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Rabbit Hole
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Rabbit Hole

2010
Drama
1h 31m
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Avg Percentile 54.55% from 1096 total ratings

Ratings & Reviews

(1096)
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Rated 31 Dec 2010
80
86th
This is the type of material that screams for the Academy's attention. Somehow, however, Mitchell sidesteps cliché and brings us a measured account of how people react to and deal with tragedy. Both Kidman and Eckhart deserve Oscar-buzz. It could be pitched as 'In the Bedroom' meets 'Rachel Getting Married' which sounds explosive and/or drab but rather it's in fact dialed down and completely engaging.
Rated 09 Dec 2010
80
88th
An amazing portrait of the hard times a couple can go through if they have lost a child. Eckhardt and Kidman's performances are strong, cause you sense they could break down at any second and they could be heading towards nominations... This movie is good because it takes its time to dwell upon small things as a facial expression or the bigger question of faith and combined with a very melodramatic score (which is just on verge of being over the top) it hits you right in the heart.
Rated 15 Mar 2011
75
65th
Good but not great. The stellar acting does a good enough job of patching up the fact that this, as Kavu says, brings nothing new to the table. Once the character of Jason is introduced you realize you'd much rather read his intriguing comic book than watch Eckhart and Kidman shout at each other. That's not to say it isn't well handled and delicately executed - it is, there's just a bit less content there than the film seems to think. Parts are great, others feel empty. Moderately recommendable.
Rated 25 Dec 2010
83
93rd
Stellar performances, an improved screenplay, and achingly beautiful direction make this film even better than the play from which it was adapted.
Rated 15 Dec 2010
80
67th
Pretty much a given that at least Kidman or Eckhart get nominations. Personally I preferred Eckhart, though I wouldn't hate if Kidman got the only nom. I enjoyed the more positive ending, the stuff with parallel universes and believing in science vs God. It's actually a pretty subtle, but relatively fresh, take on this kind of movie. The scene where it was revealed who killed Danny was understated but really moving. I guess that's where this movie delivers... heavy subject matter in a subtle way
Rated 25 Feb 2011
31
23rd
that comic book looked a lot better than this movie
Rated 12 Jan 2012
80
80th
A suitably subdued look at the ultimate family tragedy. It echoes 'In the Bedroom', but these films are not so much about the subject, as they are about the performances. Kidman is, not surprisingly, the show stealer, but Eckhart impressed me with his portrail of the ambutated alphamale, trying keep things together, whilst coping with his impotent anger. It is a good film.
Rated 19 Feb 2011
91
85th
Intense, at times painful drama; marked by a marvellously subtle performance by Kidman, which ranks with the best of her career; the emotions and feelings she projects with her eyes are quite staggering. Eckhart is equally terrific, and Wiest and Oh are both heartbreaking in support. Perhaps the inclusion of Teller's character and his relationship with Kidman doesn't quite ring true, but does not mar the power of this thoughtful, perceptive drama.
Rated 17 Apr 2011
8
78th
Delicately crafted adult drama, hosting an array of touching moments beneath its veil of muted emotions. Lindsay-Abaire's characters are fleshed out and believable, in other words, people you can identify with. Kidman is particularly good, her finest since Eyes Wide Shut, though I have yet to see Dogville.
Rated 13 Feb 2011
85
89th
The kind of subtle, nuanced drama that grabs you because of its profound simplicity. Plus, we get stellar performances from both Eckhart and Kidman.
Rated 29 Dec 2010
5
43rd
Sets off alarms for oscar drama territory. Singular minded and you see a minor transformation amongst the characters. Rises to be a decent watch due to Eckhart and Kidman both carrying the story.
Rated 11 Aug 2011
55
43rd
It's almost ruined by the uneven start, but then it gets easily a rewarding drama about grief. And I guess I would love to read that comic book.
