hearings ideas crash and there different viewpoints of fighting for the same goal
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| Apr 07 |  |
joel-w-m | 70 43% |
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A snappy film (filler character intros aside) with a unique historical/thematic approach to the plight of Black people in the 60s. It's well-acted (Ben-Adir's multi-faceted turn is a highlight) and looks good, but while Clay's youthful energy and Brown's quiet wisdom each pair nicely with the main sparring partners X and Cooke to create some more interesting interplay, they ultimately feel like spectators to the film's dramatic centre, so a tighter focus in the script would've been good.
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| Apr 07 |  |
Corbad | 75 66% |
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The additions for film (the boxing matches, etc.) never feel necessary; it’s the scenes in the room that compel. Even inside an ugly motel, the film is never ugly: it’s shot well, and no scene takes too long. Some of the transitions and segments feel theatrical, a bit stilted, but the compelling subjects and the performers’ strong efforts keep any from dragging. Never transcendent, but interesting.
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| Apr 06 |  |
oguzhnakkaya | 52 29% |
| Apr 04 | CiEmPank | 79 69% |
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Атмосфера - 3 Нарратив - 2 Сценарий - 3 Сюжет - 2 Саундтрек - 3 Актерская игра - 2 Эмоции - 2 Синематографи - 2 Визуал - 2 Флоу - 3 Звук - 2 Выполнение своей цели - 3 Продакшн дизайн - 2 Костюмы - 2 Монтаж - 2 Целостность - 3
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| Apr 03 |  |
tipieserozge | 70 71% |
| Apr 02 |  |
alidemirbas | 72 73% |
| Apr 01 | ArinMB | 80 36% |
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| Apr 01 |  |
AnnieHall | 90 74% |
| Apr 01 | simkass | 54 7% |
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| Apr 01 | anial | 73 44% |
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| Mar 30 |  |
Phelipe | 77 65% |
| Mar 30 |  |
gulnur | 85 89% |
| Mar 30 | PruthviG | 70 61% |
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| Mar 29 |  |
Kerfoot32 | 39 42% |
| Mar 29 |  |
Tiago Vieira | 60 22% |
| Mar 28 |  |
glumpy_99 | 96 90% |
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Brilliant screenplay does what all great literate scripts do: give a convincing evocation of its time and place while still speaking to the concerns of the contemporary climate. King's direction never feels claustrophobic or stagey, and she elicits great performances from her dynamic foursome; Ben-Adir (the anchor of the piece) is an aching X, though Odom's conflicted Cooke sneaks up as the poignant scene stealer. Beautifully ugly, set-the-stage cameo from Bridges is also a memorable highlight.
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| Mar 26 |  |
Cebion | 70 30% |
| Mar 23 |  |
flowing | 35 22% |
| Mar 22 |  |
peyrin | 70 56% |
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1960s figures delivering 2010s dialogue. Takes some suspending of disbelief to get into the idea that these historical figures are each exclusively talking about the few things that make them notable on Wikipedia, but I do like the script overall so it's not as big of a problem as I'm making it sound. Direction is nothing to write home about but that's par for the course on stage play adaptations.
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| Mar 22 |  |
patrickped | 75 62% |
| Mar 21 |  |
YMS (Adum) | 60 50% |
| Mar 21 |  |
Mpython | 7 57% |
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7+
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| Mar 21 |  |
jalanb | 80 77% |
| Mar 21 | leemarvins | 72 47% |
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| Mar 20 | freyr_rabbit | 80 48% |
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| Mar 20 |  |
MC23 | 70 35% |
| Mar 20 | f_ranzen | 66 61% |
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| Mar 20 | Mixtzin | 3 61% |
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| Mar 18 |  |
Nathan | 64 39% |
| Mar 16 |  |
Yoshinaruto | 60 43% |
| Mar 16 |  |
Carlospro | 65 28% |
| Mar 16 |  |
inmate | 69 26% |
| Mar 15 | zachfla | 60 52% |
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| Mar 14 |  |
arrow-s | 73 60% |
| Mar 14 |  |
XakkMaster | 84 74% |
| Mar 14 | semioticus | 73 44% |
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I wish this movie aimed higher, because it looks like it could've surely achieved more.
