Scenes from the Class Struggle in Beverly Hills
Divorcee Lisabeth Hepburn-Savarian (Woronov) moves in with very recently-widowed Clare (Bissett) while her house is being fumigated, and the chauffeur of one (Sharkey) makes a bet with the houseboy of the other (Beltran) as to which will bed the other's employer first. An assortment of friends and relatives--not to mention the ghost of the deceased--show up for the wake and the games are most definitely on. (timon88)
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Scenes from the Class Struggle in Beverly Hills

1989
Comedy
1h 43m
Your probable score
Avg Percentile 41.13% from 24 total ratings

Ratings & Reviews

(24)
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Rated 27 Oct 2019
85
81st
Not an artificial film but a film about artifice, its tensions and sensations, described in the very friendly rivalry between Beltran's wide-eyed houseboy and the chauffeur across the way, a promiscuous and toxically charming snake played by Ray Sharkey (did they know?!) and their bet on bedding their bosses (Woronov and Bisset, pitch-perfect both). Had to add Arnetia Walker & Edith Diaz myself? You racist fucks. Someone needs to write an indignant essay on Blackness in Bartel, lolz
Rated 12 Jul 2008
90
95th
"That's a funny taste..." Crack performances and a terrific script. Hilarious satire. Best. Brunch chatter. Ever. Mary Woronov is an extremely underrated actress. The only movie I know of that uses Debussy's "Dr. Gradus ad parnassum" in the soundtrack.
Rated 07 Nov 2010
85
91st
The high score is cuz of a 3 second shot that rivals the greatest shots in all of film and that's when Wallace Shawn and Ed Begly Jr are strangling each other - an aesthetic orgasm, and speaking of which - EBJ's words of endearment during a let's-make-up belly slap. oh and the cute little dog's sense of smell. I've never been so crushingly fucking jealous of a dog in my entire life. Oh heavenly dog, indeed.
Rated 14 Oct 2012
64
22nd
Despite looking a lot like the soaps it's skewering, this black farce actually has some great performances and a sharp script. More snarky camp fun from Bartel.
Rated 07 Jan 2015
43
39th
Quite possibly the most relentlessly insincere movie ever made, which i guess makes sense considering Bruce Wagner also wrote Maps to the Stars (to which this shares a great deal of similarity). That's not to say sarcasm and irony don't have their place, and actually this fares slightly better than Cronenberg's film because Bartel's lighter, sillier (read: camp) sensibility is better suited for this silly, farcical (read: camp) material and thus avoids the overtones of pretension.

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