Rated 12 Dec 2010
70
67th
Eckhart and especially the over-the-top-botoxed Kidman comes off a bit too glamourous and Hollywood-pretty to believably portray Mr. and Mrs. Average Joe living in the American suburbs, and perhaps that's why you never really-REALLY feel like going all the way for the characters. That aside this is for the most part a subtle, compelling drama nicely balancing one of the most horrific subjects imaginable - as in the gripping flashback montage at the end. And Kidman's finest work since Dogville.
Rated 26 Mar 2011
8
60th
Almost. I wasn't sorrowed completely, though many scenes tugged at my strings perfectly. Namely when Eckhart is walking his dog Taz, that was a brilliant scene. Great performances with a script that may of been a bit too calculated in a few instances. The cinematography and direction are both equally delightful.
Rated 02 Jan 2011
90
79th
Painfully and hard to swallow. An excellent movie with an uncommon topic. Eckhart an Kidman are great in this! Maybe one of the Oscar faves.
Rated 21 Dec 2010
90
78th
The simplicity and humane beauty of this film is astounding. One of my favorite dramas I've seen in a while.
Rated 24 Jan 2011
66
37th
Great performances, but just a "good" film. Honestly, it is well photographed, but the the lack of depth left me with the feeling of this being only a few steps up from a Lifetime movie.
Rated 17 Mar 2012
80
44th
Slow, with great performances.
Rated 17 May 2011
66
74th
Why doesn't Nicole Kidman's face ever move?? But it is a well acted movie, with a decent story. A bit Oscar bait-y, but still good.
Rated 10 Apr 2012
65
54th
This was a pretty decent film. It started off a bit dull. It wasn't until about 30 minutes into the film that it actually got interesting to me. I thought it had some nice, poignant things to say about grief and loss. Nicole Kidman and Aaron Eckhart were great. It wasn't amazing or heartbreaking, but I liked it, overall.
Rated 13 Feb 2011
70
57th
"Rabbit Hole" is a surprisingly quiet, modest and occasionally humorous examination of grief in American suburbia. The direction by Mitchell is subtle and delicate, the script, adapted by a Pulitzer-winning play, manages to be calmly touching without going over-the-top, while the performances by the two leads (the Oscar-nominated Kidman and the underrated Eckhart) are very strong. The results aren't particularly memorable, but just unexpected enough to make this an enjoyable ride.
Rated 17 Jan 2011
86
62nd
*cowfrappe* says exactly my thoughts about it... For me, the success of this film lies in the casting, and John Cameron Mitchell's handling of the material, and his cast... It's also beautifully photographed... My biggest surprise "like" of the year, as I (like *cowfrappe*) saw the play, also...
Rated 18 Jan 2014
70
76th
The great and subtle acting really make the film, even though storywise it might be lacking. I was still positively surprised. Kidman's performance is especially impressive.
Rated 21 Nov 2011
81
55th
Typically static as a film based on a play usually is, this focusses on character development but doesn't really show much movement in any direction. It's more like a snapshot of difficulty and misery which is worth doing but seems somehow limited.
Rated 08 Nov 2011
0
11th
Rated 25 Feb 2011
87
81st
Beautiful and absolutely heartwrenching. Nicole Kidman & Aaron Eckhart are both fantastic.
Rated 19 Oct 2013
87
83rd
Painfully beautiful. Even if it carries a hope it only gets heavier with every second. However the script, cinematography and great performance of both (the couple) gives you a real pleasure through that decent dose of bitter.
Rated 11 Jan 2011
60
41st
I'm not a parent so this is all fwiw, but it teeters dangerously close too almost parodic sorrow-onanism, and some moments feel hollow and calculated. Still, for the most part it was involving enough and it manages to stay away from the worst kind of Oscar-baity "showiness" admirably. Add to that some very good scenes as well, plus a great supporting performance from Dianne Wiest, and you have a decent film. It does feel a little too well-meaning and by the numbers, though.