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| Mar 14 | rydmcalboy | 88 78% |
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| Mar 13 | seymasylk | 85 75% |
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| Mar 12 | 1217minion | 85 45% |
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| Mar 12 | tcclemson | 35 46% |
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| Mar 10 |  |
JLFM | 63 37% |
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The main quartet of actors are great (particularly Kingsley Ben-Adir) and Kemp Powers' script eloquently tackles its well-worn but evergreen themes of protest, influence, and equality. And yet, it still just feels like eating vegetables. And regardless of how well-written the dialogue is, the barrage of lecturing that occurs over the film's nearly-two-hour runtime becomes a bit monotonous.
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| Mar 08 |  |
buddhalou | 80 74% |
| Mar 07 |  |
aross | 65 64% |
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Found this very interesting and well-done. It takes fictional but plausible dialogue from the play and I'm assuming adds the open scenes for each character for some background and change of pace since this is a movie.I thought all four main actors did very well, although some looked much more like the historical figure than others. I was rarely fatigued despite it being so dialogue heavy.
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| Mar 07 |  |
TonEe | 82 60% |
| Mar 06 |  |
Hisingen | 60 29% |
| Mar 06 |  |
Toy-G | 81 43% |
| Mar 05 | hmsbagel | 87 65% |
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| Mar 05 | haydengrace | 70 16% |
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| Mar 04 |  |
tsumanne | 40 17% |
| Mar 03 |  |
Gabriel Vaz | 75 34% |
| Mar 02 |  |
feritdgn | 71 54% |
| Mar 02 | chrispy294 | 7 54% |
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| Mar 01 |  |
beware | 62 20% |
| Mar 01 | tliu9 | 88 70% |
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| Mar 01 | kissgyozi | 65 30% |
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| Feb 28 |  |
fenixdown | 78 65% |
| Feb 28 |  |
egehany | 65 7% |
| Feb 28 | rilla12 | 85 88% |
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| Feb 27 |  |
moraesfelipe | 65 62% |
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Guess it works better as a microscope portrait of the 60s through four wondrous historical figures than an actual thought-provoking, kind of philosophical, theater-goes-to-cinema chamber piece. Still, what a cast this is and King directs their interactions with affection and sharpness. Better than 95% of Oscar-bait biopics out there.
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| Feb 26 |  |
faruksongur | 5 20% |
| Feb 26 |  |
wokelstein | 47 22% |
| Feb 26 |  |
avgcrtckr | 60 66% |
| Feb 26 |  |
filmaffinity | 62 52% |
| Feb 24 |  |
laika | 75 61% |
| Feb 24 |  |
Sinematiko | 45 64% |
| Feb 24 |  |
Florin92 | 70 69% |
| Feb 23 |  |
sebby | 35 10% |
| Feb 22 |  |
Lurasans | 75 32% |
| Feb 21 |  |
DMCrimson | 80 61% |
| Feb 21 | styates | 80 83% |
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| Feb 21 | BigFatGus | 72 66% |
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| Feb 20 |  |
Filligan | 84 56% |
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A confident and elegant debut for Regina King. I don't know if it's the pandemic or mere happenstance, but there have been many play-to-films this year, and this one has felt the most conscious of its medium, the most interested in the empowerment of the camera rather than focused on getting the dialogue out as quickly as possible, so kudos to King. All four leads are wonderful, but the real soul of the piece seems to be Odom Jr. His performance sneaks up on you. Hope he wins the little gold man
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| Feb 20 | eattherude | 70 40% |
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| Feb 20 | madmaxzags | 59 55% |
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| Feb 17 |  |
WWallce4prez | 77 63% |
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A great directorial debut from Regina King. The screenplay is often fire, with the scenes at the hotel working quite a bit better than those outside. The camera work is solid with several inspired dashes thrown in to stray from the filmed-play aspect of the piece. The four leads are great but it is Kingsley Ben-Adir that is really something else.
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| Feb 17 |  |
SpaceSpiff | 87 47% |
| Feb 16 |  |
mr scofield | 69 29% |
| Feb 16 | Reavic | 50 42% |
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| Feb 15 |  |
Litigator | 50 36% |
| Feb 15 | inzzzomnia | 2 17% |
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Four men, two that I've never even heard of before, argues in a motel room for close to two hours. Not my kind of movie...
