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Rewind This!

Rewind This!

2013
Documentary
1h 31m
Home video changed the world. The cultural and historical impact of the VHS tape was enormous. This film traces the ripples of that impact by examining the myriad aspects of society that were altered by the creation of videotape. (imdb)
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Rewind This!

2013
Documentary
1h 31m
Your probable score
Avg Percentile 58.74% from 100 total ratings

Ratings & Reviews

(100)
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Rated 03 Feb 2014
65
64th
Good stuff. There are countless documentaries about fandoms or whatever bizarre subject people are into, but the people in this managed to completely sell me on why VHS is actually important from an artistic and historical perspective. Worth a watch if you're into film in any capacity, but especially if you're a fan of b-movies and stuff that most people view as "trash."
Rated 16 Apr 2015
75
68th
Our (early to mid-thirtyish people) cultural development was based on a cartridge filled with flimsy magnetic tape. This movie explains why and how. Some fandom shit, but it isn't as creepy or "lookit these fuckin' dweebs" as other fandom docs; these are just people who like collecting and trading tapes. No complaints or excess praise, just a decent doc.
Rated 17 Jan 2014
80
77th
fun rundown of the glory days of vhs, with plenty of nostalgia to boot. gets a bit unfocused at times, but overall it's good. extra treats with plenty of faces from the cult film circuits interviewed about what vhs meant or still means for them.
Rated 29 Jan 2018
5
81st
Not just about the collectors but the political/economic impacts of the VHS. That one guy does need new fucking glasses tho, you're not Barney Martin.
Rated 15 Sep 2014
80
53rd
Gets a tad preachy, unsurprisingly, with the segment on non-physical media, but otherwise a well-edited documentary on VHS media and nostalgia culture.
Rated 19 Jan 2015
75
53rd
I am into this stuff!
Rated 09 Apr 2016
60
52nd
Enjoyable and self-aware. I loved all the cheesy movie clips too.
Rated 09 Jan 2018
70
53rd
In which programmers, exploitation filmmakers, and dorks offer a more interesting discussion of the political and philosophical implications of new media than the dozen-plus Hollywood heavies in SIDE BY SIDE, particularly in the crucial acknowledgment that the idea of current trends as an indication of *greater* democratization of media is precisely the ludicrous lie corporate gatekeepers are banking on your belief in.

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