Rated 03 Jun 2013
100
95th
http://gorgview.com/rabbit-hole
Rated 29 May 2018
79
51st
78.50+.50 = 79.00.
Rated 14 Jan 2011
1
0th
Rabbit Hole is utterly tragic, but it attains this not through melodrama and milking the premise for all its worth, but instead by being humane and subdued. With great performances from Eckhart and Kidman, and lightened with appropriate humour, Rabbit Hole is both very sad, but very hopeful. Maybe I'm just a sucker for string music, but Rabbit Hole is a great film. Score is not a grade.
Rated 13 Feb 2011
70
69th
A bittersweet, human film that elaborately manages to avoid screenwriting dead ends. Kidman and Eckhart are both brilliant as the parents, and they share two of the finest last lines. "And then what?" "I don't know... Something though". Glorious.
Rated 30 Jan 2011
60
28th
Yes, there are people who go through such endless gyrations of irrational reactions to grief, but that doesn't make it any less irritating to sit through, along with the boring and depressing parts. I didn't even think the roles were that challenging. The best part was Dianne Wiest's soliloquy about the brick which was very touching and did offer some real comfort.
Rated 25 Jan 2011
79
82nd
Nicely done and very good acted drama about loosing a child. They avoid to show the real act and showing it in the end was kind of unnecessary. Everything was said and done. The story did not fell into usual and big plus for it. And yes, this story laid mainly on leads, though Dianne Wiest was not bad either.
Rated 01 Feb 2011
70
48th
Well acted and directed, but brings absolutely nothing new to the couple in crisis - subgenre.
Rated 18 Oct 2012
75
47th
Nicole Kidman finally to the top of her game after quite some time.
Rated 24 Feb 2011
73
78th
has a nice sense of reality. it's light and very everyday-life kind, in a good way.
Rated 28 Dec 2010
80
77th
A very delicately handled, darkly humorous and compelling drama.
Rated 16 Oct 2015
80
68th
Kidman actually manages to convey some emotion (and a real, fascinatingly awful character) through the botox mask, a rare sight these days. God, but seriously, why has she done that to her face? Anyway, this is really good, quite elegant in its depiction of grief without being grimdark misery porn (until the third act, at least, though the turn into crying montages is more disappointing than destructive). Dianne Weist is wonderful.
Rated 01 Jan 2015
55
74th
#14#, story, reviews, Nicole.K!/10A4
Rated 28 Oct 2013
3
59th
For when you need a solid cry.
Rated 20 May 2011
60
36th
I cried once, but that was just because of how hard I was laughing when the dude made his heart-wrenching confession that he was going 1 to 2 miles above the speed limit at the time of the accident.
Rated 31 Jan 2011
87
56th
another additon to the drama, subheading: human relationship genre/sub genre, and this is a good one with strong performances from the leads and also from oh and wiest........
Rated 25 Jul 2016
87
92nd
Although every actor is stunningly good (and I for one never suspected Aaron Eckhart was so much more than just a beautiful hunk), the real stars are the writer and the director. If the opening credits hadn't said this was originally a play, I NEVER would have guessed--they successfully avoided every single pitfall inherent in the translation of genres, something almost no one who came before them has ever managed to do. Only quibble: these people are not believable for a moment as New Yorkers.
Rated 19 Dec 2010
76
55th
the movie is sad and depressing in double layers... first the deep grief over a lost son, and second is the fact why would someone want to make a movie without a plot leading nowhere... Perfect role for Nicole Kidman who at any given time looks like she lost a son, so her acting is great...
Rated 11 Aug 2011
72
48th
The places where the shoots are taken was cool and the photography.Nice acting especially from Eckhart.Nothing special in the storyline but well directed.
Rated 18 Jan 2014
50
56th
There are times when Rabbit Hole manages to be touching but mostly its too conventional to elicit an emotional response, and in the end doesn't have that much to say. It's only saved by wonderful acting from everyone involved.