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| Feb 14 |  |
johanelma | 70 30% |
| Feb 14 |  |
norval_jones | 76 53% |
| Feb 13 |  |
rklenseth | 90 92% |
| Feb 13 |  |
EmreZabun3 | 65 38% |
| Feb 13 | debaser1985 | 65 40% |
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| Feb 12 |  |
Tizzy | 75 66% |
| Feb 11 |  |
karlson | 65 28% |
| Feb 11 |  |
mustafatanis | 74 34% |
| Feb 11 | random22431 | 66 37% |
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| Feb 10 |  |
talat | 70 40% |
| Feb 10 |  |
whitelighter | 64 61% |
| Feb 10 | knives | 60 15% |
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| Feb 10 |  |
w1llhunt1ng | 95 62% |
| Feb 10 | ericambler | 82 81% |
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| Feb 10 |  |
closer_ | 66 55% |
| Feb 08 |  |
ElsaH | 82 38% |
| Feb 08 | xacviant | 82 59% |
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| Feb 07 |  |
Obdurate | 90 91% |
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I got lost in this. The premise itself is interesting but it perfectly captured the essence of what a dialogue heavy film should be. The performances by the four are delectable--they deserve awards as an ensemble if those were given--and the flick accomplished a feat in which I forgot that I was even watching a movie at certain points because the interactions and words spoken were so organic. A nuanced look at different perspectives; everything else is great but that's the standout.
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| Feb 07 |  |
svenerik | 80 67% |
| Feb 06 | ethsings72 | 70 49% |
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| Feb 06 |  |
sehrbei | 90 70% |
| Feb 06 |  |
El99can | 66 37% |
| Feb 06 |  |
coledunbar | 6 26% |
| Feb 06 |  |
cascade | 54 23% |
| Feb 05 |  |
serenadsiir | 67 20% |
| Feb 05 |  |
balseiros | 75 56% |
| Feb 05 | Kobi | 55 17% |
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| Feb 04 |  |
bafflegab | 74 73% |
| Feb 03 |  |
asperastrum () | 80 69% |
| Feb 02 |  |
FreddieQuell | 64 49% |
| Feb 01 |  |
Ocelot | 65 64% |
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fun but slight. it is difficult to watch this knowing what happens to all four of these men, because the film never makes clear if we should be watching with such ironic foresight or if we're meant to be assumed ignorant. the most memorable part of it was my mom thinking it was based on a true story and I had to spend five minutes explaining what the word "fictional" means. the most courageous performance is Beau Bridges, who showed up for five minutes to say the N-word.
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| Feb 01 |  |
VegA | 66 44% |
| Jan 31 | strangelime | 85 68% |
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| Jan 31 |  |
capodelnulla | 80 80% |
| Jan 31 | kaitybg7 | 82 72% |
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| Jan 30 | btanrikulu | 60 54% |
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| Jan 30 | Edsep | 90 86% |
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| Jan 29 | umut14441 | 60 0% |
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| Jan 29 |  |
Ametrine | 9 77% |
| Jan 29 |  |
ibrahimbars | 60 22% |
| Jan 29 |  |
CinematicESP | 87 73% |
| Jan 28 | HTD | 6 16% |
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| Jan 28 | Paradox | 80 74% |
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| Jan 27 |  |
VanillaSky | 70 74% |
| Jan 27 | izideve | 70 40% |
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| Jan 27 | jvz63 | 72 30% |
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| Jan 27 | pedrodalen | 89 83% |
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| Jan 26 | brennanc | 10 26% |
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| Jan 26 | worleyjamers | 70 62% |
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| Jan 25 |  |
emreco | 70 56% |
| Jan 25 |  |
semitozge | 65 42% |
| Jan 25 | myfavchords | 87 91% |
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This film has a great script and outstanding direction. The cast all hit their roles out of the park. The film is fascinating and interesting. Overall I would highly recommend this film.
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| Jan 25 | Malcym | 6 54% |
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| Jan 25 |  |
exolstice | 84 71% |
| Jan 24 | lefterisd99 | 60 41% |
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| Jan 24 | Atoz | 50 42% |
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| Jan 24 |  |
schnofel | 57 47% |
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A middlebrow pageantry of black idols that briefly catches fire when Malcolm X tears into Sam Cooke for the superficiality of his songwriting. The rest is the dramatic equivalent of establishing shots. Everybody is dressed up (in nice suits) and ready to go but nothing much happens. Though it reminds one of the cultural richness of the civil rights movement.
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| Jan 24 | wordsdreams | 70 67% |
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| Jan 24 | Colin19 | 91 88% |
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| Jan 23 |  |
abasakucan | 70 58% |
| Jan 22 |  |
lessismore | 60 13% |
| Jan 22 |  |
LuxNatalis | 33 15% |
| Jan 22 |  |
mrsdalloway | 65 51% |
| Jan 22 |  |
Antunder | 55 34% |
| Jan 22 | Liquefied | 76 79% |
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| Jan 22 | ltremaine | 68 57% |
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| Jan 22 | hellothere | 65 37% |
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| Jan 21 | toro913 | 54 51% |
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| Jan 21 |  |
devrimozkan | 68 63% |
| Jan 21 |  |
brianstorm | 76 87% |
| Jan 21 | ND03 | 90 87% |
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| Jan 21 | JJJensen | 90 85% |
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| Jan 20 | bidola | 70 17% |
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| Jan 20 |  |
gozdeyuksel | 75 77% |
| Jan 20 | evancurdts | 86 80% |
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| Jan 20 |  |
sacmersault | 73 61% |
| Jan 20 | Vilputti | 74 63% |
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| Jan 19 |  |
Vokalbum | 78 86% |
| Jan 19 | gdfthr337 | 93 80% |
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| Jan 19 |  |
RTAudience | 84 76% |
| Jan 19 | qwertyes | 90 89% |
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| Jan 19 |  |
NhanLa | 73 67% |
| Jan 19 |  |
AAAutin | 53 55% |
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(MUHAMMAD OVER MY HAMMY)
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| Jan 18 | Kianoto | 54 14% |
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| Jan 18 |  |
hemestnt | 78 39% |
| Jan 18 |  |
annie | 40 20% |
| Jan 18 |  |
matthewmj336 | 90 69% |
| Jan 18 | CatScandal | 72 73% |
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| Jan 18 | cdub12 | 67 51% |
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| Jan 18 |  |
explorer | 50 52% |
| Jan 18 |  |
chadisdanger | 84 76% |
| Jan 18 | flipperrbm | 5 58% |
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| Jan 18 |  |
natebarrios | 65 38% |
| Jan 17 | sfx112 | 70 64% |
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| Jan 17 | zevel6 | 56 54% |
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| Jan 17 | Noel74 | 89 54% |
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| Jan 17 |  |
PrestoBix | 84 69% |
| Jan 17 |  |
Shadrik | 79 80% |
| Jan 17 |  |
me7ecnt | 5 30% |
| Jan 17 |  |
cryteno | 6 34% |
| Jan 17 |  |
bybrt | 55 34% |
| Jan 17 |  |
okayfrog | 55 30% |
| Jan 17 |  |
TheShiznit | 55 68% |
| Jan 17 | mzonder | 70 70% |
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| Jan 17 | LesterGroans | 78 77% |
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| Jan 16 |  |
aalp | 5 41% |
| Jan 16 |  |
drsword | 50 11% |
| Jan 16 |  |
alakota | 60 22% |
| Jan 16 | zenithtim | 74 65% |
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| Jan 16 |  |
Hofschneider | 81 70% |
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The movie really elevated itself late with its treatment of Malcolm X, who turns from a frantic bore into a sacrificial general of the cause. I did not expect to be surprised by a movie like this...
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| Jan 16 |  |
seals | 5 44% |
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homework-y. reminds me of one of those two-night network TV miniseries my parents would make me watch in the 90s.
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| Jan 16 |  |
donmezsefa | 50 22% |
| Jan 16 |  |
muratkrks | 60 29% |
| Jan 16 | Kevin Ruffo | 84 64% |
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| Jan 16 |  |
Oktay | 50 16% |
| Jan 16 |  |
jacqueskit | 60 45% |
| Jan 16 |  |
mentosibo | 70 50% |
| Jan 16 | TastelessSod | 76 45% |
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| Jan 16 |  |
nickv | 66 48% |
Displaying 1 to 250 of 269 total ratings: Prev | Next
| Average Percentile 51.52% from 269 Ratings |  |