Rated 03 Mar 2012
95
92nd
Beautiful.
Rated 16 May 2012
71
50th
anne-baba, cocugunu kaybeden anne baba, terapi, trafik kazasi, psikolojik drama
Rated 22 Nov 2011
77
56th
Good, but not worth being my 400th rated movie, which it is. Happy anniversary!
Rated 01 May 2011
77
60th
A reasonably respectful and realistic look at grief. I liked that, except for one brief scene, it doesn't reach for grandiose emotional moments. But I have a couple of gripes. Casting the impossibly attractive Kidman and Eckhart hinders one's identification with these characters, which is crucial to a film like this. Especially Kidman, who looks way too "Hollywood", and her performance is the phoniest of the lot. The tinkly piano score is a bit hokey, too. At any rate, it's a thoughtful film.
Rated 07 Jan 2011
64
25th
A fine film all around. It's cleverly executed and the performances are flawless. Yet I didn't really like it that much. Maybe it's because I didn't relate very well to the subject. Or maybe the tone of the film is just too serious and depressing. I mean, I can't imagine myself ever watching this again. But I can easily see why others would like it - it's just not for me.
Rated 18 Jul 2016
82
77th
Really liked this. Characters are complex and interesting. Two parents have very different ways of grieving.
Rated 23 Apr 2011
75
73rd
Nicole Kidman and Aaron Eckhart imbue there characters with such a sense of brokenness and loss over there son's death that it's difficult to watch at times.The scenes where there emotions spill over to anger and rage are especially powerful and moving.The light piano and string score compliments this film nicely.
Rated 16 Nov 2011
42
29th
Just not my kind of movie.
Rated 14 Dec 2010
25
61st
"Like Crash without the clunky characterization, Rabbit Hole is film as medicine, a big, pretty pill to be uncomfortably swallowed." - Jesse Cataldo
Rated 04 Sep 2013
65
73rd
Very good.
Rated 06 Apr 2012
70
40th
Memorable, but not necessarily in a good way. If anything, this should probably be a life lesson to anyone who loses a loved one... all the bad things that can happen if you refuse to eventually move on with your life. That is, do not be like these people. You will be unlikeable.
Rated 24 Sep 2012
83
86th
This is a great drama with two great acting performances. Both Nicole Kidman and Aaron Eckhart are fantastic in this film. The script is realistic and it it really makes you feel the characters pain. This film realistically deals with sudden loss and the slow recovery.
Rated 16 Dec 2010
5
0th
Rabbit Hole is a laudable art project, not great but good enough to rate comparison with stronger movies that contextualize the grief of loss and disorientation.
Rated 25 Jan 2013
6
44th
Moving story of loss and grief. There was some good placement of scenes but it was all a bit glossy - white wood house with fab views/Nicole Kidman - to really have impact.
Rated 02 Oct 2011
74
46th
An accurate study of grief with a handful of touching scenes, but it lacked something... a spark, or an edge, or something. Good performances and good writing, but not entirely unforgettable.
Rated 20 Feb 2011
70
52nd
Despite a typically sincere and detailed performance from Kidman, this struck me as a routine and uninspiring if tasteful weepie in the vein of Ordinary People. The icy and self-reliant side of Kidman's character reminded me of Mary Tyler Moore's, as well. Aaron Eckhart's rather stale, however.
Rated 31 May 2013
50
41st
This movie is well made, but the subject matter is quite haunting. Who in their right mind want to see/experience a story like this? it's quite sad.
Rated 11 Dec 2011
89
46th
good job!
Rated 29 Nov 2011
95
91st
A good movie for grief.
Rated 21 Feb 2011
85
71st
Mitchell finally gets wise and makes a movie for grown ups.
Rated 31 May 2011
35
77th
"The film's impeccable emotional truth and delicate touches of black humor owe in equal part to screenwriter, director and stars."

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